Playlist 1

Release date (vinyl & digital): 7th of October

After 2 ep’s, 1 remix, 1 track licensed to Norman Nodge’s Ostgut compilation, support from Blawan, Luke Slater, Marcel Dettmann, Untold & others, gigs at Fabric, Berghain and other clubs across Europe, Ctrls delivers his 3rd EP on Token.

On the the a-side he ups the intensity once again with pure squealing machine funk in the form of ‘Modular Framework’ & ‘Displacer’.

The flip contains 2 menacing remixes of ‘Displacer’ by Sleeparchive, an inspiration to both Ctrls & Token. We never hoped for a match this perfect.

Ice cold.

TRACKLIST
A1. Modular Framework
A2. Displacer
B1. Displacer (Sleeparchive Version 1)
B2. Displacer (Sleeparchive Version 2)

www.tokenrecords.com
www.facebook.com/tokenrecords 

Shifting States EP

Ctrls - Modular Framework

C2. @JASS-29 x @SilentServant - Años Perros
Listen in full at @zweikommasieben https://www.zweikommasieben.ch/en/premiere-jasss-silentservant/

‘Ostgut Ton | Fünfzehn + 1’ is a commemorative compilation celebrating 16 years of Ostgut Ton – and the first glimpses of light at the end of a long dark tunnel for parent club Berghain.

Originally planned for release in 2020, the music focuses on the interwoven nature of the label and the club in its multitude of different spaces and musical facets. Ostgut Ton artists and close affiliates worked together in pairs to make music dedicated to five different floors, each represented by a specific 12" vinyl. The result is a diverse selection of sometimes functional, other times more abstract sonic tributes; musical homages to spaces they have both influenced and been influenced by.

With the pandemic having forced the club to close temporarily, the collaborative nature of the 5x12" boxset represents an attempt to transcend varying degrees of isolation and to wrestle with memories of music and space that had been inaccessible. But certainly not forgotten.

More info + pre-order: https://ostgut.berlin/fuenfzehnpluseins

All Snippets: https://soundcloud.com/ostgutton-official/sets/ostgut-ton-fuenfzehn-plus-1

Tracklist:
A1. @MMM_berlin / @Fiedelone / @errorsmith - Rimba7
A2. @AvalonEmerson x @Roi_Perez - Champu Princess
B1. @Tama-Sumo x @Lakuti - An Ode To Audre
B2. @Peter-Kuschnereit x @Soundstream - Session 2

C1. @LenFaki feat. @HoneyDijon - Temple Of Love
C2. @JASS-29 x @SilentServant - Años Perros
D1.  @Luke-Slater x @Voltek - 9/8 Gumbo
D2. @Ben-Klock x @EtappKyle - A Friend Of A Friend
D3. @MarcelDettmann x @Norman-Nodge - The Call

E1. @user-909078246-312350518 - Untitled 15+1
E2. @OrenAmbarchi x @choose-records x @Efdemin - Ever Given
F1. @3024world x @DuvalTimothy - Reset Walking
F2. @Jessica-Ekomane x @ZoeMcPherson - Iteration
F3. @Atom_TM x @Tobias-Freund - One Final Thing (Not Zero)

G. @AnswerCodeRequest x Gerd Janson - B-Section
H1. @Ryan-Elliott x @Andre-Galluzzi - Fontane
H2. @Paramida x @MassimilianoPagliara - Ride Out The Wave

I1. @ndbaumecker x @Nick-Hoeppner - Labskaus
I2. @Terence-Fixmer x @PhaseFatale - Cigarette Glow
J. @Cormac & @Metro_bln - Remember The Future

Ostgut Ton | Fünfzehn + 1

Años Perros

Buy Compilation

JASSS x Silent Servant | Años Perros

release date (vinyl / cd / digital): 21st of October

“I've intended to do an album for a long while. The tracks draw upon ideas going back to various points over the last 12 years or so - some of the hooks I wrote years ago other bits are brand new. In some ways I wanted it to reflect a personal arc and the way I tend to do things  - never rushed”

‘Frames of Reference’ is the some 12 years in the making debut album from UK based techno producer Ø [Phase].

Best known by his work on the Belgium based Token Records his style ranges from gritty minimal techno to Detroit influenced material. His debut ‘Module Overload’ was released on London’s Lost/Cosmic records in 2000 and was followed by a string of productions for London's Surface/Inceptive Records and Ben Sims Ingoma imprint.

The move to Token came in 2007, he shortly after began DJing professionally and has since performed at parties across the globe whilst becoming a regular guest at Berlin’s techno Mecca, Berghain performing alongside esteemed peers and supporters such as Marcel Dettmann, Len Faki and Ben Klock. His continued works have seen constant support throughout the techno world and have featured in CD mixes by Robert Hood, Dave Clarke, François Kevorkian and Fumiya Tanaka amongst others. Alongside his production work Ø [Phase] is also a mastering engineer and on/off artwork designer. Starting out at London’s prestigious Sony Music/Whitfield Street Studios, he has cut records for numerous underground dance acts as well as working on projects for mainstream artists.

