Discover Weekly Archive - Part 1

DIT019 - UDM - Always Shining // Oblivion

Artist: UDM
Title1 - Always Shining
Title 2 - Oblivion
Genre: Trance
Release: 22.03.21

Our favourite uplifting guru UDM returns with a driving two track EP that includes the amazing brand new record - “Always Shining”, as well as the awesome “Oblivion” that featured on Simon Patterson’s mix on the recent VII Vol II compilation album. UDM is an absolute master of emotional melody and riff. He is so damn consistent and good quality that we are always positively itching for his next submission. This is driving, uplifting trance at it’s absolute best.

UDM - Always Shining

GXD & Sarah de Warren - Hell & High Water now available on Coldharbour
Download/Stream: https://coldharbour.complete.me/hellandhighwater

An immediate magnet for attraction since its unveiling on Markus Schulz's annual all-vocal In Bloom presentation, GXD is set to make its Coldharbour bow in fine fashion, aided by Sarah de Warren, for <strong>Hell &amp; High Water</strong>.

The London-based duo have amassed admiration spanning the likes of Armin van Buuren and Ferry Corsten to date, thanks to a string of excellent releases on Andy Moor &amp; Somna's AVA Recordings. Tracks such as Voices and Sail (the latter an inclusion on Nifra's Follow Me II compilation), prompted Markus to seek out their talents for the 2021 In Bloom journey.

The result is Hell &amp; High Water - a fantastically upbeat composition with all the hallmarks of quality vocal trance. Coldharbour's own Dave Neven expertly demonstrates that the track can excel under the progressive domain, through his well-praised Ocata alias. But whichever your preference, Hell &amp; High Water will be a big favorite heading into the summer.

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http://www.coldharbourrecordings.com

Hell & High Water

DOWNLOAD/STREAM

GXD & Sarah de Warren - Hell & High Water

Get it here now: https://zyxdance.lnk.to/qqOmP9FG

Watch our project walkthrough of this track here: https://youtu.be/pqktNl-qruo

Sic Parvis Magna

Get it here

XiJaro & Pitch - Sic Parvis Magna [ZYX Trance]

🎧 Out Now 🎧  
It’s time for the remix of Woody Van Eyden & Cheryl Barnes brilliant track ‘Electricity’ from July 2020 by the also brilliant Allen Watts. Whilst he is mainly known for his mega uplifting tracks, Allen is not afraid to try out different styles either and here he takes things down a slightly techier and filthier path initially before reaching the breakdown where Mr Watts is in his uplifting element and Cheryl Barnes fantastic vocals really come to the fore. From the drop this one is euphoria overload, a truly fantastic remix from one of the best in the business.

Electricity (Allen Watts Remix)

Download / Stream

Woody Van Eyden & Cheryl Barnes - Electricity (Allen Watts Remix) TEASER

You have probably heard this one already in my latest Soundcloud sets. 🤓

When Activa's "Fall In" first caught my attention, it was an easy decision that I'd love to get my hands on the vocals and see where I can take the original with my own melodic ideas.
Thankfully Rob and Black Hole were on board and they also were patient enough to wait about a year, until I finally finished the project fully satisfied and proud of the result.

Excited to let it out to the world now:
https://blackhole.lnk.to/fallinrmx

Activa & Shelley Segal - Fall In (Cold Blue Remix)

Cover

Robert Moran
Trinity Requiem

Tray Card

Trinity Requiem
(Commemorating the 10th Anniversary of September 11, 2001)
1.	Introit 	4:33
2.	Kyrie	4:56
3.	Psalm 23	3:42
4.	Offertory	2:58
5.	Sanctus	3:33
6.	Agnus Dei	2:56
7.	Pie Jesu	2:28
8.	In Paradisum	4:44
The Trinity Youth Chorus, Trinity Wall Street
Robert Ridgell, conductor

9.	Tears Into Dust	6:40
Latvian Choral Ensemble
Vladimir Veretsikoff, conductor

Seven Sounds Unseen
10.	1	3:16
11.	2	14:06
12.	3	5:14
Musica Sacra
Richard Westenburg, conductor

13.	Notturno in Weiss	8:12
The Esoterics
Eric Banks, conductor

Total: 67:51




TRINITY REQUIEM (2011)
Commemorating the 10th Anniversary of September 11, 2001

The Trinity Youth Chorus
Trinity Wall Street
conducted by Robert Ridgell

Executive Producer: Linda Hanick
Engineering: Leonard Manchess, Tom Durak (New York)

Melissa Attebury, Associate Director
Wesley Chinn, Assistant
James Blachly, Assistant
Eric Dudley, Assistant

Choir
Kiana Bartholomew
Luthian Brackett*
Chloé Combs
Cecilia Gault
Johanna Go
Jalene Lipowitz
Hannah O’Sullivan
Molly Quinn*
Melanie Russell
Hannah Sklover
Virginia Warnken*
Jelani Wiltshire
Peter Yao
Allison Zhao

*Trinity Choir Member

Instrumentalists
Alexander Hermann, Organ
Jennifer Hoult, Harp
Aminda Asher, Cello
Veronica Parrales, Cello
Sara Wolfe, Cello
Miho Zaitsu, Cello

The Trinity Youth Chorus is the voice of youth in Lower Manhattan, providing a unique musical environment for young singers. A collective of community choirs, the chorus offers music education and performance opportunities for girls and boys, ages 5-18. The program emphasizes the social aspect of singing, brings together collaborative neighborhood partners, and teaches the importance of building bridges within the community.

