This mix is everything i have been wanting from music lately. ECLECTIC

I don't know who this Paul McCartney guy is, but Kanye is about to make him famous!

love tatter tots and electro that sounds like country

Been meaning to do this one for a while.  So here it is a new body rock disco show - 70's/80's original disco rap mix.

Bomb's Body rock disco show 4 - Old school 70's 80's Disco rap version

D.J. Ernie Munson 1988 (Fall) 
Felix The Cat Drops The Bomb @ The Covered Wagon Tuesday Nights San Francisco, CA
...line of girls down the block, dancin' in the parking lot, sweatin' in the club box hot... 
DJ cuts the sound on the chorus, crowd rocks the acapella, then the beat comes back on cue to floor us.

Back to Life (However Do You Want Me)
"good times, big fun"
Thank You

Uranus A

A Love From Outer Space (Sean Johnston), Golden Lion, Todmorden, 18.06.22

Do's & Don'ts

Do's & Don'ts (feat. George Jj Flores)

BL Radio EP 128: GOLD CODE [Omakase]
With special guest dj GOLD CODE, founder of Omakase Radio show on KUCI 88.9FM in Irvine. First hour and 15 mins is Gold Code, while last hour is a b2b sesh with Rezident Kosmik! 🚀🚀🚀
https://soundcloud.com/goldcode

BL Radio EP 128: GOLD CODE [Omakase]

Sounds From The Flightpath Estate Volume Two. 

Promo mix by Rude Audio.

Visit goldenlionsounds.com / Golden Lions Sounds Bandcamp to order this limited release. Double vinyl with gatefold jacket and full liner notes. 
Vinyl only.

Sounds From The Flightpath Estate Volume Two - Promo Mix by Rude Audio

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. This one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable masterclass, recorded in 2012 at a superclub that no longer exists. (2012, incidentally, is farther away from 2025 than 2012 was from 2000, and if we have to clock it, so do you.)

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around rare combinations playing start-to-finish. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is a 385-minute marathon of arpeggiated chug and slow-cresting climaxes: a moment when the resting heart rate of dance floors plunged lower than any comparable point in the 21st century. 

If you've got time to spare, a fun side game is sussing out who plays what. Disco-dub covers of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM practically feels like an F1 car.

When we kicked off our RA.1000 campaign, we outlined a few full-send goals: tick off long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

4 hour mix of Laree Love and guest Dj GOLD CODE live brunch "Simply Syrup" at the Historic Airliner Bar

lareelove-goldcode simply syrup brunch

Recorded all the way live and direct, July 27, 2025, @ Dr. Freecloud's, Fountain Valley, CA, USA

DJs
GOLD CODE
https://linktr.ee/goldcode

DEEJAY JD
https://linktr.ee/deejayjd

OMAKASE 500e, GOLD CODE x DEEJAY JAYDEE

A mentor and inspiration to many, excited to finally host a set by the legendary JACKMASTER FLASH. 

Being exposed to funk at a very early age gave DJ Jackmaster Flash a strong vantage point where dance music is concerned. He started his interest in music as a toddler, crying for the likes of Curtis Mayfield & Isaac Hayes from his play pen in the early seventies. Influential musicians like these were favorites of his mom, and played an integral role in forming his musical tastes. The desire to capture more parts of songs that were more appealing to him came on very early, and when he saw Afrikaa Bambataa in 1977 at a community party in the Bronx, he knew just how he wanted to do it. However, tape splicing and “pause mixing” would be his only option until finally acquiring his first set of turntables in 1984.

The name “Flash” was given to him in 1985 by a b-boy crew from San Francisco as a playful reference not only to instant beat matching and signature style of mixing techno with hip-hop records at 45-rpm, but to playfully suggest a legend in the making like Grandmaster Flash. By 1986 he was referred to as “Mixmaster” Flash and not long after “Jackmaster” Flash, (or Jack MF) in honor of house music.

