New Stuff

for Brass Septet
Recording of the german premiere in June 2013

Zug by Enno Poppe

Sonidos Subterraneos is pleased to premiere a new track, this time we have the great Glasgow, UK based label: Lifeforms, with the track of: Lostsoundbytes - Stoned Gov ! 
"Eyes Of Madness" is the release name!
The album contains 6 electronic music original tracks and 1 remix by Big Science label head, Warzou. ENJOY
Next we leave you the description of the release_

Conjured up on his arsenal of machines, French artist Lostsoundbytes provides six tracks of heavy, dubbed out rhythms combined with swirling textures and blood-curdling soundscapes. Also featured is a stellar remix by Warzou, preserving the track's dubby atmosphere whilst cranking it up to a more club-friendly pace. Limited to 100 copies.

Artist_ Lostsoundbytes
Title_ Eyes Of Madness
Label_ Lifeforms
Country_ UK
Genres_ Experimental Dub
Format_ Vinyl & Digital 
Catalogue_ LF018
Release Date_ August 8, 2025
Buy_ https://lifeformsrec.bandcamp.com/album/eyes-of-madness

Follow Lifeforms_

Facebook_ www.facebook.com/LifeformsLabel/
Instagram_ www.instagram.com/gavelman_lifeforms/
SoundCloud_ @lifeformsrec


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| PREMIERE | Lostsoundbytes - Stoned Gov ! | [Lifeforms]

Released by NOIDED on Limited Edition CASSETTE + Digital.
Handmade cassette, limited to 20 numbered copies.

"Isoconicase" — Album Teaser — OUT NOW on NOIDED

'Protopia' is my contribution to the 10 Years Of Shaw Cuts compilation album. Featuring a plethora of talent, I am humbled to be among them. 

'Proptopia' is inspired by the ending of a movie, that feeling when you've made it through the obstacles and come out the other side. Emerging from the dark, damp forest into the bright, sparkling meadow.

Check out the full release here 👉 shawcuts.bandcamp.com/album/10-years-of-shaw-cuts

@shaw-cuts

Protopia

@troisquartstaxisystem
@beatricemasters
@herbalistek
@dj-pinch
@katatonicsilentio

Mastering by Traces 
Artwork by Beatrice M. 
PR by Dawn 
Vinyl bistro by Juno: https://www.juno.co.uk/artists/Trois-quarts+Taxi+System/

Plexus remixes (Beatrice M. + Herbalistek + Pinch + Katatonic Silentio) snippets (OUT NOW)

Introducing Sentient -A Shadow Flickers (Soreab Remix). 

Following his debut album last year, Sentient returns on the label with Unspeakable Periphery: Otherworld Transmission, a remix compilation that reframes his original work through the lens of a carefully curated group of artists.

From Alpha Solo’s dubbed-out abstraction to Clearlight’s tekker translation, from Soreab and La Serpiente tense rhythmic frameworks, to Left Path and Barking hypnotic and meditative zones, the compilation traverses overall percussive science and atmospheric deconstructions.

Closing the journey is a haunting illbient reinterpretation of the entire original album by Sentient himself, reassembling his own compositions into something more introspective - a stretched and fractured world somewhere adjacent to this one. As a bonus, the release also includes a continuous mix version of Unspeakable Periphery.  

Artist SC:
@soreabuk 
@sentientsound 

Label SC: 
@xcptmusic 

Artist IG: 
Soreab https://www.instagram.com/d.soreab/  
Sentient https://www.instagram.com/sentientsonics/

Label IG: 
https://www.instagram.com/xcpt__/

credits
releases October 3, 2025
mastered by Daniele Antezza / Dadub Mastering
design and print by Linkin Bios

HL Premiere: Sentient -A Shadow Flickers (Soreab Remix) [XCPT]

Black Box EP

Dream Transmission

Our next VA compilation pushes deeper into the exploratory world of Pressure Dome, presenting another collection of forward-facing cuts that straddle introspection and dancefloor energy. Across ten tracks, familiar names and new collaborators stretch the label’s sonic identity into fresh terrain equally suited for immersive listening as for club catharsis.

