This song transports me to a mystical underwater world.

Talpah & Ciro Vitiello - Eternal Smile

[surf038]

https://soundcloud.com/boylucid
https://linktr.ee/boylucid
https://boylucid.bandcamp.com/

"‘Dreams on Foothill’ is a collection of compositions made over the last year. I envisioned the project as location-music involving meditation and field recording in a certain environment. I would find a quiet place to sit or walk, listening and feeling the space. Afterwards I compose above the recording. Simple melodies move around the space. Awareness, projection, prayer, reflection. I am exploring how melody can represent consciousness and emotion in their materiality, affected in movement and weight by the space around them. Melody as the harmony of mind that tries to gather chaotic data."

artwork by Tommy Brentnall:
https://www.instagram.com/piggybankshoe

mastered by https://soundcloud.com/usofusofusofusof
linktr.ee/usofusofusofusof

🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️
ⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶ

Boy Lucid ~ Horse By River Lea

"You cannot put your foot in the same river twice. Once ᴇʀᴏꜱɪᴏɴ ᴛʀᴀᴄᴇ begins, the listener is quick to draw comparison to previous Glyn Maier releases, as in ɪɴᴅᴇꜰɪɴɪᴛᴇ ʟᴀᴛᴛɪᴄᴇꜱ or the B-Side from the Jungle Gym release ʜʟɪɴᴄ. Instead, what happens is the truest descriptor of a “departure” in style and pacing.

Going back into the deeper catalog of Maier’s work you would likely cross influences of dub techno in the clicking and delaying bass tones, with sharp field recording rustling and chirps that create a fecund listening ecosphere.

This new album instead changes the pace to a glacial presentation, starting with a dark and sleek motif, generously pouring into rhythm and more subdued field recordings of the Appalachian wilderness. It almost seems like an album showcasing Maier’s ability to listen as much as it is his ability to produce. The finishing work with synth and string sections is a sublime reminder of his deft and capable craft in sound. We may not stand in the same water as before, but the river has the same name."

- David Coccagna

An Industrial Coast production

Recorded by Glyn Maier in White Mountain + Pisgah National Forests 2019-2022 - B2 contains source material from Joe Hisashi "Kikujiro"

Audio finalized by Glyn Maier

Artwork by Laura Arteaga Charlton (www.lauraarteagacharlton.com)

Erosion Trace

Emerald Pool

🛒: amphibianrecords.bandcamp.com/album/tran…-palestine

Instagram: 
https://www.instagram.com/elsadekomar/
www.instagram.com/amphibian_rec/

Soundcloud: 
QOW:https://on.soundcloud.com/NpPcy

For months we have been witnessing genocide and violence against Palestinians in Gaza and the West Bank. Our community is based on values of solidarity and empathy and we cannot and won’t stay silent. Thus we are releasing under the ‘Transmission for Palestine’ project, native to our home club - Ankali. Our effort is to raise awareness of the struggle and suffering of the Palestinian people. We believe in anti-colonialism and freedom of the Global South from Western imperialism.
Free Palestine 🇵🇸

All proceedings from this album will be donated to the Palestine Children's Relief Fund and Middle East Children's Alliance.

www.pcrf.net
www.mecaforpeace.org

IMPORTANT!
If you donate - not 100% of your donation will proceed to the PCRF because PayPal and Bandcamp take a decent amount of the earnings.
credits
released January 13, 2024

Artwork by Omar El-Sadek

Mastered by Ladislav Sterba

Amphibian Records 2024

Support

QOW - -2026

III DIM w/ Eleftheria: 30th May '24

Fortude

D!ANA always moves me but this time it’s inward. Contemplation is also a dance. Reflection is a murkier pool. Looking at and in and back and up—we’re facing something. Perhaps the huge spiral down which we’ve tumbled and now must claw back up. Perhaps a great cloud of garbled messages stuck on loop, on a broken machine (the mind is a broken machine, and thus a perfect one). 

Feels desolate when any answer is, in an instant, undone by another. When water tastes like metal questions clang through hard pipes. Like, how to move forward when stuck in the mud of perpetual regret? Wonder. Am I moving forward or circling some far off conclusion? Delineation. What space is there, suspended here: a tear for bliss, a haunting.

-Natalia Panzer

Concept, cover and booklet design by D!ANA
Mastering by Swan Meat
Disc and jewel case pringing and music transferring by Natalia Panzer
Drawings by hideousarmor
Funded by Lynn & No Catharsis

D!ANA - want, wicked

Residency show broadcasted live at Radio Tempo Não Pára (29.06.2024)

Artist: Blair & @corecorecc

corecore w/ Blair @ Radio TNP 29.06.2024

A couple months ago I started a project to turn my normal journaling process into a channel flipping experience! All the scratch work and raw ideas packaged together. I noticed I loved listening to all my nascent and unfinished ideas playing through my composition journals, so I decided all the new ones I would start making into a listening experience!

Check out my YouTube channel for a simple visual that goes along with this piece. 
https://www.youtube.com/watch?v=vKwCvcZmnaw





Writer's Radio 2

Buy Breathe In Tongues

02 Into The Ground

https://soundcloud.com/x-o-xio - insecurity lurks in shadow
from "cocoon egg" (QNR014)
released 11th November 2017

cocoon egg

QNR014 (↓↓↓)

x/o - insecurity lurks in shadow

Booking || Contact :: info@enmossed.org

Upcoming || Performance ::

Emerald Pool

glyn maier

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