For over 25 years Jack MF has headlined a who’s who list of venues ranging from the most intimate underground parties to the bigger more legendary clubs and parties, like Limelight, Caffeine, Stereo, Shampoo, Traxx, Lansdowne Street, Underground, Zootz, and many more. A DJs DJ, Jack MF is recognized and credited by legendary DJs “Lil Louis” Vega, Kevin Hedge of Blaze, Ron Trent, and house vocalist/DJ Eric “E-man” Clark, and was often asked to entertain at backyard parties where other legendary DJs and promoters gathered exclusively. He is also known for producing his own legendary events as far back as 1986, and for leading “A Book Called Galanta” a group that completely changed the face of the rave scene from New England to The South with their famous Full Moon parties during the early nineties.

Jack MF doesn’t just drop tracks, but creates a whole new groove, being very particular about timing and harmonizing. The mix is constant, and the result is an even richer, more soulful sound than the records have alone. Countless DJs have been affected in one way or another by his style, and many credit him for his willingness to share his knowledge. Most DJ/Producers who learned personally from Jack MF have gone on to earn everything from regional distinctions to international fame. Some own their own record labels.

There’s a certain authentic flavor in his sound that is hard to come by. Perhaps he owes this to his record collection which dates well before the earliest disco. Jack MF has witnessed the transformation of ALL TYPES OF UNDERGROUND MUSIC since the early seventies. Almost every track he owns was acquired at the time of original release so his knowledge of history is strong. His massive and diverse collection is undoubtedly one of the most complete when it comes to classics.

Whether live or recorded, a Jack MF set will take you on a musical journey. He takes you deep, brings you up, puts you in orbit, and brings you back down to Earth. Each set is designed and catered to move any crowd. His broad range of music, versatility, and connection to the audience guarantees to move absolutely anyone. Whatever he plays, you can be sure that his heart will be in it.

OMAKASE, Episode 65b
dj: JACKMASTER FLASH
*Sorry, no tracklist*

OMAKASE SHOW

more Jack MF!!

OMAKASE #65b, JACKMASTER FLASH

Features remake of JIVE 106 Diamond Mix (orig. Diamond II 1985)  by DJ Cyrus, Vicous V, DJ Chad, and the Electro House Megamix recently pulled.  Video mashup of this mix can be seen here: https://www.youtube.com/watch?v=dbgBeBh6_CM&t=15s

B Boy Classics Mixmasters Showcase

COMING UP:
• JAN 4, OMAKASE 523, DARONE SASSOUNIAN
• JAN 11, OMAKASE 524, LOW HANGING FRUIT
• JAN 18, OMAKASE 525, TBC
• JAN 25, OMAKASE 526, STACY CHRISTINE

Gold Code aka Raf Zevallos-Crowe, is a DJ/producer based in Orange County, California. A lifelong music lover, collector, and DJ, Raf's eclectic sets run the gamut of dance music with a base in-house and techno.

Growing up in 1980s Los Angeles, he was initially inspired by radio mix shows and DJs such as Doc Martin, Rob One, Michael "Mixxin" Moore, and 1580 KDAY Mixmasters. Moving to San Francisco in 1992, he immersed himself in its underground scene. Attending parties lead to working them and eventually to djing. He played his first warehouse in 1996 and spent the next 10 years djing and producing some of San Francisco’s most infamous parties and club nights.

"Gold Code" was initially founded as a music blog in 2007. The site showcased past, present, and future classics as well as his personal edits and DJ mixes. 

In 2009, he focused his efforts on music production and a live show. He adopted "Gold Code" as his moniker and debuted a well-received live set at the celebrated “As You Like It” parties. Remixes soon followed for Nude Photo Music and SubSensory labels culminating with his debut release, "The Day After" with remixes by Audioelectronic, Basskittens, Chris Fierenze, and Jonah Sharp.

2015 brought a move back to Southern California and a radio show, OMAKASE. Currently broadcasting live on Sunday from 6-8 pm [Pacific] on KUCI 88.9 FM, and livestreaming on www.twitch.tv/omakaseshow, showcasing the art of mixing past, present, and future classics.

OMAKASE #65b, JACKMASTER FLASH

Gold Code

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