This week I decided to do something silly. I decided to resynthesize a picture of mayonaise. It actually turned into these really cool future-bassy chords (IDK, I don't produce that genre XD). Horseradish is also an instrument. Download the .flp: https://www.mediafire.com/?55ndxcafhlpr57w

REQUIRED PICTURES: https://www.mediafire.com/?x722bi4e7qp2byk, https://www.mediafire.com/?52ac0nhg7ox553o

Weekly Sound Design 26 - Is Mayonnaise An Instrument?

Quite possibly the squelchiest sound I've made. The tension knob in Sytrus plays a large part in the squelch, morphing the triangle into a slightly more square-y waveform. Download the .flp: https://www.mediafire.com/?bn1sa1spgcmi7ds

Weekly Sound Design 28 - FM Squelch

This week I wanted to break away from big patchers and make something fairly contained in Sytrus. This is some squelchy FM for the base sound that is then being messed with by some notches, a bandpass, chorus, delay, and reverb. Unison index mapping can be useful for getting some different positions for the notches. There is some compression later on by Maximus because... neuro. Download the .flp: https://www.mediafire.com/?ekgapo06mvdcy8d

Weekly Sound Design 31 - Sytrus Neuro

This is a somewhat rubbery sounding neuro bass. Really sounds like it's flapping. This sound makes good use of harmonic unison and prism within Harmor, as well as some custom filter shapes for added neuro. Download the .flp: https://www.mediafire.com/?5jl6gjcid6x6dwt

Weekly Sound Design 32 - Rubber Ribbon

Another try at neuro resynthesis with randomly phased saws from Sytrus . Download the .flp: https://www.mediafire.com/?a22xa3ga1v1jbz4

Weekly Sound Design 33 - Random Phase Bass

I was wondering... I use Sytrus mostly for frequency modulation work, but could I make a growl with ring modulation? After a bit of processing from Maximus, PMEQ2, and Vocodex the result sounds somewhat like a granular bass. That's because the process is not all that different: the waveform is chopped up into tiny little bits before processing, only with this the speed is dependent on pitch. You could try setting the ratio to 0 and use the HZ offset to change that. Download the .flp: https://www.mediafire.com/?7g4j9oci07cvhq2

Weekly Sound Design 34 - RM Growl

Inspired by the sound of a guitar, this bass is based around the waveshaper and how it reacts to different waveforms. The main tone comes from the heavy crossover distortion in the waveshaper. The Sytrus has the waveforms mapped to Mod X, change that to change the first part of the timbre. There is then a high pass before the waveshaper, creating the main wob sound. Then there's some typical reese processing with pitch effects. I would recommend taking this bass further, perhaps with some bandsplitting or more vocoding. Download the .flp: https://www.mediafire.com/?ate5fwmakzx71gg

Weekly Sound Design 35 - Heavy Metal Wob

A very squelchy bass in Harmor, sounds great for some neuro when you filter it. I actually used this in the intro of my Winter VIP. Download the .flp: https://www.mediafire.com/?2yno957qiggtyjd

Weekly Sound Design 36 - Phasey Bass

Sorry there hasn't been a Weekly Sound Design for a while, I was kind of out of ideas :P. Here is a wob combining several features in Harmor to mimic something that I would do in Serum. Try moving the mod x mappings. Download the .flp: https://www.mediafire.com/?u34h8v9xum0be89

Weekly Sound Design 37 - High Pass Phaser Wob

An atmosphere I made in Harmor using the phaser, harmonizer, and a filter as another phaser. It also uses a custom waveform and some unison. Download the .flp: https://www.mediafire.com/?qqou7ojdl158vw5

Weekly Sound Design 38 - Shimmery Phaser Atmosphere

I'm working on making a sample pack (I finally figured out how to make snares)! Here is a relatively simple snare from the pack, made of only two instances of Sytrus and a Harmor. The drum samples in FL are layered in with the Harmor, and I confirmed with IL that they are royalty-free for redistributing if they are layered a reasonable amount. Download the .flp: http://www.mediafire.com/file/f6m53ppyiz44uw6/39_-_Dubstep_Snare_2.0.flp

Weekly Sound Design 39 - Dubstep Snare 2.0

I decided to make another Sytrus FM growl this week using some new knowledge about FM that I've learned. Of course, the Vocodex and Chorus are helping too. A tip for growls that are too harsh: try a de-esser (just a compressor with high ratio on the high frequencies) it works wonders. Download the .flp: https://www.mediafire.com/?ap7uhxco77c40t5

Weekly Sound Design 40 - Monster Growl 2

Hello, I'm Andrew, also known as GlitchMaster. Every week on Wednesday I will design a patch using FL Studio's stock plugins and give the patch to you guys for ABSOLUTELY FREE! I cover a wide variety of sounds from growly reese basses to ethereal pads. Submit requests to GlitchMasterSoundDesign@gmail.com

(please note that while you may use the sounds in your productions you are not permitted to distribute the patches, you should always link back to here if you want to tell someone about my sounds)

GlitchMaster Sound Design

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