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Out now: https://orcd.co/REKIDS255

Santos’ first release for Matt Edwards’ Rekids imprint, the four-track ‘We Were All Kids Once’ EP , is a continuation of the experienced producer’s output on his own Let Me Understand Records, which has seen a staggering amount of support from DJs since it’s launch in 2018.

Traversing rugged, tracky, Relief-influenced House/T echno (‘One Day’), drummy grooves (‘Don’t T ouch’ and ‘Rollercoaster’) and cosseting beat-down Deep House (‘Someone’),
‘We Were All Kids Once’ is one of those genuinely essential EPs that provides exceptionally consistent dancefloor ammunition across it’s breadth.

With the likes of Ryan Elliott, Honey Dijon, Ame, Raresh, Luke Slater, Enzo Siragusa, Ben Sims and more supporting his output over the past few years, Santos is in the form of his career. While releases like the breakthrough ‘Camels’ and the anthem ‘Hold Home’ mark Santos as a producer of note at the turn of the century, his four solo albums and, most recently, his Let Me Understand Records EPs have proved he’s an artist that is constantly pushing
forward.

Santos’ EPs regularly fall into the ‘if you know, you know’ category of various tastemakers across Disco, House and Techno and ‘We Were All Kids Once’ neatly displays why.

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Santos - Don't Touch

Steve Rachmad - Moog On Acid [Music Man Records]

Proper Techno innit

UFO Space returns with his third vinyl release: an emotional journey full of textures, voices, and atmospheres that speak directly to the human experience. In this EP, the artist explores a more intimate and cinematic sonic narrative without losing his instinct for the dancefloor. As a special feature, the record includes the first collaboration with Jaume Xifre, adding a new layer to the project that fits naturally into the label’s sound universe. Each track flows with clear intent — to move, to resonate, to connect. From immersive rhythms to melodic landscapes that verge on the ethereal, SPCD003 reflects a solid, mature, and honest artistic evolution. More than just a collection of tracks, this EP tells a story through sound. A must-have for those who seek depth, emotion, and character in electronic music.

A2. UFO Space - Power House (Original Mix) [SPCD003]

Serial Disc Touchers [SDT Recordings] returns with its third instalment — a solo release from label founder Grace Dahl.

“I Want To Dance” channels an infectious house groove with subtle tension that builds toward the break, topped by a simple yet commanding vocal — delivered by Grace herself.

A personal favourite and longtime closing track in her sets, the track now officially joins the SDT catalog as a celebration of the joy and freedom that define the label’s ethos.

Mastering by STIPP
Mixing by STIPP and Grace Dahl
Artwork by SOLO
Vocals by Grace Dahl

Bandcamp: https://serialdisctouchers.bandcamp.com/track/i-want-to-dance
Beatport: https://tinyurl.com/ar47p7ap
Spotify: https://open.spotify.com/album/1wJ4tKqjQ4r305oeZo5bd6

I Want To Dance [SDT]

Born and based in Argentina, @bediscrete generates groove with surgical precision. Rolling percussion, tripped-out synths, and hypnotic chord stabs swirl together to build a heady and driving soundscape fit for the basement. Fueled by his time exploring the German techno scene and an insatiable curiosity for digging and sound design, this mix hits like freshly brewed maté - sustained energy, no crash. xoxo!

SC: @bediscrete
IG: www.instagram.com/bediscrete/
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1. What was your inspiration for the mix?
I always approach the mixing and music selection from a dancer perspective. Only playing the music that i like whenever i go to dance. I had discovered how hypnotic/groovy tracks can be really dark and dissonant on the mid-high frequencies but sometimes "happier" on the low-end, and this thing just got me super interested on how contextual is techno in clubs when these are played on big sound systems. I loved the idea of always having low-end in front of your face and jump around Kick and bass in the club. That's not the case when listening on devices where low-end is not even hearable.

