Name: Into The Water by GLISS in 2013
Duration: 4 min 24 s
Description: Into the Water off the Hunting EP. Released October 2012.

2013

Stranger

"Still Knocking At The Door," the lead single from Papercuts' forthcoming Easy Sound Recording Co. debut, Life Among The Savages.

Out 5/6/2014 in the US/Canada through Easy Sound Recording Company (www.easysoundrecordingcompany.com)

Out 5/12/2014 in EU through Memphis Industries (www.memphis-industries.com)

Buy on iTunes

Papercuts - Still Knocking At The Door

"Life Among The Savages", the second single from Papercuts' forthcoming Easy Sound Recording Co. debut, Life Among The Savages.

Out 5/6/2014 in the US/Canada through Easy Sound Recording Company (www.easysoundrecordingcompany.com)

Out 5/12/2014 in EU through Memphis Industries (www.memphis-industries.com)


Papercuts - Life Among The Savages

'Entanglement' is out on Erased Tapes.
Order the album on CD/LP/DL: http://www.erasedtapes.com/store/index/ERATP067
Or via iTunes: http://geni.us/entanglementitunes

“No click tracks, no headphones, and no film. Just the spontaneity of performance and the sound of musicians hearing, connecting and responding.” 

‘Entanglement’, the debut album by Michael Price fulfils his long-term desire to explore new musical territories, featuring Michael on the piano, with the addition of cello, soprano voice, string orchestra, modular synth, tape effects and electronics.

Throughout the record you will hear street sounds from 'Budapest' captured and processed on Michael’s mobile phone, as well as chamber music recorded direct to tape with vintage microphones in single takes. Album track ‘The Attachment’ was partly recorded onto a 1940s magnetic disc recorder, which immediately connected the piece back to a pre-digital musical age.

The cello and soprano vocal parts throughout the album were written specifically and directly for cellist Peter Gregson and vocalist Ashley Knight, whose expressive voice features on tracks ‘Maitri‘ and ‘The Uncertainly Principle‘. The lyrics for both songs are Japanese poetry sung in English, dealing with age, loss and the inevitable fading of beauty.

‘Entanglement’ was written over a period of two years on paper and by hand with Michael exploring oldest and newest technology at Abbey Road Studios and Snap Studios in London, before most of the recording and mixing took place at Vox-Ton in Berlin.

“I wanted to make an album that sounded like a dark, Berlin record store discovery from the 30s. Something that had timeless emotive power, and pre-digital rawness. Something that I hope would make a deeper connection in superficially networked times. I think there is a duty for artists to be honest, and vulnerable. Because then there is a possibility of real connection. Entanglement is both honest and vulnerable and to go through the two year process of writing, refining and recording an album has been more intense and more beautiful than I could have possibly imagined.

Entanglement is a very personal expression of my obsessions: music, love, physics and the inter-connectedness of things. There is structure and freedom, chaos and control, and the beauty of ancient instruments set against impassive machines." – Michael Price

ABOUT THE ARTWORK: Resembling the inter-connecting parts, the cover art for ‘Entanglement’ was created by South London artist Supermundane, with the packaging’s layout done by long-term Erased Tapes-collaborator Torsten Posselt at FELD in Berlin.

TRACK LISTING:

1. Tape Overture 2. Easter  3. Little Warm Thing 4. Budapest  5. The Attachment  6. Maitri  7. Digital Birds  8. The Uncertainty Principle 9. Entanglement

erasedtapes.com · michaelpricemusic.com

Entanglement

The Attachment

Buy LP/CD/DL

Michael Price – The Attachment

A track to tickle your fancy. Love lost and love gained. A smoothie groove.

The Loft Mixtape EP

Turkish Delight

Walk On By (radio edit)

Into the Water off the Hunting EP. Released October 2012.

Into The Water

A man rots from the head first. Miasma remains trapped in ears and annihilates clear hearing. The sound is needed that will break through the barriers. Self-knowledge is needed to catch this sound.

Improvisation is the only way to move downwards, to descend lower where the tones gain a physical dimension. “Zła krew” ("Evil Blood") is an expedition.

“Zła krew” ("Evil Blood") is the second album of the kIRk band. A shattered structure, derived from improvisation, where the 20th century music heritage reverberates. The echo of the present manifests in the electronic tones, the vinyl hum and the sound of a trumpet

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Człowiek psuje się od głowy. Miazma zalega między uszami, niwecząc czyste słyszenie. Potrzebny jest dźwięk, który przebije się przez bariery. Potrzebne jest samopoznanie, żeby schwycić ten dźwięk. 

Przez improwizację schodzi się w dół, coraz niżej, tam gdzie tony zyskują fizyczny wymiar. „Zła krew” to ekspedycja.

„Zła krew” to drugi album zespołu kIRk. Wywiedziona z improwizacji, rozklekotana struktura w której pobrzmiewa dźwiękowa spuścizna XX wieku. Realizujący się w elektronicznych tonach, winylowych szumach i wyziewach trąbki oddźwięk teraźniejszości.

---


Label: InnerGuN / Oficyna Biedota
Release Date: 01.02.13
Link: www.innergun.com / www.biedota.com

---

Tracklist:

1. Do rozpuku
2. Zła krew
3. Dżuma
4. Dzieci Boga
5. Pies zdechł
6. Poza zasięgiem

kIRk - Pies zdechł

Media inquiries: alyssa at teamclermont dot com

http://teamclermont.com

http://www.familytreerecs.com

"Where the Wild Things" premieres at Pitchfork: 
http://pitchfork.com/reviews/tracks/14654-where-the-wild-things/

Video premieres at Vice: 
http://www.vice.com/read/vice-premiere-cy-dunes-where-the-wild-things-are-video
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To celebrate Cy Dune's upcoming No Recognize EP, cans of spray paint were shot over canvases with handguns in the Arizona desert south of Tucson by a group of local musicians, artists, poets, and pedal makers. Plumes of color exploded into the desert air, and onto the canvases. 

