palette

太陽の為の吟遊( Song for the sun)

I love black music.The impact and respect I received for them was extraordinary, but I needed to crystallize my feelings of gratitude as well. An album of determination.All parts were played by my own hands at my home, no automatic performance was used. because? Because that wasn't an option for me.

What a wonderful night!

Anno Domini

LoWtus

BTS/Dynamite CoverPlay!(An additional cover was added to the cover by Erino Yumiki.)

The video of the BTS sound source covered by Erino Yumiki on the guitar was really cool, so I tried dipping it further with the YAMAHA YC61.
I like the aggressive voicing at the beginning and the base position before the modulation!
Hammond organ is the best!

BTS sound source
https://youtu.be/gdZLi9oWNZg

A video of BTS sound source covered by Erino Yumiki on guitar
https://youtu.be/SZddmLsF4lI

BTS/Dynamite CoverPlay!(An additional cover was added to the cover by Erino Yumiki.)

ニューギニア島の妖怪「キンブーヤン」をイメージして楽曲を作成。コヴァべという精霊としても知られる。手持ちの音源では近しい地域のものを使用した。アボリジニの流れが強いようだが、エリア的に遊び心でジャワやバリの楽器も取り入れてみた。また、今回自作のスラップスライムという楽器も用意した気合の入りよう。

今回、こだわり抜いたのは先住民族たちのもつ力強いエネルギー。大地の雄叫びである。アフリカ地方の積分的なポリリズムアプローチやわずかなタイム感のズレ、複数のリズム隊による壮大な合奏を目指した。

また、日本ではお盆の時期に行われることも多い盆踊り。お囃子をリズムパターンに詰め込んだ。とりわけ阿波に古来より伝わる阿波踊りにインスピレーションを得た。日本のお囃子、とりわけ阿波踊りの形態は独特なリズムでなされているが、それを一聴して違和感と感じる方は少ない。つまり音楽はあくまでも集合体でノリが形成されるのであるが、その構成要素は実に多様に富んでいる。いわゆるグルーブ(Groove)は至極興味深い分野であるが、阿波地方ではこれを「ぞめき」(Zomeki)と呼んでいる。

ベースリズム：Kendhang Ageng,AboriginalBassDrum
中リズム:SnearDrum,KanakDrum(7拍子ポリリズム)
うわものリズム:SlapSlime,Shaker(10拍ポリリズム)
補助リズム：Gong,Timpani
ベース：Cello,ContraBassoon
FX：JawHarp,Didjeridu（Yidaki）
メロディ:Kenong,BambooSAX

A＝432Hzで調律しており、キーはCm
E♭にリディアン的な＃４thが入った変則スケールが採用されている。


Created a song based on the image of "Kinbuyan", a monster from New Guinea. Also known as the spirit Kovabe. I used the sound sources I had that were from nearby regions. It seems that there is a strong Aboriginal flow, but I also tried to incorporate Javanese and Balinese musical instruments with a sense of playfulness in the area. Also, this time, I prepared an instrument called Slap Slime, which I made myself.

This time, we focused on the powerful energy of the indigenous peoples. It is the roar of the earth. Aiming for an integral polyrhythmic approach from the African region, slight discrepancies in the sense of time, and a magnificent ensemble with multiple rhythm corps.

In Japan, Bon Odori is often performed during the Obon season. Music was packed into the rhythm pattern. In particular, I was inspired by Awa Odori, which has been passed down from ancient times in Awa. Japanese musical accompaniment, especially Awa Odori, has a unique rhythm, but few people feel uncomfortable listening to it. In other words, music is a group of collectives that forms a groove, but its constituent elements are truly diverse. The so-called Groove is an extremely interesting field, and in the Awa region it is called 'Zomeki'.

Bass Rhythm: Kendhang Ageng, AboriginalBassDrum
Middle Rhythm: SnearDrum, KanakDrum (7 beat polyrhythm)
Uwamono Rhythm: SlapSlime, Shaker (10-beat polyrhythm)
Auxiliary Rhythm: Gong,Timpani
Bass: Cello, ContraBassoon
FX: Jaw Harp, Didjeridu (Yidaki)
Melody: Kenong, BambooSAX

Tuned at A=432Hz, key is Cm
It uses an irregular scale with a Lydian-like #4th in E♭.

