Hidden Angels

Sonic Installations I (sagedus)

SO inspired by Marc Eisenschink’s Enner performance over encym’s wonderful guitar starting point! Ableton’s Tension synth adds a forward and backward dimension to complete this collaborative trio …

Second part: Marc Eisenschink - https://soundcloud.com/randomshuffle/frugality-enner-nothingdisquiet0592

First part: encym - https://soundcloud.com/encym/the-loneliest-number-disquiet0591?si=83fa6974ce6d4b768ab7f3e457589658&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

More on this 593rd weekly Disquiet Junto project, The Charm (The Assignment: Complete an asynchronous trio begun by two other musicians), at: https://disquiet.com/0593/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0593-the-charm/

collaboration

halF frugaL [disquiet0593] featuring Marc Eisenschink and encym

Disquiet Junto Project 0600: Reaching Out
The Assignment: This is a shared sample project. Rework a set of seven WAV files provided by Marcus Fischer.

Step 1: The musician Marcus Fischer, long a friend of and participant in the Disquiet Junto, has graciously put together a set of shared samples that will be the source audio for this project. Part of the beauty of a shared sample project is that there will be an underlying quality — a tonality, a texture, a commonality — to all the disparate works that are produced from the foundational material. Listening to the variations as they surface will be its own special source of pleasure. You can access the files here:

https://www.dropbox.com/t/TGexgpq93GPLGFxE 34

Step 2: You can rework the audio from Step 1 in any way that you see fit. You can use all of it, or just one tiny piece, or whatever subset you find strikes your ear. The one stipulation is your finished piece should begin and end with an unadulterated segment of one of the provided tracks for at least two seconds. Please credit Marcus Fischer when posting your track.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0600” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0600” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0600-reaching-out/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you.

Deadline: This project’s deadline is the end of the day Monday, July 3, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, June 29, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 600th weekly Disquiet Junto project, Reaching Out (The Assignment: This is a shared sample project. Rework a set of seven WAV files provided by Marcus Fischer), at: https://disquiet.com/0600/ 2

Please credit Marcus Fischer when posting your track.

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0600-reaching-out/

DC feat. the samples of Marcus Fischer  - disquiet0600

CAN I FIND IT AGAIN

VACUITY PULSE

THIS DREAM IS FAMILIAR TO ME

Six months of this now. Half a year.
Half a year of genocide apologia.
Half a year of the most outrageous lies you can possibly imagine.
Half a year of seeing children's bodies ripped to pieces and starved to skeletons on our social media feeds.

Reading by Tim Foley.

Six Months Of Hell On Earth

We cannot allow them to neuter this political moment with spin and propaganda.

Reading by Tim Foley.

As Support For Gaza Goes Mainstream, Don't Let The Empire Co-Opt The Movement

Dancing outside the concentration camp,
rave music pounding through our bones like bombs.
A disco at the genocide, baby.
A disco at the genocide.

Twerking outside the open-air prison.
Raving while Gaza asphyxiates.
Twirling glow sticks while a Final Solution is planned.
Just an innocent bit of fun.

Chill out and dance outside the concentration camp.
What could possibly go wrong?
We've got the IDF looking after us.
They'd never let anything bad happen.

So dance while the Palestinians are squeezed to death.
Dance while the polar ice caps melt.
Dance while the oceans fill with plastic.
Dance while the rainforests disappear.
Dance while nuclear warheads are primed.
Dance while mothers scream impossible screams.
Dance while the arms industry reaps record profits.
Dance while fathers pick up pieces of their kids.
Dance while AI helps  exterminate families.
Dance while Gazans dehydrate under rubble.
Dance while limbs are amputated without anaesthesia.
Dance while death machines patrol the sky.
Dance while the news man fills our heads with lies.
Dance while the podium man denies everything he sees.
Dance while the sharptooth manipulators scheme.
Dance while our minds are turned into machines.
Dance to the beat of imperial psytrance.
Dance to the beat of the Pentagon Polka.
What could possibly go wrong?

Dance outside the concentration camp.
A disco at the genocide, baby.
A disco at the genocide.
_________________

Reading by Tim Foley.

Dancing Outside The Concentration Camp

I mean, you kind of have to wonder what they're thinking. "Yeah, that's it. Violently quash pro-Palestine protests at universities, ban TikTok to ensure the suppression of pro-Palestine content, and saturate the boomer media with obvious propaganda. That'll make the kids love Israel."

Reading by Tim Foley.

Quashing University Protests And Banning TikTok To Make The Kids Love Israel

Chupacabra -Glimt

Readings of all Caitlin Johnstone's articles, usually by her co-writer Tim Foley.

Dancing Outside The Concentration Camp

Caitlin Johnstone

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