MOG & YB '4 Wee Lines'

Homesick

MOG x YB 'Shmurda Dance'

Engineered by: KOTN Masters
For Enquiries: KOTNMasters@gmail.com

Written & Recorded by: FAIRHEED
For Enquiries: fairheedmusic@gmail.com

Fairheed - Call Fivo When You See Hawaii (Prod. Beats By Narvaza)

Majestic

Tripolar sees Stuart Jackson, Adam Holmes and MOG reunite as Bang Dirty. The folk/rap/electronic formula will be familiar to fans of their debut effort, Everyone Out. That album attained cult status, a trickle of downloads giving rise to a steady flow of domestic and international purchases, fuelled by word of mouth, a handful of gigs and the lure of lead track Break Up, which was accompanied by a well-received video.

For the band's follow-up, Tripolar retains the lush instrumentation and gritty lyrics, while cranking production up a notch, the lowest depths and highest highs set against a backdrop of haunting piano, ebullient strings and shimmering guitar. 

'She' is part poetry, part love letter while 'Enigma' is downright nasty. Everyone Out featured four guest spots; this time around, only Gasp appears, the Glasgow rapper nailing a 16 onto the assured 'So Many Mics'. Instead, vocal duties are left to MOG who is on top form as he ponders lives lost, time passed and hands won. With Adam Holmes weighing in with saccharine hooks and bitter-sweet choruses, the album switches effortlessly from dark street to smoky bar; sunny scheme to choppy sea. 

During the course of ten tracks, listeners are taken on a ferris feel of emotions and a rollercoaster of sonic palettes; Tripolar is melancholy, angry and elated in equal measure. An apt name for an eagerly-anticipated sequel.
credits
released 01 June 2014 
Bang Dirty - Tri Polar (2014) 

All songs produced, written and performed by Z.A / Stuart Jackson & Adam Holmes. 

Lyrics by MOG. 

Mixed and Mastered by Z.A / Stuart Jackson at the Z.A Studio. 

Cover art by Lua Ribeira

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Early Rise

Made Better

I Hope Tomorrow Surprises Me with Something Good

“The version They Tried to Bury- Mic in the Rubble” is a ciphered anthem of survival, refusal, and sonic reclamation. It’s about the voice that wasn’t silenced—the version they tried to bury but couldn’t. The lyric positions the microphone as a symbol of resistance rising from destruction: not polished, not pristine, but embedded in the debris of historical betrayal and imperial distortion.
Here’s the core narrative:
🔥 The Rubble: Represents the aftermath of deceit—broken treaties, erased testimonies, and silenced truths. It’s the physical and symbolic residue of colonial mandates, propaganda, and systemic violence.
🎙️ The Mic: Emerges from that rubble as a tool of reclamation. It’s not just for speech—it’s for indictment, coded critique, and ancestral echo. The lyric suggests that even when the world collapses, the cipher survives.
🧠 The Message: You can bury the archive, distort the optics, and pave over the truth—but the voice will rise. The mic in the rubble isn’t just a metaphor—it’s a refusal to let silence win.

The version They Tried to Bury - Mic in the Rubble #Hip Hop Cipher

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The follow up to the classic - Based on a Blue Story - 

Chapter 8 - Conclusion

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10. Cold In The Streets (Cuts by DJ Sokol)

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mc dee - never trust hoes

Mog killin' it over a Nunny Boy track, cuts from Del, taken from the album Colours (2009-2013)

Figure Me Oot - Mog

www.powercutproductions.com
Also find MOG on Facebook.

1. Fight Clean

Glasgows-MOG

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