Notes on TRINITY REQUIEM

When Robert Ridgell asked me to compose the TRINITY REQUIEM for his youth chorus as part of the 10th Anniversary of Sept. 11th, 2001, a commissioned score, my immediate reaction was “No, Robert.... having a youth choir sing a Requiem strikes me as slightly ghoulish and a bit unnerving. Let me think about this”. Directly after this conversation, I began to get ‘flash-backs’ of numerous stories I had heard throughout my life of children who had lost their entire families from plagues, wars, endless catastrophes, vicious governments, etc. I told Rob that I had heard of a specific story of a little girl in Kosovo, maybe no more than 8 years old, whose parents and brother of age 6 had been murdered; she was found daily at the grave of her brother, and had completely lost the ability to speak. “Rob, this is what ‘our’ Requiem is about, these thousands and thousands of kids left with nothing. A friend of mine in England, as a little child, was sent off to Wales during the Nazi bombings of London. He returned to London at the end of the war to find that both his parents had been killed. I was speechless. Luckily we have the ability to attempt some expression of grief through our music. Let’s get going with this project now”.

9/11/2001?   Most of the voices in this Trinity Youth Chorus are of young people born in 2000. The World Trade Center attack would mean nothing to them... But knowing and seeing on television children’s lives destroyed time and again would have a deep impact. We recorded the Trinity Requiem in November 2010; a very intense and moving experience for everyone involved. At the conclusion of In Paradisum, many of us were in tears. One note concerning the Offertory: I based this short movement upon the bass line of the famous Pachelbel Canon, using that organ statement for my own musical canon for the four celli. The first four notes of the Pachelbel ‘bass line’? Where had I heard those before?  They are used as the  “Parsifal” chimes, courtesy of Mr. R. Wagner. And even with our concern for eliminating New York City street sounds during this recording, we couldn’t totally succeed. During the opening of the Offertory, one hears a siren passing the church. We decided that this ‘alarm’ was, although ‘not in the score’, worth keeping as a reminder that the World Trade Center, ten years before, had just been behind Trinity.

Tears Into Dust (2004)
Latvian Choral Ensemble
Vladimir Veretsikoff, conductor

Looking backward... I cannot see the ancients of days.  Looking forward.... I cannot see ages yet to come.  Only Heaven and Earth have remained, and will remain forever...I am alone, I grieve. I drop tears into the dust.
– Chen Tzu-ang
Program notes for SEVEN SOUNDS UNSEEN (1992)

Back in 1992, as a commission from the Catalyst Series of BMG, I composed SEVEN SOUNDS UNSEEN for 20 solo voices for Richard Westenburg and his Musica Sacra.  Two short sections surround the extended middle part, which uses text-fragments from many letters of friend John Cage to me over a period of 30 years (he had given me the original manuscript of his book, “M”, and I ‘dipped’ into some of these pages, taking statements that had such a musical ‘ring’ I had to include them).   Each of the three parts asks for a different stage arrangement of the various voices for no other reason than to move sounds around for the actual recording.  After I completed the score and sent it on its way to Westenburg (actually hand-delivered to the producer of the recording, Andre Gauthier), I looked forward to attending the actual recording and hearing this work for the first time “outside of my head” and with hopes that what was ‘internally heard’ would manifest itself in the studio performance.   The entire day, spent in the studio, was amazing from start to finish, the singers producing such magic.

Producer:  Andre Gauthier
Engineer:   Anthony Salvatore

Notturno in Weiss (2006)	

The Esoterics, Eric Banks, director. With guest harpists Alexis Odell and Melissa Walsh 
(Notturno in Weiss also appears on their album Sonettaria, Terpsichore Records. www.TheEsoterics.org)

Anne Dame
Anthony Balducci
Betsy Bæskens
Brad Fanta
Curtis Man
Dan Luethy
Doug Rank
Erin Harlan
Gretchen Hubbert
Jamie Balducci
Jennifer Gosnell
Jeremiah Oliver
Jessica Spears
Jim Peterson
Kathea Yarnell
Keith Horlock
Kevin Fansler
Lorri Froggét
Maria Drury
Mary Wieneke
Merideth Burness
Michæl Seidel
Mitchell Baier
Rick Sipe
Sam Beckert
Sean Glenn
Shawna Avinger
Sheri Doyle
Steve Shelton
Vanessa Ament
Whitney Wishart
Will Thayer-Daugherty

