Looking forward to get samples from Plexus. Is it arriving to Splice any soon? :)

part of the Darksiders Summer Playlist 2022
https://soundcloud.com/pfaender/sets/darksiders-summer-colors

HEX#1A2B3C

original file 
https://soundcloud.com/noxpox-page10/noxpox-german-beats-open-collab
11-9-2022

Noxpox Vs FAKTOR4 - German Beats (rmx)

two transducers placed

The story is told in two acts;

both acts are ‘‘é®±’Ω˙, using only

vaguest of: colours, movements, and shapes.

-

**ACT I**

Colours: blue and orange, interspersed with a bit of red, green and smudgy white;

Movements:

* erratic (chaos)
* multidirectional and short-lasting, as if viewing a galaxy from outside an event horizon*
* swirl that makes sense for only a few moments but keeps swirling,
upholding momentum but no,
no story or:

*no correlation between the sprawling, sculpting lines.*

*dimply smudged, incomplete.
* unwavering
* undisturbed, spacious movements that follow each other almost seamlessly;
* high contrast, stronger hue and light against darkness, clear black and white colours.

* laconic
* exactly two movements are shown before an interval between them.
* after the interval,
a new movement is shown.
* This continues in a repetitive loop.

Shapes:

* a simple, a very simple shape is shown repeatedly.
* the shape is painted a clear colour; the drawing is

almost technological in

a way, purely outlines and

a simple pattern.

Time:
* the first act has two sequential musical compositions by Ocsid.
* the two compositions are shown along with two identically long repetitions: of

music and visuals.

* the compositions stay in medias res.

**ACT II**

Colours: bright, opaque white, pitch black and subtle smudgy beiges.

Movements:

* short, staccato and fast
* light, quick brush
strikes against the paper, adding light, white pigment onto the beige, almost white canvas.

* slightly slower in both moves, but overall very quick and comprised:

of four different movements that are in a repetitive loop.

* controlled
* follows some invisible lines,
sometimes a movement or two branches out and then follows the main line again.

* pixelated

* at first the movement is

a continuosly fluid one, but towards

the end of the composition,

it seems like the movement

is comprised of countless small movements;

technically it still is

a fluid movement, but

visual it seems that these

small movements are

composed of smaller

moves and so on –

the brush-stroke can

be seen as individual blobs:

two in one, four in one, eight, sixteen and so on.

Shapes:

* a line is drawn against

the paper, growing thicker and

thicker as the movements expand and

multiply; it is thick enough

to be called a hexagon,

but with a few quick movements

it becomes a line again.

Time: the second act
* has a longer

composition, which

starts out with

a wibe, and

almost slow,

dragging

movements

and slowly builds

up to a

stronger,

blistering,

pythonian

signature

ﬁnale.

.˛˘ ⁄>\\⁄√/|¸ •.

A tribute to the director João César Monteiro, who in an interview carried out in 2000 uses the term 'Photophobia', as a possible explanation for his film Snow White.

After all, the fear of images may prompt us to explore other senses. The search for sound can take the place of the aversion to colors and create a new reality.

Produced, mixed and mastered by ZZY/MIASMA Studio
Artwork by José Veiga

Hardware gear used: Dave Smith Prophet Rev 2; Lyra-8; Elektron Analog Rytm MK2; Erica Synths LXR-02; Eurorack Modular System (Mutable Instruments Plaits, Mutable Instruments Beads, Mutable Instruments Tides, Befaco Synth Muxlicer, Joranalogue Contour 1, Malekko Varigate 4+).

Available for purchase on https://zzyprod.bandcamp.com/album/photophobia

In The Void

A few dozen orbits around the local star

Taken from the ep COMMS, released by Polygon Network on 22/02/2023.
https://polygonnetwork.bandcamp.com/album/michael-valentine-west-comms-polygon-network-nw0044

COMMS002

Oumuamua

Produce from a battle with writers block.

Imbalance

On today's episode Brian Becker and Prof. Richard Wolff discuss the massive wildfires in Canada that blanketed the East Coast in a haze of smoke for days. As the climate crisis intensifies, hazardous conditions are set to become more and more common in every part of the world. But for the capitalists, the only thing that matters is that their employees keep coming in to the job, regardless of the severe health dangers. Without workers working, the capitalists make zero profits.

Professor Richard Wolff is an author & co-founder of the organization Democracy at Work. You can find his work at rdwolff.com.

Please make an urgently-needed contribution to The Socialist Program by joining our Patreon community at patreon.com/thesocialistprogram. We rely on the generous support of our listeners to keep bringing you consistent, high-quality shows. All Patreon donors of $5 a month or more are invited to join the monthly Q&A seminar with Brian.

Capitalists Wage War on Nature

Plexus features 1,417 abstract impact sound effects designed by Ivo Ivanov. 

Plexus comes with 6.2GB of 24bit/96kHz .wav audio content that is equally geared toward music production, game audio and multimedia applications. Whether you’re working on a blockbuster sci-fi shooter game, a modern electronic music album or a high-tech multimedia project, you will undoubtedly find this collection to be an indispensable resource.

https://glitchmachines.com/products/plexus/

BUY PACK

SFX Demo - Plexus - Abstract Impacts

Forward-Thinking Sound Design
Creative Audio Plugins & Sound Effects

SFX Demo - Plexus - Abstract Impacts

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