キンブーヤン（コヴァべ）

Do you like guitar cutting?
Thrust into Marshall's full-valve ORIGIN20, and the custom Mustang rear (Strat's single hum PU) feels good.
I'm in a particularly good mood because I changed the frets on the fender bass and the pitch has improved.
I searched for Akai's RhythmWolf in various ways, but I feel that I was able to meet this one first.

ギターのカッティングは好きですか？
MarshallのフルバルブORIGIN20に突っ込んだ、カスタムムスタングのリア（ストラトのシングルハムPU）がいい感じなのです。
ベースのファンクなテイクは好きですか？カスタムフェンダーベースのフレットを打ち替えてピッチが良くなったので、特にご機嫌です。
AkaiのRhythmWolfは色々と探し求めましたが、ようやくコイツに出逢えたと感じています。

Sunny Side Funk

KORG主催の第３回Nutubeビルダーサミット最優秀賞作、可燃ゴミ箱@kanengomibakoによる歪みペダル「Nusora」に、さらなる改良を加えられた、記念すべき販売版ファーストロット「Nusora＋」を入手。そのサウンドインプレッションをお届けします。

今回はバッキングサウンドトラックにJam'in Backing Tracksによる音源を使用
Spacey Fusion Guitar Backing Track in D Minor
https://youtu.be/DzUD03G2lxs

Nusora+ 商品概要/設計概要など
https://drugscore.blog.fc2.com/?tag=自作エフェクター

【Recording Process】
カスタムMustang(Fシングル＆RシングルサイズハムPUのハーフ、Vol＆Tone 10）
　↓
Marshall ORIGIN20（Boost ON,AllKnob Full10,LineOUT）
　↓
本機Nusora＋ by Kanen-gomibako(センドリターン)    Vol:6,comp:10,tone:3.5,gain:1
　↓
Midas DM12
　↓
SSL 12(4k ON)
　↓
Logic Pro X

【impression】
・ローゲインでも歯切れの良さが際立ち、Compも効いてくる。
・Fusion、カッティングプレイにとても良き。扱い易い。
・光をCdSセルで検出し、抵抗値がリニアに真空管のゲインに連動。コンプレッションの設計が非常に素晴らしい。

KORG's 3rd Nutube Builder Tournament Runner-up, Combustible Trash @kanengomibako's distortion pedal "Nusora" has been further improved to get the commemorative first sales lot "Nusora+". We will deliver.

This time, the sound source by Jam'in Backing Tracks is used for the backing soundtrack.
Spacey fusion guitar backing track in D minor
https://youtu.be/DzUD03G2lxs

Nusora+ product overview, design overview, etc.
Drugscore.blog.fc2.com/?tag=Homemade Effects

[Recording flow]
Custom Mustang (F single & R single size ham PU half, Vol & Tone 10)
↓
Marshall ORIGIN20 (Boost ON, AllKnob Full10, LineOUT)
↓
This machine Nusora + by Kanen-gomibako (send return) Vol: 6, comp: 10, tone: 3.5, gain: 1
↓
Midas DM12
↓
SSL 12 (4k on)
↓
Logic Pro X

【impression】
・The crispness stands out even in low gain, and the compression also works.
・Very good for Fusion and cutting play.
・Light is detected by a CdS cell, and the resistance value is linearly linked to the gain of the vacuum tube. Compression design is great.

Nusora+ SoundSample2

Dreamcore,nightmare,horror parade.
DarkSummer君が引っ張って来たネタを、僕がリサンプリングしてつまんでいます。
採用するパートと音色は彼に決めてもらって、マニュピレーションやシーケンスは僕が組んで、という形です。
こういうのは拾わないので、面白い曲になったかと思います。

Eustoma ft. DarkSummer

アナログシンセで１パートずつキック、ハット、スネアを作成。ベースシーケンスも続ける。ストリングスを入れて、少し華を。最後にリードベースで優しく歌ってみました。

ソロ活動になりDTMを始めた12年ほど前。あの初期に戻ったようなミニマルさ。大好きなベースをカッコ良くプレイしたい。そんな頃に原点回帰。苔のむすまで。

一発モノで大切なボイシングとアンサンブル、そしてブラックミュージックの影響を受けたベースのリード。

Create the kick, hat, and snare parts for each part using an analog synth. Continue with the base sequence. Add some strings to add some flair. At the end, I sang gently on the lead bass.

