Come forth one and all and open those ear holes to some new sounds cooked up by gucci minh.

A Lusty Taste For Noise EP

Interference is the first joint release from PAN and Visionist's Lost Codes, which is re-baptized here as PAN sublabel Codes. Two of Visionist's key discoveries, Mancunian hybridist Acre and Cambridge's transplant Filter Dread both cut their teeth on UK soundsystem culture and have appeared on vital outlets like Tectonic and Ramp. The pair's EP updates 8-bit grime, warehouse rave, and dark bass with hyper-modern sound design and bastard club rhythms. Rather than rely on mimicry, they contort familiar aesthetics, giving rise to the baroque, processional gloom of "Drumz 34" to "Flash Speed"'s bassbin elasticity and the modem drones of "Trashed" (for the steppers). 

https://www.p-a-n.org
https://www.facebook.com/codesrecords


Acre & Filter Dread 'Flash Speed' (Codes 01)

Cheerleaders Have Piles

LOFT’s sound speaks for itself. Dancefloor focused, his productions are packed with enough power to break through the physical into a new realm of headsy electronica.

Full of abstract nuances and dizzying distortions, his follow up on the label will see an old favourite, 'Heffalump', make a vinyl debut. It will be joined by 'I Am Bouyant', the track we're premiering today.

Described as a, “hairbrained proto-jungle track”, the tune fuses the classic traits of old skool jungle with the futuristic imaginings of new-skool synths. With a heavy focus on drum patterns, breaks, and bombastic, mind-bending sound design, it’s mutated, mangled madness – in the best way possible.

More exclusive music

Premiere: LOFT 'I Am Bouyant'

st st st stuttery ska 

New track off our upcoming EP, 'A Lusty Taste For Noise', entering your ears v. soon.

Nephew Of Art

Hits From The Brits

wiggy industrial sploogers jazzing all over the spluff

An English Boy Grows Up

Order full EP now: smarturl.it/DEEMZ

Deadboy returns to the club with DEEMZ, a new four-track EP that navigates broken techno, melodic house and more, marking one of his heaviest records to date.

Deadboy’s 2017 debut album Earth Body saw him experiment with vocal pop for the first time, on a longing album inspired by Scott Walker, Sade and the Beach Boys, but DEEMZ sees him return to the dancefloor aesthetics of his previous club-focused releases.

Driven by a tumbling lead melody, distorted drums and a sample at times mangled beyond recognition, the EP’s title track sets pace before ‘R-Less’ and ‘Sheener’ follow - a double salvo of uncompromising rippers designed for peak-time dancefloors. As ever with Deadboy, no matter how heavy and direct things get, his knack with samples, melodies and intimate moments ensure that the tracks stick in your head long after the club.

Finally, the EP’s closing track ‘Come Back to the World’ finishes the release on a melodic note, harking back to Deadboy’s now-classic White Magick EP with angelic pads, shuffling drums and longing vocal samples.

Written & produced by Deadboy
Mastered by Beau @ Ten Eight Seven
Artwork by Ben Arfur

DEEMZ (LOC039)

Deadboy - DEEMZ

PROJECT 64 VIP

The Compilation is a collection of classic songs from different Nintendo 64 titles 
Cut up & remixed into 160BPM VIP goodness - FREE DL ❤

FEAT 100% ŌTAUTAHI PRODUCED 160 BPM TRAXXX BY; 
PAPLOCO X GRAND MASTER MAHI X MR MUSCLE
DJ RUGGED SHARK X DILEMMA BEATS X DJ FORD SIERRA
ULTRAVIOLET X LIAM K. SWIGGS
DJ GRAN TURISMO X DJ PIKES PEAK ESCUDO + MORE <3

CURATED BY LIAM K. SWIGGS 
MADE IN NEW ZEALAND / AOTEAROA
RELEASED 10th July 2019

SUPPORT + DOWNLOAD

ULTRAVIOLET - MAJORA'S MASK ON MASK OFF VIP

Vina Konda - Liquid Square

Full LP available at https://blankforms.org/publications/

Customer’s Copy is the debut LP of contorted cosmic jazz and eccentric minimal electronics by Exotic Sin. The duo of Naima Karlsson and Kenichi Iwasa first came together for a performance celebrating the art and music of Karlsson’s grandparents, Moki and Don Cherry, before continuing as an independent unit that still incorporates some of the Cherrys’ instruments as well as their synergetic integration of music with artistic practice.

