http://www.amazon.com/dp/B00138B200
https://www.facebook.com/groups/thedragonfly/

Lisa Stansfield - Change (dj Angel)

For anyone who had been purchasing my mixes via Legitmix please email me at the following address or Follow me on Facebook. Would love to hear from you and stay connected!
EMAIL: freddyg@digitalvisionsremix.com
FACEBOOK: https://www.facebook.com/DigitalVisionsReEdits/

PLEASE visit my website for more info about me and my projects....plus info regarding my Sunday afternoon LiveStreams: www.digitalvisionsremix.com/

Please visit my other SC accounts for additional mixes: 
https://soundcloud.com/freddy-greene
https://soundcloud.com/digital-visions
https://soundcloud.com/digital-visions-mixtapes

For additional info on my LiveStreams, please LIKE my FB page: https://www.facebook.com/pages/DJFreddyG/

Bee Gees - Love You Inside And Out (Digital Visions Re-Edit)

Previewed my over 2700 other works of mine:
www.house-mixes.com/profile/Digital…digital-visions

Check out my all classic Livestreams Monday, Wednesday & Thursday @ 8pm ET on Twitch: Twitch.tv/DJFreddyG

Barbara Streisand & Barry Gibb - Guilty (Digital Visions Re-Edit)

FREE DOWNLOAD

Prince - Cream (Swifft Acid Rinse)

Every Night I Die (82)

I Am What I Am

Never Can SAy Goodbye

Chic - Le Freak

Nights On Broadway (met originele Bee Gees vocals)

'70s Music for Sync Licensing (Film & TV)
www.cleopatrafilmtv.com 
For Inquires please contact: 
Benny Cardenas 
tel: (310) 477-4000 
email: benny@cleorecs.com 
(P) (C) 2012 Cleopatra Records, Inc.. All rights reserved. Unauthorized reproduction is a violation of applicable laws

Thelma Houston - Don't Leave Me This Way

One of Donna's last performances while on tour with David Foster in 2010. 

Donna Summer - "Last Dance" (Live 2010)

Always loved Barry White, I grew up on his Music as my Mom was his biggest Fan and loved his track  "Can't Get Enough of Your Love", but  I always loved the Original Cover Version that Taylor Dayne did. Problem was they never released that Version as a 12" Original or Extended Version only the Club or House Mixes which I felt took all the Soulful, Disco Groove out that she had done so well as when Barry did in his original version. So here it is my "Jerrbear's Groove of Love Remix" of Taylor's Version. I hope you enjoy it...I do! Love DJ Jerrbear <3 Free Download at https://hearthis.at/djjerrbear/

Taylor Dayne - Can't Get Enough of Your Love (Jerrbear's Groove of Love Remix)

Gloria Gaynor will tell you, “I have more than survived. I have thrived.” Indeed an optimistic message accentuates her new gospel album, Testimony, and it’s delivered with the exhilarating vocals that have become the legendary performer’s trademark.
 
For Testimony, Gaynor partnered with Grammy-winning producers Chris Stevens (TobyMac, Mandisa) and F. Reid Shippen (Jonny Lang, Robert Randolph) to create a roots gospel collection that relies on Gaynor’s own songwriting, a couple of hymns, and a stunning interpretation of Bob Dylan’s “Man of Peace.” Special guests include Yolanda Adams, Jason Crabb, Mike Farris, and MercyMe’s Bart Millard, as well as first-call studio musicians Daru Jones (drums), Drew Ramsey (guitar), Shannon Sanders (keyboards/B3), Jason Webb (piano/keyboards), and Willie Weeks (bass). Latrese Bush, Melinda Doolittle and Jason Eskridge provide dynamic background vocals.
 
As a songwriter, Gaynor considers herself primarily a lyricist and she embraced the collaborative process of setting her words to music. She also appreciated Stevens’ concept of roots gospel, noting, “That means to me that the roots of the music, and the lyrics, are based in what gospel used to be years ago. I think that the basic thing is that it’s more bluesy.” Yet she is quick to clarify that Testimony is not a sad album, observing, “There’s enough sadness in the world.”
 
For the first time in a career that stretches back to the 1970s, Gaynor recorded in Nashville. The sessions took place inside one of Music Row’s most historic buildings, the former RCA Studio
A. “The idea of having all the musicians in the room with me, recording some of these songs, was electrifying – so inspirational,” she says. “Whenever anybody asks me what I think is the main difference between music today and music back in the ‘70s and ‘80s, I always say the spontaneous creativity that can only happen between live musicians working in the studio together, inspiring one another.”
 
Gaynor nearly lost everything after falling backwards over a stage monitor at the Beacon Theatre in 1978. Paralyzed from the waist down, she endured spinal surgery and a four-month hospital stay. Thus, it isn’t a coincidence that Testimony begins with these lyrics: “There was a time I was broken / I didn’t know which way to turn / I was paralyzed…” Gaynor remembers turning to God to fix the situation. "I left the hospital pretty certain that He would, not knowing how,” she says. “The record company had called and said, ‘It's over. We're not renewing your contract.’
But God had other plans and as we always say in Christianity, ‘But God.’”
 
The label acquired a new president who kept Gaynor on the roster; she cut “I Will Survive” while wearing a back brace. The song’s message of resilience and strength resonated across generations, serving as a cornerstone of the disco era. And because the universal appeal of “I Will Survive” transcends genres, it continues to be a mantra for multitudes of music fans.
 
Immersed in the temptations of fame and wealth, Gaynor recommitted herself to Christ in 1982 after a night of reckoning with drugs and alcohol. “I literally felt the Holy Spirit grab me by the collar, stand me on my feet, and say, ‘That’s enough.’ I was visibly shaken. That was a huge turning point for me. It feels like it happened yesterday. I'll never forget it, ever. When God puts his hands on you, you don't forget it,” she recalls.
 
“Now seems like the right time to release this album, only because God’s timing is perfect,” she adds. “You have to be persistent about being patient. When you’re doing what you love – what you’re created to do and fulfilling your purpose – patience comes easier because you’re having so much fun. All the other stuff is icing on the cake. I mean, we all love icing! But you need to have a little more patience. It’s easier to have patience, getting to that part, when the cake is good!”

Never Can SAy Goodbye

Gloria Gaynor

Recent comments

💎💎

Related tracks