@sakurarain: I appreciate your appreciation!

Embedding tangles

For violin and live electronics, first performance at Centre Pompidou, Ircam, Paris

Raggi di Stringhe

BODY MATTER [2015]
for amplified bassoon
Christopher Watford, bassoon [www.chriswatford.com]
Eric Fernandez, recording engineer
Recorded at the HUSEAC Studios at Harvard University

Please listen with headphones or good speakers.

BODY MATTER presents a soundworld caught in the middle of a metamorphic shift. The piece treats sound as a substance on its way to becoming an object, but in a form yet to be specified. It is encrusted and caked with earth and dirt; it is an organ whose membrane is gradually ossifying. At times it writhes; in others it obstinately maintains an effortful, concentrated reluctance to move. It is a thing in search of a body; a space in search of containment.

More info here: www.timothy-mccormack.com/bodymatter

BODY MATTER [2015]

Ensemble Pamplemousse premieres Alvin Lucier's December 12th at Issue Project Room, Dec 2013.

December 12th (excerpt)

spark (2015) for solo feedback/transducer/piano, performed by ernst surberg, at the BKA theater Berlin, September 2015

spark (2015) for solo feedback/transducer/piano

two high registered wood wind instruments flute and clarinet play 3 sections of 'arow interchanging'.
two instruments show many contemporary wood wind techniques.

arow interchanging for flute and clarinet (2011)

Knotting is a contemporary classical music for trombone, it shows many contemporary trombone techniques and implies
Korean traditional artisan's spirit.
It was premiered on Yanghee Kim's recital by Barrie Webb in 2009 in South Korea.

Trombone Solo Knotting performed by Barrie Webb (2009)

speckle(2016) - for amplified trumpet, trombone, violin and percussion [rehearsal recording].

Commissioned by the International Contemporary Ensemble (ICE)'s First Page, for the 2016 Lincoln Center Mostly Mozart Festival.

performed by ICE: 
Gareth Flowers, trumpet
Mike Lormand, trombone
Joshua Modney, violin
Nathan Davis, percussion

speckle(2016)-- for amplified trumpet, trombone, violin and percussion

Song#01 for flute and S.T.One - tetrahedrical sound diffusion, first composition of the suite PS, written with the composer Giuseppe Silvi, who has the figure of the sound engineer Piero Schiavoni as ideal and musical base.

Tetrarecording. HRTF encoding in flutist's point of view  

Score on Academia: https://www.academia.edu/23172541/PS_SONG_01_2015_

PS Suite: 
Song#01 for Flute and S.T.One [Citera]
Song#02 for Live Electronics [Silvi]
Song#03 for mezzosoprano, female chamber choir and live electronics [Citera - Silvi]
Song#04 for mezzosoprano, percussions and electronic sounds [Citera - Silvi]

Ps: SONG#01

This is the Soundtrack of “The Sphinx” a short film directed by Alessandro Giordani and produced by Digital Room. The three tracks are developed through electroacoustic elaboration of Soprano Saxophone sounds. The First “Roll Togheter” is made by convolved saxophone sounds. The Second “But I Know” is a personal tribute to Laurie Anderson. The Third “Ligeti on the beach” is an approach to textural sounds of “Lux Aeterna”.
Soprano: Giuseppe
Core: NUENDO


01 Roll Together

Giuseppe Silvi

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Giuseppe Silvi

Ali Ostovar

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