Opening the release, Caldera & Yushh combine again with “Bubbletrain” a minimal trip round the swamp with momentum is carried by cavernous space and effervescing textures. Breaka & Yushh follow with “Betta With U”, a fluorescent downtempo beauty that tugs on the heart. On “The Grass”, Harry Rodger & Yushh pair lush atmospheres with contradictory shades of beauty and melancholy.

Piezo & Yushh arpeggiated melodies weave through an intricately designed world. Stones Taro & Breaka continue to twist things up on “Flies In The Kitchen” as warped vocals and warm wubs ride over dancehall rythmns and swampy textures. SCG & Dubrunner’s “Building Farm” bring a heady fusion of dubwise stabs and downtempo propulsion on their second outing together. 

On “Cheeky V”, Gramcy & MLE provide one of the compilation’s most immediate club weapons. Stripped-back, precise, and primed for a wiggle. Dubrunner & Yushh link up on “Trash Panda”, a playful yet fierce construction, where skipping acid lines and lush pads meet in off-kilter harmony.

Closing out the release, Roy Mills & Yushh’s “ZzZ” drifts into dreamier territory with warm vocal chops and weightless breaks, before Forever & Human Resources bring things to an intricate, thoughtful conclusion on “What Kind Of Bird Is This” a deep weave of chords and breaks that leaves the compilation in contemplative flight

Pre-Order

Two [Is Greater Than] One - Part 2 (PDCOLLAB002) [clips]

Deep-diving in their trademark abyssal lows, ethereal fuzz and hypnotic percussion, Atsushi Izumi and Fatwires combine their crafts, two EPs and some bonus material into this full-length CD edition, including a brand new track (Jamongan) available on physical format only.
While last year's „Kisen Kongou“ featured more transparent and beat-oriented material, „Kyūkan“ featured heavier slabs of noise, more elastic pulsations and endless shades of grey, and was also nominated for the German Record Critics Award.

Their workflow was sparked by a set of bass guitar soundscapes and bass lines sent by John Eckhardt to Atsushi Izumi spontaneously. Over two years of continuous sharing and co-developing beats and drones, ideas unfolded into a vast, twilit territory of organic industrialism in the orbit between Osaka and Hamburg (with more live bass playing infiltrated at different stages).

Simultaneously futuristic and archaic, and strangely resting in its hypnotic forward momentum, the music balances primal rawness with a love for sonic detail. Like a self-organizing swarm of particles transmitted from a distant past or future into a worn-out, Buson-like tableau, eerie landscapes emerge that are populated by moving, ghostly shapes and bursts of colour.

All music by Atsushi Izumi and John Eckhardt, 2023-2025
Live bass and mix by John Eckhardt
Mastered by Daniele Antezza @ Dadub Studios
Original light projection artwork by Katrin Bethge
Published by EPM Music

Buy CD

KISEN KONGOU / KYUKAN (CD Edition + Bonus Track) - 01 Ga

@pushlock
XM013 / Pushlock — Stuck in a Cell LP

1. Rubber Wall 
2. Scarecrow 
3. Oblique Strategy 
4. Breakpoint ft. Nothus 
5. Fluxion 
6. Um Contra Um 
7. Echelon 
8. Restless Circle 
9. Unconscious Desire 

written and produced by Gianluca Salvadori
mixed by Nothus
mastered by Daniele Antezza at Dadub Mastering
design by Linkin Bios

With his third consecutive LP on the label, Pushlock reaffirms his distinctive sonic signature.
Across nine tracks the album blurs the defintion between abstraction and pulse, merging fractured percussions and spatial atmospheres into an evolving form shifting through different zones and subgenres. It’s a work of exploration—dense yet controlled—marking a step forward in Pushlock’s ongoing search for expression through sound in what seems a familiar but yet uncharted terrain.

Pushlock - Stuck In A Cell | XM013

Prix de Composition 2012, Conservatoire National Supérieur de Musique et de Danse de Paris. Dirigé par Tito Ceccherini et interpreté par l'OLC et Matteo Cesari au Karlax.

