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Arnau Sala Saez - Si no sóc a l'ara, a on sóc

Premiera w Radio Kapitał! Zapraszamy na odsłuch utworu "This Robot Needs A Human Touch" w remixie jamaszki FT, z niepublikowanej jeszcze EPki Fau - "Lost Melodies".

Po ośmioletniej przerwie, z nowym materiałem powraca, związany z kolektywem BTS - Fau. Na EPce „Lost Melodies” znalazły się 3 oryginalne utwory, wsparte remiksami Jamaszki FT, Piotra Figla i ISNT. Premiera 30 lipca > behindthestage.bandcamp.com

@fauunfau @jamaszka_ft @behind-the-stage @piotrfigiel @isnt
Cover art by Aleksander Jagodziński / @aleksanderjagodzinski

Więcej nowości i przedpremierowych odsłuchów usłyszycie co wtorek i czwartek o 12:00 w audycji Świeżynka > https://radiokapital.pl/shows/swiezynka

Lost Melodies

Fau - This Robot Needs A Human Touch (jamaszka FT Remix)(BTS)

The illustrious Abu Ama lets loose on Accidental Meetings with a 9 track LP, manifesting his trademark distorted dubwise style, with traditional folk song throughout. 

Following wzrdyAV's sublime 'Midnight Visions' we're so, so excited to welcome Abu to the label for AM002. An unbelievable artist and person, we're honoured to have him on AM. 
Abu who lives in West Germany showcases his whole repertoire throughout the 9 tracks with a selection of new and old, past and present. 

His field recordings are scattered over the album and his rumbling bass is ever present, traditional folk songs dip in and out of the album all brought together in Abu's signature dub-wise style. 


The album flows from the noise and industrial-ness of Ghostograph and Nictistwieesscheint to the softer pads of Red Rose and Gods Will. Abu's trademark distorted style and rumbling bass comes in to the fray on Yogi Yard with the addition of hard hand drums in Karochi. Leading him to venture into more of his traditional dub on Kleopatra arabxo, where his distant field recordings really come into play. The traditional folk song is present throughout however it really shines Peach Garden & Plastic Cobra, where he really gets his groove on. 

Artwork by Ciaran Birch.

AM002

Ghostograph

With a steady drip of releases from labels such as Great Circles, L.I.E.S., and Jack Dept., Philadephia-based M//R (Billy Werner) has carved out a uniquely penumbral club zone. Informed by a lifetime in various underground music spheres and sharpened by steady DJ gigs across the eastern US, 𝑨𝒏𝒙𝒊𝒐𝒖𝒔 𝑴𝒆𝒅𝒊𝒕𝒂𝒕𝒊𝒐𝒏 delivers Werner's deepest cuts to date. Heavy influence from classic dubs intersects with modern bass centric genres to deliver four tracks of floating pads and faveolatic percussion, simmering atop magmatic sub-bass rhythms. The center label reads "33-45 RPM" -- due to the analog nature of the recordings, it can be pitched down to languorous BPMs; every tempo and pitch offering new vistas for home listening or (hopefully soon) dancefloor revelations.


𝐼𝑛𝑠𝑡𝑒𝑎𝑑 𝑜𝑓 𝑠𝑖𝑛𝑘𝑖𝑛𝑔 𝑖𝑛𝑡𝑜 𝑛𝑜𝑡ℎ𝑖𝑛𝑔𝑛𝑒𝑠𝑠
𝑇ℎ𝑒 𝑚𝑜𝑛𝑘 𝑛𝑒𝑟𝑣𝑜𝑢𝑠𝑙𝑦 𝑒𝑦𝑒𝑠 ℎ𝑒𝑟 𝑤𝑟𝑖𝑠𝑡𝑤𝑎𝑡𝑐ℎ.
𝑆ℎ𝑢𝑡𝑠 𝑡ℎ𝑒𝑚 𝑡𝑖𝑔ℎ𝑡 𝑎𝑔𝑎𝑖𝑛, 𝑐𝑢𝑟𝑠𝑒𝑠 𝑡ℎ𝑒𝑚,
𝐻𝑒𝑟 𝑚𝑖𝑛𝑑 𝑡𝑜𝑜 𝑡ℎ𝑖𝑐𝑘 𝑤𝑖𝑡ℎ 𝑡ℎ𝑜𝑢𝑔ℎ𝑡.
𝑆ℎ𝑒 𝑠𝑙𝑖𝑝𝑝𝑒𝑟𝑠 𝑎𝑐𝑟𝑜𝑠𝑠 𝑡ℎ𝑒 𝑟𝑜𝑜𝑚, 𝑟𝑜𝑏𝑒𝑠
𝐶𝑙𝑢𝑡𝑐ℎ𝑒𝑑 𝑎𝑛𝑑 𝑏𝑟𝑜𝑤 𝑓𝑢𝑟𝑟𝑜𝑤𝑒𝑑,
𝐴 𝑠𝑖𝑛𝑔𝑙𝑒 𝑚𝑜𝑡𝑖𝑜𝑛, 𝑠𝑡𝑒𝑟𝑒𝑜 𝑜𝑛,
𝐺𝑙𝑖𝑠𝑠𝑎𝑛𝑡𝑖𝑛𝑔 𝑏𝑎𝑠𝑠, 𝑛𝑎𝑔 𝑐ℎ𝑎𝑚𝑝𝑎 𝑐𝑙𝑜𝑢𝑑𝑠
𝑃𝑢𝑙𝑠𝑎𝑡𝑖𝑛𝑔. 𝐸𝑣𝑒𝑟𝑦𝑡ℎ𝑖𝑛𝑔 𝑎 𝑠𝑙𝑜𝑤
𝑅𝑒𝑣𝑒𝑟𝑏𝑒𝑟𝑎𝑡𝑖𝑛𝑔 𝑠ℎ𝑖𝑣𝑒𝑟, 𝑤𝑎𝑘𝑒 𝑢𝑝,
𝑆𝑎𝑖𝑙𝑖𝑛𝑔 𝑎𝑐𝑟𝑜𝑠𝑠 𝑡ℎ𝑒 𝑟𝑜𝑜𝑚 𝑎𝑛𝑑 𝑎𝑟𝑚𝑠
𝑇ℎ𝑟𝑎𝑠ℎ𝑖𝑛𝑔 𝑎𝑠 𝑖𝑓 𝑡𝑟𝑦𝑖𝑛𝑔
𝑇𝑜 𝑐𝑎𝑡𝑐ℎ 𝑒𝑣𝑒𝑟𝑦 𝑙𝑎𝑠𝑡 𝑒𝑐ℎ𝑜.



