Napping Under God

NUG 'IS UNDER THE BLANKET'

Losing Track With Discosexo

My Noise Is Nothing- Lord Of The Isles and Ellen Renton

Listen in Full/Buy Here: https://lordoftheisles.bandcamp.com/album/my-noise-is-nothing

Mastered by Rashad Becker
Artwork by Noah Baker

My Noise Is Nothing - Lord Of The Isles and Ellen Renton

Step Ball Chain’s unconventional prototype band trickpony is the 11th release on the ever evolving imprint. An assortment of sensual cyber jams collaged together by the trio over timezones, birthed in Perth, Australia by Mike Midnight and Roza Terenzi; old friends joined by Helsinki’s visionary songstress Maria Korkeila. A trinity of alchemy blossomed into an audio rendition of exquisite corpse, layers of each entity glistening through amongst a united cosmos; trip hop atmospherics and downtempo drippings. 

The five track EP reveals a metamorphosis of nostalgia, a foot in the ever present and daydreams of future. A subconscious deep dive into lustful pop, guided by spine tingling vocal fantasies; textural hallucination, harmonic odes to the golden era underground and a flirtation with drum and bass, tribal percussive freakouts and dream tinged lyrics of desire. 

Pillow talk is a timeless exhibit of esoteric treasures, a portal to a private world of modern enchantment that reveals itself in new ways each listen, music for lovers created by a supergroup of innovators to be digested, shared and cherished.

Buy: https://stepballchain.bandcamp.com/album/pillow-talk

PREMIERE: trickpony - Shiver DnB [Step Ball Chain]

@xeniareaper
@indexrecords

INDEX:Records is vitalised to present a record that it’s been scheming for quite some time: the first full-length trip by your favourite-producer’s favourite-producer — otherwise known as XENIA REAPER.

Fluxing between ambient, mutant-idm and swashes of bass, ‘Luvaphy’ is a drift through the morass that arrives at a leafy plateau. An album that tickles your inner sentience and supplies endless indulgence for the inquiring-mind.

Luvaphy

Xenia Reaper - 23724 (INDEX:Records)

Embark on an ethereal journey with Second End Records’ inaugural release, as the new entity unveils today “The Next Kingdom” LP, from label-founder Jonnnah.

As a manifest of SER ethos, the Lyon-based Producer’s second personal album is also a pure merging of his own touch: mesmerizing soundscapes, pulsating rhythms, and enchanting synth melodies. From Jonnnah’s intricate layers of instrumentation and melancholic vocals, arise the fragile yet powerful aesthetic encapsulated in the contemporary electronic scene. Boundaries between genres and emotions dissolve through the prism of digital hybridizations, and each track of this twelve-act offering alternately conceal or lay bare what’s deeply rooted in Jonnnah’s soul.

“The Next Kingdom” LP, To be released on May 19 in digital and a very-limited vinyls edition:
https://secondendrec.bandcamp.com/album/the-next-kingdom-lp-ser001

@jonnnah

The Next Kingdom LP (SER001)

Order

℘ཞɛɱıɛཞɛ ≈ Jonnnah - Soma's End [Second End Records]

@dekalbworks
@29-speedway

BC: https://29speedway1.bandcamp.com/album/for-barney-who-was-a-bad-dog-but-a-good-boy-and-very-much-loved

“For Barney, Who Was A Bad Dog, But A Good Boy, And Very Much Loved.” comes from Brooklyn-based Dekalb Works, the collaborative project of Austin Peru (Vision Fortune) & Daniel Creahan (Sweat Equity / Alien D). The record summarizes a series of experimentations between live performance contexts and sample-heavy collage work. Since starting their residency on Radio alHara, Dekalb Works found themselves drawn to the act of performing, whether as a live act or DJing, and the space between these two often overly rigid modes.

“For Barney…” draws heavily on the sonic palette of American country and western music, treated through the lens of heavy studio processing and the production techniques of dub, ambient, and trip-hop. Recording hours-long live improvisations with guitar, piano, or drum machines and samplers, they pillaged these sessions as source material. Whereas previous work focused on the voice and the interaction of text, voice and music, these recordings pulled from the sounds of musicians playing together in a room. The arrangement process remains the same, chopping and manipulating small samples and momentary gestures into dense, rhythmic collages.

For Barney, Who Was A Bad Dog, But A Good Boy, And Very Much Loved.

pi pi pi premiere: Dekalb Works -  Trinity Interlude (29 Speedway)

Eszaid - Brumes (FELTCS005)
 Release Date: 15th April 2024
Cassette + Digital

Eszaid imagines the sonic paranoia of discovery with Brumes, a nine part movement that coalesces industrialised murmurs from the currents of cavernous creep.

Mastered by Rupert Clervaux
Design by Fergus Jones
Distributed by Rubadub

Bot1500 - Split - 8 (Papua New Guinea Hybrid Monoteaser)

Godbath

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