Eliana D'Angelo - It's Uh Jungleist Thing

Mastered By Eternal Sunset
https://archive.org/details/symmetry_2025

Original:
https://soundcloud.com/glitch/misty-landscape

Eternal Sunset - Misty Landscape (Hawawa Remix)

Happy acid day! Here’s a NYP single, written with a tb-03, midines percussion, breaks, another acid plugin, and a bunch of samples from various number stations. Add it to your collection: https://saskrotch.bandcamp.com/album/deepcover-acid-mix-ii

Deepcover Acid (Mix II)

distant

https://v8cola.bandcamp.com/album/savepoint-pursuit

savepoint

Encoded Chaos

Beatmonger is the drum machine VST I made using Plugdata/Heavy. It's an 808 soundalike with some changes and I also gave it the quijada sound from the MiniPops. The VST exposes all kinds of parameters to tweak the sound of each drum in a way you can't do with sampled drum sounds. Each drum sits on its own audio output so I can easily apply different processing to each sound in the DAW. Why did I spend every evening one week in December 2024 to make this drum machine VST? Because I wanted something I could reuse again and again, in the spirit of oldskool drum machines, but with my own sonic stamp on it. Beatmonger is not publicly available but there are plenty resources online to DIY your own stuff in Plugdata!

Make some music, it will keep you out of trouble!

This is my first ever finished track with the 8edo tuning. I always found it really tough to make it work. The trick here was not to think harmonically, but pure melody and rhythm.

You'll also hear that I'm using timbres that feature overtones that are aligned to 8edo. This is one way to smooth over the sound when you're using a tuning that doesn't align well with the harmonic series. I actually produced loads of these timbres as loopable wav files that I could easily load into a sampler, for various different edos. Each wav is a pseudo-harmonic series but the partials are aligned to an edo. But 0 of you may ask, how did you make them loopable, as edos are inharmonic and thus the sum of overtones would be aperiodic? I actually approximated those inharmonic overtones using harmonics of a very low fundamental frequency that is tied to the duration of the wav file. In this way, I'm using harmonics that approximate inharmonics that approximate harmonics. It works ok enough. Again, Plugdata was used here, mainly to automate the setup and recording of these loopable wav files for each edo. I spent an evening going from idea to complete sample pack. I'm willing to make these public, but I don't know if anybody really wants to mess with them. They're slightly unpleasant with a "bell organ" kinda quality, so you actually need to incorporate them into a sound design - they're not good standalone sounds.

Crucial plugins used on Reckoner: TAL Sampler, TAL Bassline-101, Dexed, Airwindows ToTape6, TAL Dub-X, Beatmonger v2 etc.

Reckoner

Sven Noon - Pareidolia

SERA027: Satellite Era presents “Dissociated Mutant Subculture EP” - an analysis of thoughtful experiments by Uge Ortiz, best known as AZ-Rotator (@solomute-labs)

Out now on all major platforms: https://ffm.to/sera027

The world begins to surround us in its warmth for yet another summer that is certain to be abundant of fresh music. Five lengthy years since our label’s conception, we find ourselves returning to our experimental roots again and again. This time around, we circle back with a familiar face and household name in the cyberspace we occupy.

20 years have gone by since the release of “Science of Chance,” the debut album of our longtime friend AZ-Rotator. Over the last two decades, the Madrid based producer has undergone a series of stylistic mutations that only continue to feed his curiosity for sonic studies. The foundational ‘germ’ of his origins still withholds its essence, meaningfully scribbled into his lab notes - yet his latest experiment “Dissociated Mutant Subculture EP” is a promising turn of the page. It builds on the idea of using randomness as a principle while still feeling full of intent - a clear mutation rather than ripping the journal in half. We begin the deep-dive with “Escal” and are immediately met with metallic percussion and eerie synths painting the soundscape. “Imstra” increases the energy further than the intro and flexes his masterful drum programming while welcoming a distorted, hardcore-like kick. Hidden beneath the clever progression and shuffling rhythm of “Sundmirex” is a tribute to oddball footwork; this Madrid-to-Chicago connection is only made possible by the power of our niche on the web. “Masthenod” explores the depths of frantic, high-octane breakcore with a weary tone throughout the track. “Elunnomticom” pulls the observer back into a warmer setting while still displaying an array of modular and generative sounds. The project is concluded with “Artificialle,” a track that not only stands out due to its freeform jazz-influenced nature, but also as an intriguing and potential preview of what the future may suggest for the fabled scientist.

With formative releases on some of our favorite offbeat imprints such as Ad Noiseam, Evel, and Detroit Underground, AZ-Rotator’s sonic spacecraft has returned to the Satellite Era universe. His latest offering “Dissociated Mutant Subculture EP” is a delightfully twisted contribution to our core collection of experimental electronic music, while leaving space for listener interpretation. It serves as a forward-thinking testament to the longevity and continuous improvement of his artistry. 

Written & produced by Uge Ortiz
Mixed at Paranoise Gallery
Mastered by Amir Mashayekhi
Designed by marutonkun

www.instagram.com/marutonkun

BUY / STREAM

AZ-Rotator - Imstra

Stux Net

Right in time

My artist name is Eternal Sunset.  I enjoy creating music in several favorite genres: Glitch/IDM, Drum'n'bass/Jungle, Breakcore, Ambient, Electro-IDM, Acid-House, Hip-hop/Rap instrumentals.
My discography is on: http://eternal8bit.cba.pl/
-----
Influences: Squarepusher, Photek, Kettel, Telefon Tel Aviv, Aphex Twin, Clark, The Prodigy, The Flashbulb, Venetian Snares, Kid 606, Xela/Yasume, Ebola, Sci‑Clone, Robert Miles, AOKI Takamasa, Autechre, Hecq, Future sound of London, Biosphere, and many more
-----
I have second profile on soundcloud with nintendo style chiptunes: http://soundcloud.com/8-bitchintendo

Encoded Chaos

Glitch

Recent comments

YF12A

८คȒv૫௶

TOMOYU

Related tracks