MAte I feel the same .I been working out the box as much as possible using  Akai force as Master syncing Mc909 ,Oddessy, Ms20 and 2 303 clones .Working without a mouse makes me far more creative.

this really reminds me of the main theme from ricochet - lost worlds

a guy called New Roki 22.11.22 (Live Recording)

SPINLESS

ESCHATOLOGY ESCALATOR I 32723

Worth

The Problem Of Evil

bandcamp : https://fhauna.bandcamp.com/album/our-left-hands-catch-their-souls

youtube : youtu.be/JGfLyu_1v78?si=k_MBdV3YN1Of0TqY

--
Un chemin, plutôt qu’une route, et soudain : le petit bois. Un lieu dans le profond duquel je m’enfouirais souvent au cours de cette espèce de vie qu’on se raconte.

On y cernerait toujours un joli nu de paysage. Ce petit bois organise des images qui ne rendent rien sur photographie ; les verts d’imprimerie s’y confondent et ratatinent le beau.
--

[https://distrokid.com/hyperfollow/fhauna/our-left-hands-catch-their-souls]

our left hands...

a black lodge

lamentations synth

SenSen - Decera Denuevo

Brillman x Tape Lab back at it again, this time with some small changes, just a few minor edits, nothing big, just a — microTWEAK. Building on an initial and explosive creative clash. Tape Lab & Brillman have delivered another melodic, composed and unexpected 2nd collaboration piece. 

Transferred at the speed of light (115bpm) across the Atlantic Ocean. Initial melodies were recorded via the Yamaha RM1X with space/reverb added from the Korg Kaos DJ Pad. Basslines were recorded on the Moog Sub37. Brillman remixed with additional drums/synths/sounds including the brilliant microFREAK. But, ultimately, the star of the show is Brillman’s expertly composed and eclectic sonic palette and, definitely, skills as a mixer and master-er.

Fearlessly, new sounds echo in and out, ricocheting off of other beats and bloops, a confetti of sounds raining down.

Worth

glitchBuchannon

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LooneyBinJim

LooneyBinJim

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