Preferring the stark contrast of analog/digital, acoustic/electric, and natural/unnatural sounds, Karlsson contributes synthesizers in addition to piano, celesta, and bells, while Iwasa collides anachronistic 90s Yamaha keyboard and guitaret with contrabass recorder, drums, kalimba, and three of Don Cherry’s instruments: one of his trumpets as well as two of his “zen saxophones,” handmade woodwinds appending reed mouthpieces to plastic plumbing parts, also called Don’s kettles after their high-pitched sound. With such timbral juxtapositions, the spirit of Exotic Sin is reminiscent of a number of leftfield jazz-meets-electronics ‘70s duos from Don Cherry’s maverick collaborations with Jon Appleton and Terry Riley to Anthony Braxton’s work with Richard Teitelbaum, İlhan Mimaroğlu and Freddie Hubbard’s Sing Me a Song of Songmy, and Muhal Richard Abrams’ electronic works. On album opener “Dot 2 Dot,” Karlsson’s measured, monastic piano sets an elegiac stage for kettle bends and absurdist electro-percussive filtering courtesy of Iwasa before a flourish of cascading ebonies and ivories together with restorative circular trumpet motifs bring the sidelong piece to a majestic resolution. Named after the character from Ridley Scott’s 1989 film Black Rain, the schizosphere of “Charlie Vincent” interfaces ominous, dystopian synthesizer with permuted organ swells before album closer “Canis Minor” sets gentle sail for a distant bed of lonesome stars.

A visual artist as well as an archivist and coordinator for the Cherry estate, Karlsson continues to learn and study Don’s compositions and approach to piano with her uncles Eagle-Eye and David, who were taught by Don himself, and his use of short piano compositions as loose scaffoldings for improvisation is prevalent across the record’s three otherworldly unfurlings. Improvisor and multidisciplinary artist Kenichi Iwasa is also known for his legendary Krautrock Karaoke night, his contribution to Beatrice Dillon’s 2020 album Workaround, and collaborations with visual artists and musicians from Linder Sterling to members of Can, Neu!, Faust, Cluster, and Wire. Recorded and mixed, with additional alto flute, woodwinds, and contrabass recorder by Robbie Lee.

Exotic Sin: Customer's Copy (excerpts)

@yuyuclubmexico x Infinite Machine V/A is a collaboration whose result is a compilation of 14 tracks designed for the dance floor; solid, functional and esoteric. This is a selection of tracks produced by Mexican artists involved in the Club movement from different cities in Mexico, all of them with a conceptual and geographical separation, but with common features that synthesize the essence of the national scene.

Definitive proof of the maturity of the Club scene in Mexico, this compilation is born as an initiative by the most important venue in the capital of Mexico: Yu Yu, which joins forces with the pioneering label Infinite Machine to curate this compilation. An avant-garde ensamble of projects which aims to exhibit a shared imagination through the unification of different styles and music genres. All of this comes from the perspective of Yu Yu's resident, Mexico City-based label, Infinite Machine. A label that has a direct correlation with the global club scene.

This effort also has the goal to financially support the artists involved due to the delicate situation we are going through. As they are part of Yu Yu's community, which is unfortunately closed at the moment. Artists involved from the likes of Nico, AAAA, Microhm with worldwide recognition to up and coming artists like Benfika, OMAAR, CNDSD and the current, most fresh national acts like Loris, KOI and El Irreal Veintiuno. Among other key pieces of national electronics, united in this soundscape of volatile frequencies.

