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October Delay Jam #1- Modular Improvisation

The follow up to our 2017 debut.

“Bleeding Out” is where Jay Orem’s vocal style shines at its best. And the band knows it, giving him enough space to breathe in between falsetto croons and pounding belts. You can hear shades of Brandon Boyd’s tone in him, as well as his versatility in range. Always managing to keep it loud and full in between melodic riffs.” ~Buzzy Band

Lyrics for the song "Bleeding Out:"
It’s something that we had borrowed, cut off and left for dead
Tension turned into frustration, it never had a chance
You can’t see what’s coming down, you can’t see me bleeding out
It wasn’t like I had told her, it’s nothing like they said

Consumption, disruption, my chalice is full
No reason to pass this off
These motions that fuel
Unbridled and in consumption, I fear I am the fool
Who lays in wait for the answers, the answers came too soon
You can’t see what’s coming down, you can’t see me bleeding out
It wasn’t like I disowned her, it wasn’t like she said

Consumption, disruption, my chalice is full
No reason to pass this off
These motions that fuel
My mind, my heart
Mistakes that brand me now
‘cause I know in time will change

No one, no one knows

To say I’m sorry means null
I never meant to hurt you
As long as I’m still breathing 
I bleed this blood for you

Bleeding Out

Principles of Nothing (1997-2010)

First

L - Ror - First

A room within a room within a roOm 
Made using: 
https://soundcloud.com/enigmacurry/chemotaxis
remaster 03102023

The Lost Room  by EnigmaCurry

A privilege to work again with the supremely talented Gary Rees.
@gary-rees-since-87

Tribrid Vamp  -  WBE | Gary Rees

Shifting sax and floaty flute played by Jonathan Ogara (https://soundcloud.com/allopenelectrics)
For a solo, live, acoustic version see: https://youtu.be/IPTSFz0ap1c

It’s a time of the sighs and the lies on the radio
Dumbing down
It’s a sign of the times and the crimes of the bully boys
Lost in all that noise, with their dangerous toys
Shifting sands, shifting sands, camouflage guilty hands
Do the straw man, law man, flag man, bogey man
Fooling fools
Salesmen, pale men, stale mediocrities
Riding the wave of faith, nothing’s safe

Strive all your life, take the long road to understand
Knowledge base
You can search and research, learn the lessons from the history
They believe the mouth instead
The mouth in the empty head

Shifting Sands (a C÷M track)

@henrykoek - bells, percussion, Tibetan bowls, vocals
pete swinton - synths, treatments, FX, mixing.
From an 8 track album by Henry Koek and Pete Swinton available here : 

https://peteswinton.bandcamp.com/album/de-pelgrimage-van-jm-basquiat?fbclid=IwAR209zIw52apLk75ecdxbYc_QxTPmj4Q7k_H63-ALzrz34TH6aQFtaPWFcQ

Henry Koek - Pelgrimage Rework by Pete Swinton

Ear Wax When You Need It

A Mutwa

Modular Electronica & Home Listening Music
Live performance and one-take recordings
Improvised sounds, raw and unmastered
No DAW or software used
Live-Project with LFD: https://soundcloud.com/moltomodular

October Delay Jam #1- Modular Improvisation

Goldkalb

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sulevia

Craig Winstanley

Oriental Force (Oriental Love a.k.a Kaya Takada)

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