About 12 years ago, I became a solo artist and started DTM. It's minimalistic, like going back to those early days. I want to play my favorite bass in a cool way. Someday I'll return to my roots. Until the moss child.

The voicing and ensemble are important in one shot, and the bass lead is influenced by black music.

Moss

初期のACIDMANのようなイメージが近い気がします。

シンプルに16歳くらいの時のアタマで
３ピースロックでインストしたら...

とっても骨太で繊細な空気感のある曲に仕上がりました。

Nelumbo

Congratulations on graduating!
Even new members of society are excited to be promoted!
I will continue to challenge myself every day.
2024
This is the year when the "Cerezo Osaka"at their best after 30 years.

Cerezo

Anemone(Alternative Techno Ver.)

New release...

You say SunRain 'ShizumanuTaiyo' in japanese.

vocoder,bass,keys,drums and guitar.→GolemMilk
voice,clap,scream.→DarkSummer
manipulation,mixing→GolemMilk

Oh my gosh! It's so cool.
Surrender yourself to the swell of the big groove!

genreTag:R&B,POP

SunRain ft.DarkSummer

Aquarium ft.DarkSummer

A scorching summer song that will make only those who listen to it happy. You're lucky!

illustration  by DarkSummer

39.99999℃

You could say it’s a well-crafted city pop instrumental！

Suzukaze - Itaru

The slow rhythm of cumbia, with a touch of blues.

conga, bongo,maracas,agogo,shaker,hammond organ noise,E.bass,Slide guitar(bottle neck),E.guitar,Voice,Vocoder,synthesizer

My Love!(Cumbia - Mix)

Street at Autumn

ハードウェアシンセサイザーの良いところ満載で、倍音の吹奏にdipしてチョ！

Glass

Funk and rock instrumental!
Like howling, like shaking
It's wobbling!
The dolls in the photo are called "TAISHO'' and "May dolls,'' which are traditional Japanese dolls that are displayed in every household to wish for the healthy growth of boys, and are now rare even in Japan!
"TAISHO" means general. This is how each feudal lord during the Sengoku period was called.

In other words, we aimed for such wild and robust music!

wobble!!!

Very artistic! Funny and cute. Emotional guitar improvisation. A rhythm section whose rhythm is as complex as a samba.

Town

What else do you need when you combine disco bass, drums, funk guitar cuts, bluesy crying guitar, and rock organ? !

Eight

Music overflowed like a fountain. The joy of creating a wonderful night by yourself.

This is the first of the 14th instrumental album "Anno Domini" which is scheduled to be completed in 2025. No explanation needed. Experience the electrifying electric waves!
2025年にコンプリート予定の14番目のインストルメンタル作品集"Anno Domini"これの記念すべき１作目
説明不要。痺れるようなエレクトリックの波を体感してください！

Got the Pocket

1. Rhythm track, 2. Pad track recorded by Roland Jupiter-X
With just these two recordings, I was able to express the hustle and bustle of spring just before cherry blossoms bloom.

The Latest Steps_20250330

Just got my hands on a new machine.
My friend—I’ve been looking for you.
A sea of samples, an endless sequencer, a swarm of inspiring effects, and uncompromising hardware.
Its synergy with the computer is surprisingly seamless. It breathes.
I finally have an instrument. A real one.

Here’s my very first live performance with it.