Buy via: https://enmossed.bandcamp.com/album/anxious-meditation 

https://soundcloud.com/m-r-127
https://soundcloud.com/enmossed

Premiere: M//R - Arquatic Gesture [enmossed]

Recommandé si vous aimez Sister Iodine, Black Dice, U.S. Maple…

Release party à Petit Bain à Paris le 30 mars 2022 dans le cadre du festival Sonic Protest.

OFFICINE - CIELCIX (from iDEAL226 LP/CS/Digital)

i5p4Rk&iT5IiK36450IiN3

Follow artist: @angelofdestructionn @varus_music
Artwork: @slimecoca
Mastering: @gostwork

Support on bandcamp: https://uralhardkicks.bandcamp.com/track/a-gl-x-varus-stranger-than-paradise

FREE DOWNLOAD

AИGL x VARUS - Stranger Than Paradise | UHK028

[288] KONTRAKTS (to be finished)

Болезни Суставов - Untitled

GRIMPER

Index - Kainos
iDEAL197 LP
Available soon
Distributed by Boomkat

‘Kainos’ is the debut album by Index, a new electronic music project by British musician Simon Scott, recorded in 2016 to 2019 in Los Angeles. Scott is a veteran British composer, field recordist, drummer and mastering engineer. 
Taking inspiration from the conflicting opinions of Brexit debates from the Houses Of Parliament, Scott fed these live streams into his modular synthesiser for improvising and composing with. These symbiotic jams formed the foundations for each Index track, with only the sparse nocturnal beats from a Roland 909 and transparent editing of each modular jam to accompany the synthesis. 

Scott’s association with shoegaze, as a member of UK band Slowdive, and ambient influences, present in his solo work on Touch and 12k, is replaced by the early electronics influence of Coil and Throbbing Gristle on Insides, early metal pioneers Black Sabbath rising on tracks such as Blackesh and Exit B. The throbbing 909 pulse on Sprinkles provides a Dubbed out groove that calls to mind Arthur Russell jamming with Basic Channel and the bottom heavy bass lines of dubstep on Countdown has is visceral and contains a brooding sample of Rachel Goswell’s (from Slowdive) voice sucking everything into the mix.
A key conceptual influence to Kainos is Luigi Russolo’s Futurist manifesto for music, The Art Of Noises who glorifies the use of “noise-sounds” and other nonconventional musical sounds. This captures the imagination of a modern culture immersed in ecological disaster (climate catastrophe) and surrounded by the constant noise of capitalism and consumerism. Other inspirations for this album were taken from literary and non-musical ideas such as Donna Haraway’s 2016 book ‘Staying with the trouble; Making kin in the Chthulucene ’ and its central tenet that “our task is to make trouble, to stir up potent response to devastating events on a damaged earth”.
Index is the musical expression of Scott’s profound discontent with the lack of equilibrium we have right now and how disconnected we have all become in relation to nature and each other. Kainos means “now, a time of beginnings, a time for ongoing, for freshness” (Haraway). It is born from ecological grief and political frustration at a time when electronic and ambient music is sitting too comfortably in safe areas of sonic experience with nothing to say and providing aural wallpaper that is safe and sterile.

GRIMPER

Gischt

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