Now after a string of acclaimed releases on Token and a selection of remixes for the likes of Robert Hood, Mark Broom and Peter Van Hoesen comes Ø [Phase]’s debut long-player ‘Frames of Reference’. Opening with the brooding and building swirl of ‘Binary Opposition (Process 3)’ Ø [Phase] sets out his template of evolving, richly textured atmospheres underpinned by shards of dark and light. ‘The Bwiti Initiate’ revolves around a bouncing techno rhythm that could most certainly traverse the house/techno divide whilst ‘Distracted’ and ‘Misaligned’ are the kind of unadulterated, pummeling, cavernous techno tracks that have made Lost such a party institution.
Then we have tracks like the soft beating ‘Just Another Dance’ providing a lighter edge, embellished with warmth and strings and the thick, densely woven tapestry of ‘Shadow Caster’ which goes from experimental to dancefloor and back again with consummate ease. The off-kilter lilt of ‘Perplexed’ drags us further into the dark before keys and a hint of a melody draw us back upwards for air whilst the fat driving bass of ‘Dirtro II’ and funkier edged menace of ‘On The Edge’ show a virtuoso producer at the top of his game. The closing introspection of ‘Self Deceit’ wallows in subtle nuances before a mid section synth and string intervention pulls us back from the brink before finally descending into the void.


Tracklist: 

2LP 
A1. Binary Opposition (process 3)
A2. The Bwiti Initiate
B1. Distracted
B2. Dirtro II
C1. Misaligned
C2. Just Another Dance (album version)
D1. Shadow Caster
D2. Self Deceit

CD & Digital:
1. Binary Opposition (process 3)
2. The Bwiti Initiate
3. Distracted
4. Dirtro II
5. On The Edge
6. Perplexed
7. Misaligned
8. Just Another Dance (album version)
9. Shadow Caster
10. Self Deceit

www.facebook.com/ashleyphase
www.residentadvisor.net/dj/phase 
www.tokenrecords.com
www.facebook.com/tokenrecords 

Dirtro II

Ø [Phase] - Dirtro II

Release date (vinyl & digital): 16th of December

"I've intended to do an album for a long while. The tracks draw upon ideas going back to various points over the last 12 years or so - some of the hooks I wrote years ago, other bits are brand new. In some ways I wanted it to reflect a personal arc and the way I tend to do things - never rushed"

After a string of acclaimed releases on Token and a selection of remixes, Ø [Phase] released his debut album ‘Frames Of Reference’ on Token this fall. It earned him outstanding reviews at Resident Advisor (“a display of real power and finesse” 4/5), in DJmag (“a calculated masterpiece” 9,5/10), at XLR8R (“sticks out as an alternate route to the heart of machine music's appeal” 8/10), Groove Magazine (“pulsating techno in which every sonic details fits”) and more.

After the double a-sided first single ‘On The Edge / Perplexed’ in June, we now bring you the 2nd single.
‘Dirtro II’ is definitely one of the standout cuts of the album and shows Ø [Phase] in his darkest and deepest mood. On the b-side he is joined by one of his biggest inspirations & one of techno’s most legendary innovators: Robert Hood. The result is a carefully executed yet explosive peak time cut.

Ø [Phase] x Robert Hood x Token. It had to happen one day.

TRACKLISTING
A Original Version		
B Robert Hood's New Device Mix

www.tokenrecords.com
www.facebook.com/ashleyphase
www.facebook.com/tokenrecords

Ø [Phase] - Dirtro II (Robert Hood's New Device Mix)

The Tresor Track

After her debut EP for Hivern Discs, shtum is very happy to welcome Inga Mauer to the family. The Russian born but constantly travelling artist delivers the goods in form of four dust-dry and psychedelic Techno tracks that celebrate the obscurities.
Starting with “Dno” she sets the tone with an anthem for dark skies and basements. “Silences” is captivating with its dysfunctional sounds. After the whirling dance of “My Flights Without You” you can’t help but feel a little dizzy. And “Dystopia” feels like hypnotic Techno with a punk attitude.
The artwork comes courtesy of Carl-Johannes Schulze.

Dystopia

Cocoon Pt. 1

Áchim György & Pege  - best 74 track to 233 my & Pege Norbert music IN MY LIFE! (my and my padavan)

05 Hard Even & Pege - freaky thing

Dum Trax

Melody Boy 2000 (Kim Rapatti) - Monotone Fantastique (monotone mix) (2006)

Luke Slater is celebrating his “Planetary Funk” series with several Rework Releases. This one by Octave One is from “The Light Years Reworks LP”, that also features Reworks by Function, Marcel Fengler, Lucy Psyk, KSP, Steve Bicknell and SLAM.

Release is set for March 10th on Luke Slaters Label Mote-Evolver.

The Lightyears Reworks

Pre-Order

Planetary Assault Systems - Booster (Octave One Rework)

Game One (The Cult Revisions)

Game One

B1. Regal - Pulzar

The Fear Ratio
From the incredible Light Box album, EPM Music 2011
// Written and produced by James Ruskin & Mark Broom 

This is intended for promotion only, please support the artists and buy the record. 

The Fear Ratio - Mas

‘Paul’s Horizon’ – @Ryan-Elliott’s first EP in six years – falls musically between Berlin and Detroit, between house and techno and between hypnotic repetition and unpredictability, revealing a subtle ear for groove and composition.

It’s the DJ’s perspective that has informed the Berghain / Panorama Bar resident's own analogue productions, with ‘Paul’s Horizon’ turning its focus toward deep and slick percussion. This is apparent from the get-go, with the title track’s triangle/clap interplay, funky 5-6 kicks per bar, and bleary-eyed atmosphere. From there “Martinsville Morning” slows down into an understated sunrise groover, led by bassline, strings and pads. EP closer “Grafton Road” turns up the pace again with gasps for hats, aggressive punctuating snares, and a modulating synth bubbling-up throughout.

The Fear Ratio - Mas

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