A funky up-tempo 100bpm house track with a Qubik twist. See a short companion video here: https://www.instagram.com/p/Cd_ypm7DlUN/

Some Same Strokes

Toby L’Rone produces ambient and experimental electronic music
compositions for work, relaxation, and meditation.

Check out Toby's profile here:
https://soundcloud.com/tobylrone77

Token

Johanna Vargas, soprano
Ensemble Linea
Carolina Santiago Martinez, piano
Keiko Murakami, flute contrebasse
Louis Siracusa, double bass
Jean-Philippe Würtz, conductor

IV. Gradual Abruptness
ooo –– ooo –– oo –– o 
gradual abruptness 
french 		(mr., rhythm acuto intros.) 
ital 		(riposante musica, ritmo meno acuto, adattabile)   
                 o                   –– 
non avete da mostrarmi un’altra macchina? (repeat rhythm) 

[…]

(– oooooooo – )

[…]

tu pensi:   
 –  o o  –  o o o  – o o o  –  o 
ha una macchina ancora da mostrarmi? 

Un poco di buon ordine feroce
Aspettare in tempo

	Évidemment

		si tu ne peux
Poétiser
	il te faudra
Cohabiter
Rime e accenti allineati
Évidemment 
Si tu ne peux
		analyser
Il te faudra
		coaliser
Io vado di solito a letto alle undici
o – o o – o o – oo – oo
La poésie du succès 
Le succès du sexu

Bisogna sfruttare i buoni momenti
o – oo – oo – oo – o
– o oo – o ooooo –

Autumn is a season of which I am very fond [about]

Regarde
Au moins
Ce qui est
Écrit
Sur le bout
De ta langue chérie
In nous faudra
Que tu y vas
(synthèse-douleur)
tu parles en prose  

V. Allons, plongeons
Allons, plongeons dans le réel (il le faut)
l’Esthétique Jaune dans son lit de Mort 
l’Esthétique Jeune dans son Lit Subtil
ou bien  
Nous sommes 
[dans son lit de la mort subtile
dans le lit de son jeune mort
dans la mort du lit du son
dans le son subtil de la jeune mort] 
 
(dans la gaze de la réalité). 
Nous passons dans la gaze du réel. 
Arrive l’enfer. L’impératif 
de la[…]
[…]réalité
(nous sommes en communication).

4. Gradual Abruptness 5. Allons, plongeon

Peter Kvidera is Minneapolis, US based artist Peter Kvidera, who has previously released albums on Aether Sound, as well as creating material for Triplicate Records and contributing a track for Jogging House’s ‘A Compilation For Oceana’ in 2021. After dedicating time in childhood making music with trumpet and guitar, Peter progressed into manipulating electronic sounds in high school and he has been doing it ever since. His work now is typically born through experimenting with new techniques, instruments and processes; throwing spaghetti at the wall to see what sticks.

For ‘Verism’, a liminal sleep sound became the hook, as a fuzzy form of minimalism sprawled across 9 hazy tracks. A simple loop-based approach was adopted, gathering sampled instruments and field recordings and funneling them through software utilities. Peter was interested in exploring the line between music and sound, questioning what makes a group of sounds take the step into becoming music versus an audio collage of gathered sounds. He experimented with manipulating the timbre of instruments and other audio, to explore the tipping points of whether their original source is still traceable.

It is Peter’s hope that this work of obscured sounds and textures falls just over the line, into musical territory.

Written and produced by Peter Kvidera
Mastered by James Edward Armstrong
Artwork by Peter Kvidera
Art and design by Andrew Heath

Verism

wlr128 Peter Kvidera - Verism

Zynphony Pt 1

engaging random ring modulated tones via the breath and articulation of my shakuhachi.

Ring Mod Dialogue

Music For Sleeping II

for Piano and electronics through transducers 
Mariangela Vacatello, piano
Mike Solomon, sound design
12.06.2017 Festival MANIFESTE-Ircam - Paris - Centre G.Pompidou        live recording

Entr'ouvert

DR0000 0170

Marco Lucchi : piano, low whistle and treatments

playing with "Ventarmas" by Boson Spin
https://soundcloud.com/boson_spin/ventarmas

27 gennaio 2021

* to my mother, who passed away in these days nine years ago

Eanáir [with Boson Spin]

Keeping it simple. I hope you like it :)

Artwork: https://www.instagram.com/art_by_kavka/

Fragility

http://giulia-lorusso.com
giulia.lorusso90@gmail.com
http://brahms.ircam.fr/giulia-lorusso

Giulia Lorusso is an italian composer based in Paris. 
She studied piano and composition at the Conservatory « Giuseppe Verdi » in Milan, with Alessandro Solbiati, and in Paris where she attended the Cursus IRCAM and completed a Master’s degree at the Conservatoire de Paris (CNSMDP) in the class of Frédéric Durieux. 
She was a student in the generative improvisation class held by Vincent Lê Quang.

Her production includes both instrumental and electroacoustic works integrating new technologies and exploring the relationship between performer, audience and devices as well as the relation between sound and space.
Her music has been commissioned by institutions such as IRCAM-Centre Pompidou, GMEM de Marseille, Radio France, ProQuartet, Donaueschinger Musiktage  and performed by renowned musicians as Brussels Philharmonic, Quatuor Tana, Quatuor Ditotima, Ensemble 2e2m, United Instrument of Lucilin, Yarn/Wire.

Giulia  has been artist in residence at ZKM (Zentrum für Kunst und Medien) de Karlsruhe, at the European University of Cyprus (EUC), at Royaumont Fondation (Incubator project), Fondazione Spinola-Banna per l’arte (Turin).
She is currently composer associated to the Ensemble 2e2m for the season 2023-2024.
She is recipient of the Prix SACEM Hervé Dugardin (2023).

Her catalogue includes interdisciplinary works exploring installations, interaction, experimental music theatre, collective composition. 
She collaborated with researchers (Alessandro Rudi of INRIA), philosophers (Emanuele Coccia, Rosario Diana), visual artists (Jessica Rimondi, Kesson Dalef), dancers and puppeteers (Amalia Franco).
Her interactive installation «Fabrica» has been part of the the «Réseaux Monde» exposition at Centre Pompidou (Paris) in 2021.

Giulia is also active as a teacher and pedagogue, she’s been professor invited for the first edition of the Académie MIXTE, organised by Proxima Centauri Ensemble in Bordeaux (France). 
She’s been teaching composition at the bachelor and master level in Italy at Consevatory of Pesaro  and Conservatory of Vibo Valentia .

Entr'ouvert

Giulia Lorusso

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