Il Palazzo - OST

AVVENTURIERI - brano dal film Il Palazzo, di Federica di Giacomo

A modern and groovy reinterpretation of Piero Umiliani’s iconic track "Risaie". Featuring violin, bass, and drums, Francesco Incandela blends dreamy atmospheres with rich instrumental funk. A contemporary tribute to one of the great masters of screen music, merging stage & screen vibes with cinematic 

Francesco Incandela - violin, live electronics, synth

Angelo Di Mino - cello

Luca La Russa - bass

Vincenzo Lo Franco- drums

Recorded  at Piccolo Cobra Studio in Palermo by Roberto Cammarata
Mixed by Danilo Romancino 
Mastered by Alessandro Gengy Di Guglielmo in Milan

This track is a reinterpretation of Risaie by Piero Umiliani.

RISAIE (string mix reinterpretation)

OOZING
 
Format: 8-channel sound installation
 
Is an 8-channel sound installation exploring the porous boundaries between body and environment.
 
The work explores feminist and oceanic imaginaries, tracing the sonic paths of fluids and forces that traverse the membranes separating internal from external. 
 
The composition is built from field recordings captured by hydrophonic microphones placed inside the artists’s own body and in bodies of water — rivers, seas, swimming pools, showers, tap water. Tidal in nature, the piece emerges, swells and recedes, emphasising the tension between the intimacy of the body and the vastness of the ocean with the addition of environmental textures and vocal fragments recorded with omnidirectional and shotgun microphones. 
 
Listeners are invited into a visceral, meditative space where sounds leak, bleed, seep, and ooze, blurring the line between self and sea, voice and liquid, water and breath.
 
Special thanks:
Soprano voice: Vida Matičič
Field recordings from: Heike Vester, Félix Blume, Pablo Desirens and Natalia Domínguez Rangel

For Mario Merz Prize Edition 5

OOZING

OOZING (2.0 mixdown)

The full recording of the 12th Moods event with special guest @ltj-xperience (Hot Groovy Records), presented by resident DJ @aliseo_arketypo.

In the first two hours of the mix, Aliseo sets the mood by mixing assorted soul-flavored grooves.
In the next three hours, master LTJ Xperience takes us on a powerful sonic journey sharing his hypnotic and dirty grooves.

Recorded live on Thursday 12/06/25 in the outdoor courtyard of the Combo hostel in Turin, Italy.

Moods 012 | Aliseo invites LTJ Xperience | Combo Turin

Laos Ergon (with Carlo Ferro) - Live @ Bothanischer Garten Berlin

Composed by Michael Harrison based on a traditional Indian classical melody in Raga Yaman Kalyan. 
Recorded by the Raga Cycle Project to be released in 2026.
Michael Harrison: piano tuned in just intonation
Ina Filip, vocals
Elliot Cole, vocals and synthesizer
Benoit Rolland, electro-acoustics
Shawn Mativetsky, tabla

Tiger Tarana

This is an audio recording of the Bang On A Can All Stars with Pamela Z live at The Knitting Factory in New York at the 1998 premiere of The Schmetterling. 

In 1998, I was commissioned by the Bang on a Can “People’s Commissioning Fund” to compose a new work for the Bang On A Can All Stars. The Schmetterling is one of my earliest chamber compositions. At that time, the bulk of my composing experience was limited to works for my own solo voice and electronics. I was delighted and honored but also somewhat intimidated to be making a piece for such a celebrated and virtuosic ensemble and to be tasked with writing for instrumentation that was relatively new to me. But I took on the challenge with enthusiasm, and was quickly hooked on the colors and textures that it opened up for me. The Schmettering, which recounts the tale of an exotic lepidopteran, is in truth a strange sort of love song – inspired by an encounter with a charming German composer, and by the text of an endearing shaggy dog joke.