Recording engineer: Rick Lyman
Recording producer: Brian Fairbanks
Recording editor: Al Swanson

Notturno in Weiss [Nocturne in white] (2006)
Poem by Christian Morgenstern
Translated by Eric Banks

Die steinerne Familie,
The family of stone,
Aus Marmelstein gemacht,
Fashioned from marble,
Sie kniet um eine Lilie,
Kneels unto a lily,
In totenstiller Nacht.
In the deathly still of night.

In totenstiller Nacht
[textless]

Der Lilie Weiß ist weicher
The white of the lily is softer,
Als wie das Weiß des Steins,
Than the white of the stone,
Der Lilie Weiß ist weicher,
The white of the lily is softer,
Doch das des Steins ist bleicher
Yet that of the stone is paler
Im Weiß des Mondenscheins.
In the white of the moonlight.

Die Lilie, die Familie,
The lily, the family,
Der Mond in sanfter Pracht,
The moon in gentle splendor,
Sie halten so Vigilie,
They each hold their vigils,
Wetteifernde Vigilie, 
Their emulating vigils,
In totenstiller Nacht.
In the deathly still of night.

BIO

Robert Moran has traveled many musical paths since 1957 when he began his study of 12-tone music in Vienna with Hans Erich Apostel and completed his Masters with Luciano Berio and Darius Milhaud. He has composed for solo instruments and intimate chamber groups; created musical compositions incorporating 100,000 performers, radio and television stations, skyscrapers, and airplanes; and has collaborated with Phillip Glass to compose minimalist opera scores. Moran compositions range from the absurd theatre piece Divertissement Number One (1967), in which performers react to the sight and sound of popcorn popping, to the sinister yet funny Alice in Wonderland (2011) for the Scottish Ballet.

Throughout his career Moran has been careful not to ally himself with any specific school of composition. Musicologist and critic Walter Simmons noted that Moran “has passed through most of the ‘isms’ that have comprised the contemporary music landscape of the past 50 years.” This freed him to explore whatever musical form interested him at the moment, and his numerous musical excursions led to the development of his unique style.

The 2011 Ruhr Triennale, Oberhausen, Germany commissioned Moran's BUDDHA GOES TO BAYREUTH, composed for two choruses and two string orchestras, conducted by Rupert Huber.  In 2012 Ballet West will premiere THE LOTTERY, based upon the short story of Shirley Jackson and choreographed by Val Caniparoli.

Also by Robert Moran on innova:
Open Veins (627)
Mantra (714)
Cabinet of Curiosities (792)


Bob Moran: Trinity Requiem  In Paradisum

FREE DL

fun. - We Are Young (Part Time Killer & Paraçek Edit) [FREE DOWNLOAD]

I Need Your Love (Makina)

Musical Banquet

Dowland: Lady Rich, Her Galliard

Sisask : Starry Sky Cycle

Starry Sky Cycle Op.52 - Pleiades : 17. II Maja

On the Way You Go

On the Way You Go (OnAir Mix) [feat. Thea Riley]

Best of Uplifting Vocal Trance 2018

Re-Given (feat. Jess Morgan)

Download/Stream: https://FSOE.lnk.to/BelieveInUsAgain

An absolute stormer of a release from one of FSOE's key artists Darren Porter, who teams up with the brilliant vocal talents of Clara Yates for Believe In Us Again.

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://www.futuresoundofegypt.com'>FSOE</a>

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Darren Porter & Clara Yates - Believe In Us Again [FSOE]

Bach's Lullaby Cello Suite, Collection

Bach: Cello Suite No.2 in D minor BWV 1008 - IV. Sarabande

Coming 20 November 2020 on Black Hole Recordings

Beatport Pre-Order Link: bit.ly/watch-tyas

Pre-Order

Craig Connelly ft. Natalie Major - Watch The Way You Move (Sean Tyas Remix) OUT NOW

'Times go by Turns' is the highly anticipated follow-up to New York Polyphony’s 2012 release 'endBeginning'. The program features Masses by Thomas Tallis and William Byrd, as well as an enigmatic three-voice Mass setting by medieval English composer John Plummer. Three new works written for New York Polyphony by composers Gabriel Jackson, Andrew Smith, and the late Sir Richard Rodney Bennett complete the sequence.

Thomas Tallis - Mass for Four Voices - Sanctus (excerpt)

Musician, producer, live act. 

Producer Masterclass  
https://www.giuseppeottaviani.com/masterclass

On the Way You Go (OnAir Mix) [feat. Thea Riley]

Giuseppe Ottaviani

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