On the mid-high i like finding tracks where a call and response is made, this create something that i call push and pull effect where each 8, 16, or 32 bar different sounds creates this effect of make a call with different instruments and then responding with other synth or percussive sounds. This creates a feeling of something starting and finishing on small chunks of movement. You can jump over sounds, grabbing them and playing with them, and creates a feeling of things starting again every time which makes it more fun to me to dance.

2. How do you think your local music scene has shaped your sound as an artist / approach to nightlife?
When i moved to Leipzig in 2023 i had experienced german techno scene from first time. Some time after i just jumped straight into producing techno in Ableton where i realized how flexible and open it's to create and experiment.

My music taste were always open so when i jumped into producing i experimented with Trance, Groovy, Hard Techno and even Industrial tracks where all of this was part of exploration to understand what i like for making music.

Later on my journey i met Alarico for the first time, where i understood how Hypnotic can be dark but groovy at the same time, this was really important in terms of understanding what i like and how i wanted to sound when mixing and producing.

Talking about nightlife approach i been in multiple events in Leipzig where i've discovered multiple artists that showed me different techno sub genres for first time. Just to name a few: Carlotta Jacobbi, Strumm, KunstTecnologge, Einfach Winter. These local artists were important on my sound shape and understand how different feeling can be created on the dancefloor between different sub genres and bpm velocities.

Sound shaping is a constant and evolving thing, and music digging always will create bring new ideas to the table when mixing or producing and i got to say that friends are a big part of this sound developing as well. My dj friends who mixed with me all this time: Odiseo, Oxizo, Phink.

UNITED TRANZIT 011 - Be Discrete

0.002µg

Argentinian techno powerhouse Lucas Aguilera lands on Unrilis with Toba, a two-track peak-time assault that cements his place among the global techno elite.
Known for a relentless discography on labels like Second State, JAM, and KD RAW, Lucas has earned widespread support from the likes of Adam Beyer, Amelie Lens, and Sam Paganini. His music embodies hard-hitting grooves and hypnotic tension—perfectly aligned with Unrilis’ vision for cutting-edge dancefloor techno.

Following years of intense club residencies and afterhours dominance in Córdoba, Lucas has evolved into one of Argentina’s most respected techno exports. His work has not only gained attention from the industry's most revered tastemakers but also garnered nominations for “Techno DJ” and “Producer of the Year” in his home region. Toba sees him bring this refined, high-octane style to the Unrilis catalog for the very first time.

This release underlines Unrilis’ ongoing mission: to showcase bold and innovative techno crafted for maximum impact. With Toba, Lucas Aguilera fits right into the label’s tradition of championing driving and uncompromising sounds.

The title track Toba charges in with thunderous low-end pressure and hypnotic synth sequences that surge with controlled aggression. Tension builds through filtered synth and a pounding rhythm section designed for peak-hour chaos.

follow : @lucas-aguilera @rilis-records

Toba

Toba (Original Mix)

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Toba [UNRILIS128]

Track: The Call
Artist(s): CAMO
Album: Locked N Loaded
Label: MEUK Records
Catalog: MEUK011
Release Date: September 16th
Format: Digital
Genre: Electronic
Style: Techno
Mastering: Ramon Tapia
Artwork: Eva Bohnen

Artist links: 
Soundcloud: https://soundcloud.com/camo100 
Bandcamp: https://camo123.bandcamp.com/music 
Instagram: https://www.instagram.com/readyonthree

Label links:
Soundcloud: https://soundcloud.com/meukrecords
Bandcamp: https://meukrecords.bandcamp.com/music
Instagram: https://instagram.com/meukrecords

Pre-Order Link: https://meukrecords.bandcamp.com/album/locked-n-loaded-meuk011

GTG Premiere | CAMO - The Call [MEUK011]

Run Or Die by Go_tetsuo

192 kbps remix file from Steve Parker's "Anoya" ep .. Original and other remixes by R-Play & Monoloc.
(SW88) 



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