The Schmetterling (Bang On A Can Allstars Live wPZ, 1998)

Premiere in Dresden Zentralwerk on 21.11.2024 by Sinfonietta Dresden @sinfoniettadresden conducted by ‪@katharinadickopf9613‬ for the Project "Das Nebelmeer" by the Acantun Kollektiv ‪@acantunkollektiv1772‬ .
Choreography by Stefan Hahn for ‪@performdance5781‬ 
Video by Viktor Smolinski
Audio by Christian Mietke

Nebelmeer - for Orchestra, Live electronics, Soundscape and Dancers

Times3
(Times Cubed)
Composer Pamela Z and theatre artist Geoff Sobelle collaborate on a site-specific sonic journey through Times Square – past, present and imagined… What was this place? What is this place? And how did we get here? In this work of sound and space, the listener is brought into a realm where the city and score come together and fall apart and come together again.

Take a walk in Times Square and hear a score crafted specifically for your experience. Or listen in the comfort of your home and imagine a city carved by countless hands from a place once thick with trees… which may be headed that way again. This music, created through impressions of a space, was composed for listeners to tune themselves to the forces underfoot, back in time, and down the road. It is a soundscape created for you to experience the city.

Times3 (Times x Times x Times) was commissioned by the PROTOTYPE Festival for their fourth iteration of Out of Bounds, a platform for new vocal performance pieces taking place in unlikely locations throughout New York.

Co-created by Geoff Sobelle & Pamela Z
Music and Sound composed, edited, and designed by Pamela Z
Writing: Geoff Sobelle
Voice and MIDI instruments performed by: Pamela Z
Trumpet: Tom Dambly, Cello: Crystal Pascucci, Violin: Todd Reynolds
Voices sampled from:
Eric Sanderson, Alan Weisman, Robyn Orlin, Lisa McGinn, Stefanie Sobelle, Craig Dykers, Erick Gregory, Colleen Jennings-Roggensack, Jack Tchen, Adrienne Brown, Pamela Z, and Geoff Sobelle

Times x Times x Times (Times Cubed)

Song Without Words III for Solo Cello , String Orchestra and percussion
Kinan Abou Afash: Cello
Syrian National Chamber Orchestra
Missak Baghboudarian: Conductor

Song Without Words 3

[NOTE: this is the 2.0 stereo reduction of a 4-channel sound piece.]

A ritualistic, immersive experience in continuous playing (34-minute loop), "La casa è un tempo" explores the concept of living and its re-meaning. A spiral of ritualized time, articulated in golden proportions, weaves into its materials the most remote imagery of our species with a heightened impression of current reality, that of a migrant in the Mediterranean and that of a Western citizen.
"La casa è un tempo" inhabits the intersection of the familiar with the distant. It is an act of knowledge caught in its unfolding through dreams, nightmares, individual and collective memories, daily life, relationships and hopes. It is an invitation to redefine the very concept of living as a place where we can re-weave meanings, feelings and rituals, where we look for and meet - through signs and with our bodies - the Other within and outside ourselves.
Created in dialogue with Pietro Motisi's photo-based installation "Cratere", and in support of the Caritas projects for exploited migrants.
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SOUND MATERIALS: field recordings from Covid-19 lockdown at artist's home (Palermo, 2020), migrant tent cities (Crotone, 2022), a sung pandemic alert message (Sahel refugee camp, 2020); field recorded sea waves from a boat and shoreline; studio recorded percussion on shells, symphonic bass drum, wood blocks, suspended cymbal, bells, crotales, frame drum.
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FIRST INSTALLATION: from 21 July to 28 August, 2022, at Ex Chiesa San Vincenzo Ferreri (UNESCO World Heritage Site), Ragusa Foto Festival - Ragusa Ibla, Italy | Curator: Steve Bisson.
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CREDITS:
Concept, sonic composition, sound design, editing, mix: GianlucaCangemi, at E.S.A. Studio (Sambuca di Sicilia, Sicily), July 2022 || Tech consultants: Giuseppe Rapisarda, Luca Rinaudo || Percussions: Vito Amato || Percussions recorded by Luca Rinaudo at Zeit Studio (Palermo, Sicily) || Mastering: Luca Rinaudo at Zeit Studio.
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©℗ 2022 Gianluca Cangemi (SACEM)

AVVENTURIERI - brano dal film Il Palazzo, di Federica di Giacomo

Giulia Tagliavia

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