Classical

https://youtu.be/4a8wFJ6b4d8 

Translation above.

Chanson écrite dans le cadre des ateliers d'écriture de Claude Lemesle. Thème : écrit sur une feuille d'automne.

Ces cris

L’été s’essoufflait
À tomber dans les pommes
Devant ce vent d’automne
Qui glaçait
Oh ! ces cris, ces cris…

Le vent dénudait
Les branches d’un platane
Quand les feuilles se fanent
À regret
Et ces cris, ces cris…

Sur le sol tremblait
L’âme de l’une d’elle
Qui, pourtant encor’ belle
M’appelait
Encore ces cris…

Je m’agenouillai
La posai sur ma paume
Ainsi que sur un trône
Bien douillet
Toujours ces cris…

Ses nervur’s traçaient
Des lign’s de vie diaphanes
Qui, sans appel, condamnent
Un portrait
Mais ces cris, ces cris ?

Lucide, ell’ criait
C’était des cris d’automne
Craquants, qui se dérobent
À jamais
Plus de cris, de cris…

Mais elle laissait
Écrit en filigrane
Dans ma main qui se fane
Son portrait

Myckaël Marcovic, le 15 octobre 2021

Song written during Claude Lemesle's writing workshops. Theme: written on an autumn leaf.

These cries

The summer was running out of steam
To fall in the apples
In front of this autumn wind
Which froze
Oh! these cries, these cries...

The wind was stripping
The branches of a plane tree
When the leaves fade
With regret
And these cries, these cries...

On the ground trembled
The soul of one of her
Who, yet still beautiful
Called me
Still those cries...

I knelt down
Put her in my palm
As if on a throne
Nice and cozy
Still those cries...

Her veins traced
Diaphanous lines of life
Which, without appeal, condemn
The portrait
But these cries, these cries?

Lucid, she shouted
They were cries of autumn
Cracking, which are evading
For ever
No more cries, cries...

But she left
Written in watermark
In my fading hand
Her portrait

Myckaël Marcovic, October 15, 2021

Ces cris

A composition depicting perhaps the midst of snowy winter, where the encroaching cold is held at bay with a memory of a loved one. 
Harmonically I mostly stayed in D minor/major, with a brief excursion in G minor. I've attempeted to write a middle passage in F major, but the two themes I've managed to come up with simply didn't fit with the rest of the music, but hey, at least I have two new themes for next pieces. 
Completed in the March of 2025.

Intermezzo For Piano, D Minor

Homemade record without edit. - ( WAV48/24 STEREO HIFI )

Composer : J. K. Mertz (1806-56)
Interpreter : I. M. Regazzo

Si consiglia l'utilizzo di cuffie o una buona amplificazione.
Per un ascolto ottimale si raccomanda l'utilizzo del pc e una buona amplificazione stereo.
Per un migliore ascolto dal cellulare su Soundcloud si consiglia di scaricare l'app.

The use of headphones or good amplification is recommended.
For optimal listening, the use of a pc and a stereo amplification is recommended.
For better listening from your mobile phone on Soundcloud we recommend downloading the app.

Andantino dal Notturno N° 2 Op. 4 J. K. Mertz - I. M. Regazzo (2024) HD

Death's Awake – The Jeremias Langsämmer Ensemble
A four-part classical chamber music piece, Death's Awake explores the profound journey from darkness to light, weaving elements of sorrow, contemplation, and ultimate transcendence. Each movement unfolds like a passage through the cycles of mourning and renewal, blending rich, evocative textures with hauntingly beautiful melodies.

Part I – Awakening in Dissonance
The piece begins in a state of unrest. A mournful cello cries out over a backdrop of discordant strings, evoking an eerie tension. A lo-fi, distant piano echoes in the background, its fragmented notes like fading memories. The harmonies are jagged and unresolved, shifting unpredictably, as if death itself is stirring. The movement is haunting and immersive, leading the listener into the abyss of uncertainty.

Part II – Shadows and Light
As the darkness settles, a hushed stillness takes over. The cellos, now subdued, breathe deeply in somber unison, their tones carrying a quiet yet growing warmth. The piano emerges from the mist, no longer distant but more melodic, its notes like glimmers of light breaking through the gloom. The harmonies, though restrained, begin to suggest the first traces of hope, as if dawn is approaching but not yet fully realized.

Part III – Echoes of Memory
A shift occurs as the piano takes center stage, unfolding a mellow, introspective solo. A lo-fi harp enters, its delicate plucked tones shimmering like raindrops on glass. Pizzicato strings dance around them, creating intricate movement and rhythm, as if life itself is beginning to weave back together. The interplay between instruments is intricate yet restrained, capturing a sense of quiet contemplation and acceptance.

Part IV – Ascension and Light
The final movement is a cathartic release, as the strings swell with newfound strength. The piano, no longer hesitant, soars with uplifting melodies, harmonizing with the ensemble in a triumphant yet tender resolution. Hope surges through the music as dissonance dissolves into radiant harmonies, evoking the warmth of sunrise after a long, restless night. The journey is complete—death has awakened, not as an end, but as a transformation into something luminous and eternal.

Death's Awake [Classical | Chamber Music]

It is an album that focuses on the good-evil duality and condenses it into a single sonic and metaphysical context where avant-garde sound textures reveal a strongly interconnected plot, where the enemies are, in fact, madly in love with each other.

Inno A Satana

Interlude à la Folie

Pater Noster

Une de mes œuvres classiques dédiée à Mmes Aurore Moutomé et Catherine Duport.
Le 3e mouvement est en chantier.

One of my classic works dedicated to Mrs Aurore Moutomé and Catherine Duport.
The 3rd movement is under construction.

Double concerto pour violon, violoncelle et orchestre à cordes, 2e mvt

The Pool re-arranged for a full orchestra.

The Pool - Orchestral Edition

As a composer, guitarist, and poet, Giuseppe Bonaccorso is firmly attached to atonal, avant-garde, and highly experimental music. A countercultural artist, he works out his music through original compositional processes never tied to mainstream culture.
#Guitar #Composition #AvantGarde