Kaala, pour grand ensemble et electronique - Karlax (2012)

Commissioned by Klangforum Wien, award for Impuls International Composition Competition 2011.
Premiered at impuls . International Ensemble and Composers Academy for Contemporary Music 2013, Graz / Austria, by Klangforum Wien and Enno Poppe, conductor.

Eon, for ensemble (2012)

GOD 16
Bernhard Lang
Monadologie XII 
(Klangforum Wien/Johannes Kalitzke)
www.godrec.com

GOD 16 - Bernhard Lang - Monadologie XII (Klangforum Wien/Kalitzke), excerpts

The Rule and Exercises of Holy Dying (1651)
A man is a bubble, (said the Greek proverb), which Lucian represents with advantages and its proper circumstances, to this purpose; saying, that all the world is a storm, and men rise up in their several generations, like bubbles descending a Jove pluvio, from God and the dew of heaven, from a tear and drop of rain, from nature and Providence; and some of these instantly sink into the deluge of their first parent, and are hidden in a sheet of water, having had no other business in the world, but to be born, that they might be able to die: others float up and down two or three turns, and suddenly disappear and give their place to others: and they that live longest upon the face of the waters are in perpetual motion,restless and uneasy, and being crushed with a great drop of a cloud, sink into flatness and a froth; the change not being great, it being hardly possible it should be more a nothing that it was before.
-Jeremy Taylor

I reread Jeremy Taylor’s exquisite sentence, the opening of The Rule and Exercises of Holy Dying, throughout my compositional process but, in composing my work, I was not, beyond a general stormy affect in the middle section, musically illustrating Taylor’s imagery. Rather, Taylor’s rhetoric –veering between violent and delicate imagery, and structure, its pauses unable to halt a powerful trajectory, inspired me to compose this work as a type of memento mori. Giving abstract music expressive titles is rare for me, and in any case is a tricky process. But in the wake of recent losses, both personal and national, I was moved even moved by Taylor’s text –a potent emblem of the fragility and precariousness of life.

On a purely technical level, the work is a summation of my work for strings over the last decade, especially my three string quartets composed for the Arditti and JACK Quartets. More than any overdetermining system, my work is governed by the physicality of the instruments and is marked by the gradual introduction of different playing techniques: glassy harmonics, skittish string-crossings, snap pizzicato, or even brutal sawing, often resolving once more to an uneasy calm. I embrace aspects of high modernism - albeit critically, and attempt is create something viscerally expressive, dramatically structured, using pulsing rhythmic energy to veers between extremes of fragility and violence. 

While my work has used scrapping sounds for almost ten years, after watching a recent documentary on Gerhard Richter’s process, I was struck by the aural similarities created by his process which entails dragging a scrapper across the canvas over freshly-applied paint. Scrapping that yields texture and color is important in my work. The subtitle is a nod to Richter, a constant source of inspiration. 

That said, the initial juxtapositions that inspired this work are more personal. I was asked to compose a work to accompany Richard Strauss’ Metamorphosen for 23 solo strings shortly after my grandfather’s passing. Its impossible for me think of either Strauss or my grandfather without thinking of Munich in the spring of 1945, the time when Strauss was finishing (and a bit too ambiguously dedicating) Metamorphosen.  Only a few miles a way, American soldiers liberated Dachau and my grandfather was among the soldiers that aided the victims and then escorted them south through Strauss’ Garmisch, to Salzburg and on to the Hungarian border. It is dedicated to him, and to my grandmother, who passed away shortly before I finished this work, in memoriam.

Review here: http://tinyurl.com/n5ua5g7 and (as performance of the year) here: http://tinyurl.com/l7ayod8

The Rule and Exercises of Holy Dying (2012)

God Records is the Austria-based label for avant-garde and experimental music, owned by composer Slobodan Kajkut.
The label is mostly oriented on different forms of experimental and contemporary music and focuses on releasing the music exclusively on vinyl.


GOD 16 - Bernhard Lang - Monadologie XII (Klangforum Wien/Kalitzke), excerpts

GOD Records

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