it always existed the real and narrative, now is more sistematic due to 24/7 cell 'information'

d'incise - Hocchiku+Organ _ draft _ jan21

Senmove - 173 (Senglar 174 Rmx)

- Make a show called Actually That Was America.

- Tell average Americans on the street about evil things America did, except you tell them it was a country the US government doesn't like.

- Film their reaction.

- Scream "ACTUALLY THAT WAS AMERICA!"

- It never gets old.

- You never run out of evil things.

Reading by Tim Foley. Article version: https://caitlinjohnstone.substack.com/p/actually-that-was-america-notes-from

Actually, That Was America: Notes From The Edge Of The Narrative Matrix

EUFORISK ♡ Mixtape For Walking
skapt av Erik Mowinckel
:
Stue
Wooden bird flew over the wall
Exit
Ultramarine *
Where else
Punct

last ned enkeltspor: https://erikmowinckel.bandcamp.com/
last ned mix: https://euforisk.bandcamp.com/album/mixtape-for-walking
hør mer: https://soundcloud.com/erikmowinckel

*produsert og mikset av Erik Mowinckel, master av Mike Hillier (Metropolis studio), utgitt av Sellout Music på 0530 EP

Mixtape For Walking (mixtape)

one instance of Serum+ ODD Sound MTS in 18 EDO

Saphire Split

Good headphones are recommended, as this is a binaural recording.

Black Swans amongst Australian Shelducks. Also, Grey Teals, Silver Gulls, Pacific Black Ducks, among others. An excerpt from a longer recording made between around 03:00 to 04:00, long before first light, in the Coorong region, near Narrung. Recent heavy rains inland have brought much fresh water downriver, reducing the salinity of the Coorong waters and adjacent lakes, which has resulted in a blessed influx of birds. The location of the recording is at least 15 kilometres from the Coorong, but traces of the Coorong's signature relentless deep roar are audible from here.

Recorded on land of the Ngarindjerri people that is now either National Park or privately owned pastoral land.

2022.02.20 Black Swans. Coorong. Night. Late Summer.

An oral/aural exploration of the creative work, materiality, practice, and history of the four individuals who compose the collective Sacred Realism. Although their work as individuals is rather varied and unique, there is something similar (or not?) at the core as to why they each chose to become musicians. Through a threaded conversation and collective listening they (we) will try to understand further what the core of the collective is by each asking the other some questions about it and the work we do.

Sacred Realism is an independent music collective producing scores, recordings, and concerts. It formed through the friendship and mutual respect of Andrew Lafkas, Bryan Eubanks, and Catherine Lamb in 2011 in New York City following the desire to support each others work and initiate something self sustaining. Rebecca Lane joined later in 2017 in Berlin after the three others had eventually migrated there.
http://www.sacredrealism.org/

Sacred Realism ::: Conversations In Duo

mineral veins is the second collection of pieces exploring the sound of minerals and structures in flux, for release in 2020

lugnas was recorded in sweden

mineral veins (lugnas - Extract)

Looking Glass Spiral

Another sea drop

This historic recording of the spellbinding and complex polyphonic vocal music of the Babinga Bangombe and Babenzélé Pygmy peoples in the Republic of the Congo is available for Flac and MP3 download on my blog:
https://music-republic-world-traditional.blogspot.com/2021/02/congo-brazzaville-musique-pygmee-de-la.html

Musique Pygmée de la Haute Sangha – BAM – LD 325 – Collection du Musée de l'Homme (7 inch, 33 RPM)

Pygmy music

Soothe

Readings of all Caitlin Johnstone's articles, usually by her co-writer Tim Foley.

Actually, That Was America: Notes From The Edge Of The Narrative Matrix

Caitlin Johnstone

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