The day resulted in about 22 paintings.  These paintings will be for sale on the Family Tree Records website shortly. As a creative alternative to a limited edition 7", each painting will come with a download code for the EP's lead single, Where the Wild Things, as well as a limited track not available anywhere else. The 12" canvases will be $30, and two sets of large diptychs will be $100 each. (Photo: http://teamclermont.com/images/3151.png)

The No Recognize EP will be available digitally on February 4 and on vinyl March 5 on Family Tree Records. A full length is planned for later in the year. (EP Art: http://teamclermont.com/images/3150.png)

Cy Dune photo: http://teamclermont.com/images/3155.jpg

-----

The Cy Dune story starts with a songbook.  This particular book had a 100 songs written in 20th century American visionary long hand over five years after leaving home and traveling the world in what some might call the contemporary music scene of the early 21st century, recording and performing with his band Akron/Family and collaborating with Rhys Chatham, Michael Gira, William Parker, Hamid Drake, Keiji Haino and Tatsuya Nakatani. The songs were demoed all that same time with new and old friends in big city and small town apartments, parents' garages, horse barns, Maine basements, New Jersey Synagogues, old Pennsylvania factories, molding mid-century moderns, Brooklyn basement studios and across the bridge at the midtown Manhattan Sear studio with the old Abbey Road tape machine and the bass player from the Henry Rollins band.  

In 2010 the 100 songs were finished, written and demoed. In 2011, he moved to the Sonoran desert to record a primitivist American blues story; an old/new weird American anthology of these songs with only an old acoustic guitar and the very same rebuilt 1/4" tube Ampex reel to reel that Alan Lomax used to record field hollers out of his trunk. Months were spent fine tuning the 100 songs, researching tube and tape saturation, Fahey's discovery of Skip James and his mystical open D tuning, early Dylan cryptology,  the notes between the notes of Leadbelly recordings, Michael Hurley's Folkways First Songs and re-tuning all guitars to that self same slightly flat key. 

But the 100 songs wouldn't record. 

2011 ended and the spark of change finally came as a Christmas gift given by his mother. Patti Smith's Just Kids. Re-awed by the transformative powers of Rock 'n' Roll, frustrated, and fed up, he plugged in his guitar and the songs alived and ripped themselves into being, bursting out as sheets of guitar shredding sound like explosions written on the wall. Patti Smith's book begins the year Coltrane died. Cy Dune's story begins again with the simple act of plugging in his guitar, mimicking the thrust of the 20th century.  

The No Recognize EP is a soundtrack to this transformation. His electric guitar story-tellings tap in, steeped with all the mystery of  pre-war weird America holler, African pentatonic shamanism, be-bop underground, and Kerouac's road verse electrified and amplified.  The songs blaze like roads north to Chicago and Detroit, like amps falling off cars, the rattling tubes all saturated, sound color and broken speaker blues,  sounds of a whole century, like Wayne Coyne says,  "touched by the religiousness of Rock 'n' Roll".  No Recognize was recorded loud on a few old microphones in Tucson, AZ and in Brooklyn with the help of drummer Andrew Barker (William Parker, Gold Sparkle) and bassist Shazad Ismaily (Sam Amidon, Bonnie "Prince" Billy),  then doubled back and blasted through a friends broken PA high on a desert mountain. A Rock 'n' Roll Hymnal 100 songs behind and 1000 songs to go.




Cy Dune - "Where The Wild Things"

From the album Impossible Truth, out March 19, 2013 in North America and April 29, 2013 in the UK and Europe on Merge Records.
http://www.mergerecords.com/store/store_detail.php?catalog_id=898

Impossible Truth

Buy from Merge

William Tyler "Cadillac Desert"

Free download available until Jan 2013

Written By Blanck Mass
Recorded and mixed by Blanck Mass
Mastered by The Haxan Cloak

blanckmass.bandcamp.com/
blanckmass@gmail.com

HELLION EARTH

Taken from the Morning Swim EP out February 5, 2013.
Buy:
https://itunes.apple.com/us/album/morning-swim-single/id596169442

More on Glenn Jackson:
soundcloud.com/glenn-jackson
twitter.com/glenntjackson

Contact: info@ceremonyrecordings.com

Glenn Jackson - Save

Blur

Black Is Blue

GLISS - new music coming soon
https://gliss.bandcamp.com
New Music out in 2024 worldwide 

https://www.instagram.com/gliss.official/
www.gliss.tv

https://gliss.bandcamp.com/
https://www.facebook.com/officialgliss


Danish/American band Gliss makes a huge departure from their old sound on the new record Langsom Dans which is gathering comparisons to Beach House, Crystal Castles and Lower Dens. The Danish/US duo pour their collective musical imaginations into recording timeless art pop with a precise Scandinavian texture that steps away from their previous work. The 12-track LP features heavy synths and electronic beats with Danish expatriate, Victoria Cecilia, stepping into the role as lead singer. The passionate vocal harmonies dictate the recordings with stories of coming out of the darkness into a new life, bringing to mind The XX, Portishead and Depeche Mode.

This is a full-length from a band that knows their sound, and having toured with the likes of The Horrors, Raveonettes and Editors, they clearly have the credentials.

Releases:
Junk
In Utopia
Strange Heaven
Devoted & Imploded CD/Digi - Limited Edition
Devotion Implosion CD/LP/Digi
Kick in your Heart EP
Blue Sky single
Rugby Road single
Love the Virgins Album (WEA)

Into The Water

GLISS

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