Let’s step into a new realm of sonic curiosity.
You ready?

loftsession#01_ digitakt2_20251419

リリースカットピアノの挙動はヤマハのエレクトリックグランドCP70、CP80のようなADSRを表すと気づき、今回大々的にフィーチャーしました。カラッとした明るいサウンドはイタリアシチリアの赤いオレンジジュースのように、爽やかな酸味。レトロポップ、フレンチポップ、シンセポップ…中田ヤスタカ率いるcapsuleの2012年作品"STEREO WORXXX"、ファッションデザイナーのMEGのアルバムとして制作された2008年の"BEAM"のサウンドを再構築しました。またリズムトラックにはelektron社のdigitaktⅡによるサンプリングシーケンスをあしらいました。80-90年代のゲームミュージック(チップチューン、8bit)のサンプリングや、公式のエクスパンションパックからもらった学校、自然、公共施設の音、これらを巧みに調理しました。(正直ドラムシーケンスだけで曲にしてもよいくらい！)キックやクラップ、ハイハットはroland jupiter-xから直接サンプリングした"本物の"808の音です。

In this new track, I’ve put the spotlight on a release-cut piano sound reminiscent of the Yamaha Electric Grand CP-70 and CP-80—characterized by an ADSR-style response that gives it a distinct bite and decay. The result is a crisp, bright tone—like a splash of Sicilian blood orange juice: vibrant, tangy, and refreshingly sharp.

Sonically, the track draws inspiration from retro pop, French pop, and synth pop. I reimagined the aesthetic of capsule’s 2012 album STEREO WORXXX and MEG’s 2008 album BEAM, which was produced under the direction of Yasutaka Nakata.

For the rhythm track, I used Elektron’s Digitakt II to craft a sampling-based sequence, blending elements of ‘80s and ‘90s video game music (chiptune, 8-bit textures) with environmental sounds—captured from official expansion packs featuring recordings of schools, nature, and public spaces. Honestly, the drum track alone could stand as its own piece!

As a final touch, the kicks, claps, and hi-hats were directly sampled from the Roland Jupiter-X, giving you the authentic sound of a real TR-808.

loftsession#02_RedOrangeJuiceFromSicily!"_20250429

This track features a Fender Stratocaster driven to full throttle through a tube amp. Enjoy the contrast between the right channel, which showcases the direct sound from the amp, and the left channel, where I've incorporated a custom-built fuzz pedal.
Enjoy this laid-back, nostalgic, and organic session take.

loftsession#03_tubeamplifier&digitaktⅡ_20250525

A spontaneous one-take funk jam, full of freedom and groove-driven vibes. 
Just hit record and let the session flow.

Don’t need anything complicated.
Can you feel the sound that’s just there?
It’s up to you.
This is an experiment called funk—
Only one chord.
Yeah, I’m a bassist.
If you’re into it, it’ll hit.
If not, that’s fine too.
That’s all there is.

・elektron digitakt2
・bass sadowsky mv4(metroline made in japan)
・guitar fender american elite stratocaster

いわゆる"いなたい"雰囲気で録音できるように仕上げました。
色々、長く書き連ねることはできるのですが、とにかく聴いていただければ
そういう"セッション"を”録音”している、空気感を感じていただけたなら何よりです。

I made it so that it could be recorded in what you might call a "rustic" atmosphere.
I could write about it at length, but I'd be very happy if you could just listen to it and get a feel for the atmosphere of "recording" that kind of "session."

loftsession#04_funksession_20250530

I’ve put together a new Loft Session. This time… I really hope you’ll check out the video too.

I’d love for this to be one of the things that helps you decide whether the Elektron Digitakt II is right for you.

https://youtu.be/A9LpqKWmsu8?si=LkeKmE_FBwhEsuTH

#Digitakt2 #Elektron #Beatmaking #NoTalking #loftsession #HardwareSampler #LiveJam

loftsession#05_digitakt2_SWING.E_20250607

A good example of the tremolo characteristic of optical pickups.
This is a sample of my own tremolo sound.
The circuit is on github.
https://github.com/GolemMilk/NuTremo

NuTremo-demo1_20250720

A good example of the tremolo characteristic of optical pickups.
y adding a slight vibrato after your homemade compressor, you can create incredible fluctuations.
The circuit is on github.
github.com/GolemMilk/NuTremo

NuTremo-demo2_20250720

Aim for that water with graceful leaps and thrusts like a betta fish...!

Sometimes I wonder how much of an explanation I should include.

Even though the sound people hear is everything, if I don't say anything, they won't even be interested.

So, if I were to describe the characteristics of this track to some extent, I would say that the performance was designed with this unique rhythm ensemble.

