Take a look to http://www.youtube.com/watch?v=O_EIzAfzmhs&list=TLH9UXmDRr_nzfWVHVqEOQhk7P3FSKc-Sw

informazione errata

First track from "Estroflessioni da macchina" |mfu038| _ http://manyfeetunder.bandcamp.com/album/rino-petrozziello-estroflessioni-da-macchina _
free download --> archive.org/details/RinoPetrozziello_estroflessioniDaMacchina

line_1

s͊ͯͮ̋̃̔̌͗̎͐͆ͧ҉͏̥̗̱̰͍̝̱͖͈̣̠̟͖̻́ͅn̴̟̩̩͓̺͚̜͋ͪ̐̉ͤͥ͋̔̊̽̓̽́͟͢͢a̷̡͕̼͚͎̪̹̫ͬ̍̋̓ͮ͑̔́̒̑ͭ̇ͯ̑̈̈̚͟͠͡r̢̪͈͎̮̜̰͉͔̳̳ͫ̅ͮ͑̌̎͒̀͘ë̞̖̩͍̳̰̩̙̑̃ͮ͂̽͒͂ͥ̾̀ͦ͂͗̿̎̋͜ ̨̰̪̰̰͍̖͖͙̗̞̼͓̟̼͙̥͋̓ͪ̿ͭ̎̾͑ͣ͟o̷̅̃ͫ̃̂̒̄ͥ̏̄̏͗ͤͧ̑ͬ͏҉̻̳͈͔͍̬͞r̝͈͓̱̠̹̭͎̖͔͓̞̬̫͎̮̼͂̇ͪ̉̐̌͢ͅč̛̻͎͈͑̍̽ͭ̒̊ͭͪͮ̄̿̚͝h͂͗ͦͮ̽͐̓ͫ̽ͫ̌ͣ̓̐͝͏̗̭̙̟̲͎͝e̶̦̲̻̝͕̝͓͚͋͂̇̊̅̄͟s͛ͭ̏̂͐̑ͣ͆͑̏̏́̚̚͜҉̴̣͇̣̰̝̗͙̘̖̪̗̦̝̫̠̱̗͈͘t̷͓͖͙̖̦̹̣́̔ͥ̓̈̂ͫ̿͛̒̾ͪͭ̊́́͡r̷̼̜̙͎͎̦͇̝ͪͤ͒ͯ̇ͨ̊̎ͧ̉̔̊̕̕͜͝aͭͥ̐͛̈̆̋̓̾̚͠͏̣̞̖͓͚̙̳̯̙͔͔͓̟̰̬̥̫̠̀̀

snare orches͔͓̘̖t̛̹̱r̝̦̼͈̪̹͎͘a͖͎̰̙

For Advanced Digital Assignment. Inspired by the music of Rioji Ikeda (NOT Ikea) and Church Bells.

Rioji Ikeda Goes To Church

MIKA VAINIO + RYOJI IKEDA + ALVA NOTO - LIVE 2002 [N-043]

In September 2002 Mika Vainio, Ryoji Ikeda and Alva Noto (Carsten Nicolai) were invited by the Baltic Centre For Contemporary Art for a residency. As a result of this project three live performances followed this research period.

All the tracks on this record were recorded live on September 23, 2002 at the Baltic Centre For Contemporary Art in Newcastle, UK.

All sounds by Mika Vainio, Ryoji Ikeda, Carsten Nicolai.

LIVE 2002

MOVEMENT 2

MIKA VAINIO + RYOJI IKEDA + ALVA NOTO - MOVEMENT 2

VINYL, DIGITAL, CD: http://bit.ly/N45-NOTON-SHOP

N-45 - ALVA NOTO - UNIEQAV
RELEASE DATE: MARCH 16TH, 2018

The Uni series began when Alva Noto was booked to play live at the club UNIT in Tokyo, and had to adapt his sound accordingly for that environment.

‘UNIEQAV’ follows-on from and develops the concept of Alva Noto’s ‘Unitxt’ and ‘Univrs’ albums, and completes the third part in the trilogy, whereby each record is both unique and part of the bigger picture. This is also mirrored in the artwork for each release, which when combined form a triptych spelling ‘Uni’.

Described by Carsten as “sonically representing an underwater dive”, the gleaming ‘UNIEQAV’ brings as usual an inherent artistic, conceptual and scientific depth. Mathematics, data, unit systems, grids, rhythms, codes, text, language, spoken word, DNA, science technology and nature are all utilised, for both inspiration and execution.

As with the last two Uni releases, the French sound poet Anne-James Chaton collaborates here, on ‘Uni Dna’. Where on previous records Chaton first provided a vocal track to which Nicolai composed, this time the duo flipped it; the poet wrote for an existing track, adding his unique vocal approach to recite amino acids that constitute the DNA molecule.

Regarding Carsten’s interest in 3D sound design and building sonic spaces, ‘UNIEQAV’ transports the listener to a modern, spacious and zen-like place for meditative movement. But conversely the album works equally well in a dark club - as for every glistening digital spark and simple, emotive melody - there’s a stealthy bassline, frenetic drum pattern and colossal low-end thump.

@alvanoto

Unieqav

Uni Sub

Alva Noto - Uni Sub

ALVA NOTO + RYUICHI SAKAMOTO - GLASS [N-044]

VINYL, CD, DIGITAL: http://bit.ly/N44-NOTON-SHOP

The emotional drama of the forty-five minute performance was echoed in the natural environment. A sudden rain storm forced the evening’s guests into the Glass House at the start of the performance. During the performance, the storm cleared into a dramatic red and pink sunset and concluded in nightfall. Rehearsing only one day before, Sakamoto and Nicolai experimented with a keyboard, mixers, singing glass bowls, crotales, and the architecture of the Glass House. Contact microphones were attached to the surface of the Glass House, and using various weighted gong mallets with rubber heads that were gently but firmly dragged along the surface of the glass, Sakamoto and Nicolai transformed the Glass House into an instrument, creating a wistful sounds of contemplation and longing. Similarly, Nicolai played two sets of high and low octave crotales with a horse hair bow. The pair improvised in what could be described as an intuitive call and response manner. This sense of fresh sound experimentation was captured in Derrick Belcham’s film of the haunting soundscape created by Sakamoto and Nicolai at the Glass House. 

GLASS, PERFORMANCE BY ALVA NOTO AND RYUICHI SAKAMOTO 1ST SEPTEMBER 2016, GLASS HOUSE IN NEW CANAAN, CONNECTICUT - A SITE OF THE NATIONAL TRUST FOR HISTORIC PRESERVATION. ORGANISED BY IRENE SHUM.

@alvanoto

GLASS

N-44 - ALVA NOTO + RYUICHI SAKAMOTO - GLASS

PRE-ORDER VINYL & CD: https://noton.greedbag.com/buy/two-120/

N-046 - ALVA NOTO & RYUICHI SAKAMOTO - TWO (LIVE AT SYDNEY OPERA HOUSE)

RELEASE DATE: NOVEMBER  15TH, 2019

Alva Noto & Ryuichi Sakamoto - THE REVENANT THEME (LIVE)

dal 9 al 16 Maggio on/offline
GTT per Saaci/Gallery

Da Sabato a Sabato_ Backstage #12

Giusto il tempo di un tè è un laboratorio diffuso, dedicato alla sperimentazione multidisciplinare e fondato su una pratica conoscitiva processuale

Da Sabato a Sabato_ Backstage #12

giusto il tempo di un tè

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