1. El irreal Veintiuno - Demagogia
2. Turning Torso - Los Dos
3. Benfika - Torrente
4. AAAA - Phased Flashing On a Building
5. Microhm - Kyoke
6. Viiaan - Garble
7. OMAAR - Sabe
8. Camila Fuchs - Settle Down
9. CNDSD - Leitmotiv
10. KOI - Kaan
11. Loris - Jaras
12. Nico - Walk
13. Undefined Pattern - En Contra
14. Deeplinkin - Neuphaset

A initiative by Juan del Valle
Design and Artwork by Luis Tomita
Art Direction by Charlie Juárez
Curated by Charlie Juárez & Juan del Valle
Mastered by Fausto Mercier

YuYu x Infinite Machine V/A

Viiaan - Garble

Bouti - High Pressure

@resourcesmusic is a Parisian label run by DJ and producer @tommykid, also co-host of the eponymous bi-monthly show on Rinse France along with @sourcedecalcium, @blame_sound, @bobsleigh1 and more. Since 2014, the label has been dedicated to a hybrid form of club music, influenced by grime, UK funky, jersey club, dancehall, and bass music.
 
Tune in for [re]sources every 2nd & 4th Tuesday of the month from 22h to 00h [CET] on rinse.fr

Tracklisting for the 2nd hour :

1. TeeZandos & Fizzler – Phone Call (Tommy Kid UKG Edit) // [re]sourcesDubz
2. Cassius Select – Honda Civic // Forthcoming Banoffee Pies
3. Hagan – Waves // Gobstopper Records
4. Al Wootton – Snake Dance // Livity Sound
5. Le Motel – Durban // Maloca Records
6. Atrice – FKX82000 // Forthcoming [re]sources
7. PAS1 – Labyrinth // Forthcoming More Cowbell
8. Lil Silva – Pop Tart // Self-release
9. Drum Thing – No No // Scuffed Recordings
10. Neana – Shocking // Self-release
11. East Man & Walton – Don’t Speak // Hi Tek Sounds
12. Gazo & Freeze Corleone – Drill FR 4 (Tommy Kid x Mamboussa Edit) // Unreleased
13. Aæe – UK Funky Riddim // Self-release
14. Scottie Dee – Deep // Housupa Records
15. Silvestre – Front Door // Secret Sundaze
16. Griffit Vigo – Activated Gqom 2 // Gqom Oh!
17. Hagan – Ultra // Gobstopper Records
18. Bakongo – 3 x 2 // Livity Sound
19. Karma – Drizzle // Forthcoming GD4YA
20. Noire – Summa Boum // Accidental meetings
21. Kaval – Pierre Témoin // Forthcoming self-release
22. SPD & Griz-O – Night Steppa // Durkle Disco
23. Florentino – RIP Funk // Self-release
24. Anakin – Blanco // Polydor Records
25. Central Cee – Loading // Self-release
26. Ivorian Doll – Rumours (Tommy Kid UKG Edit) // Forthcoming [re]sourcesDubz
27. Spooky Bizzle – Rapid Response // Ghost House records
28. Low End Activist – Game Theory Ft. Flowdan // Seagrave
29. Farsight – Pro Spacemaker VIP // Forthcoming Sleepy Deep
30. Anz – Stepper // Hessle Audio
31. French II – Control // Forthcoming Intercept
32. Facta – Doves // Forthcoming Wisdom Teeth
33. Pearson Sound – Alien Mode // Hessle Audio
34. Low End Activist - 19STR8BK // Seagrave
35. Pangaea – Midnight Plane // Hessle Audio
36. Mani Festo – Cheatin // Club Glow
37. Origin8a & Propa - Harmony (Benton Remix) // Forthcoming Hardcore Energy

Nephew Of Art

Go Chi Minh

Recent comments

SteelerPittsburg800

Related tracks