Drum machines, electric bass, rhythm guitar, funk keys, vocoder, and top tunes, plus fuzzed lead guitar -- these are, of course, elements favored by the great pioneers of black music, and are nothing less than a timeless, authentic tribute to modern R&B.
　
On the other hand, of course, it's a big experiment: where to place the kick, how to rock the hi-hat, how to set the guitar amp, how to crush the bass slap, how rhythmic the keys are, or the voicing of them, how to open up pockets between parts and how to connect them.

For example, bass slap is not a phrase that is easy to imitate. I think this is interesting, so please try copying it, if you are a bassist.

Storytelling and singing are important for lead guitar, so when it's an instrumental piece it can easily become annoying or take too long to talk about, so this time I took inspiration from a few singers.

I have a secret recipe for the overall arrangement of the song and the particular mix, so I make sure to do this kind of packaging work without fail.

The sound of splashing water and the smooth flowing water, with the betta fish swimming coolly among the aquatic plants, I have a secret recipe for the overall arrangement of the song and the particular mix, so I make sure to do this kind of packaging work without fail.

The sound of splashing water and the smooth flowing water, with the betta fish swimming coolly among the aquatic plants,

BettaFish...!

MidSummer_in_Sakai

loftsession#06_DeepSummer_20250830

loftsession#07_Tight&Slappp_20250831

loftsession#08_Sand_20250906

haute couture

Darjeeling（First-flush）

Buy with iTunes !!

Darjeeling First-flush

喧噪の揺レ雲

〜オーセンティックだけど、刺激的。爽やかで軽快なとびきりのポップチューン。ただし、ブルースとファンクの味付けは濃いめですよ。〜　※当社比

〜相反するマテリアルが衝突し合うため、統合が不可能と言われたバランスをついに実現。〜※これも当社比

機材情報は下記リンク。ヨロシク！
https://www.little-bird-cafe-music.com

A Little Hot Special Favorite

Electronic/Jazz/Ambient

RHODES PIANO MK1 -XLN Audio
KORG Volca Beats
KORG Volca FM
NOVATION BassStation2
NI MASCHINE MIKRO
FENDER Mustang custom
SADOWSKY MV4

COMMUNE

I Am Not A Tweeter

Instrumental music is my lifelong pursuit — a passion I explore on weekends from my home studio in Sakai, Osaka, Japan.
I blend sound design with hands-on electronics, often crafting my own effect pedals and audio cables to shape my tone.

Since 2025, my creative focus has shifted toward fusing Black music traditions with sampling-based drum sequencing, seeking that raw pocket where groove meets circuitry.

Genres:
Techno / Electronica / Ambient / Funk / Blues / Rock / Soul

Main Gear:
	•	Elektron Digitakt II
	•	Roland Jupiter-X
	•	Yamaha YC61
	•	Sadowsky Metroline MV-4 Jazz Bass (Tokyo-era)
	•	Fender American Elite Stratocaster
	•	Antelope Audio Discrete 8 Pro Synergy Core
	•	Avalon U5
	•	Marshall Origin20H
　　•      Tascam AV-P250LUV

Release
2017 1st Album "Haute Couture" On DOD TuneCore (under the name of The Pekingese)
2018 2nd Album "THE END" On DOD TuneCore (L.B.C name)
2019 3rd Album "Mix tape -03-" On Bandcamp (Eric "Little Bird" Luv)
2019 1st EP "BRiDGE" On Soundcloud
2020 4ht Album "My Flagships" On Bandcamp (The Tricera Project)
2020 5ht Album ”For example, if I call this Art Brut.” On DOD TuneCore (The Tricera Project)
2020 2nd EP "My musical instruments" On Soundcloud
2021 3rd EP "Treasure Sword" On SoundCloud
2022 6th Album "The Music UMA" On SoundCloud
2023 7th Album "おとだまの怪異"
2024 8th Album "MixTape'04"
2024 9th Album "pallet"
2024 10th Album "太陽の為の吟遊(Song for the Sun)"
2025 4th EP "What a wonderful night！"
2025 11th Album "Anno Domini"

Golem Milk

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