Artist: Spray Paint
Title:  Cussin’

Label: Upset The Rhythm
Catalogue Number: UTR067
Formats: 7” (45rpm) / DIGITAL

Pre-order: http://upsettherhythm.bigcartel.com/

Running Time:  6 mins 41 secs
Release Date: August 11th 

Track listing:

SIDE A
01. Cussin’

SIDE B
02. Three Thumbs Up
03. Ask My Old Roomate, Man

SPRAY PAINT are a no wave punk outfit from Austin, Texas made up of Chris Stephenson (drums/vocals), Cory Plump (guitar/vocals) and George Dishner (guitar/vocals). Some of you may already know these guys from other projects such as When Dinosaurs Ruled The Earth, Expensive Shit and Dikes of Holland. Spray Paint’s buzz-sawing guitars run headlong through labyrinthine tunnels of reverb, chased down by some wildly brain-bashing drums. All three members of Spray Paint sing too, helping create an uncontrollable sense of fervour as they jostle for the words.

Since forming in 2012, Spray Paint have released two LPs and 7”s through SS-Records as well as readying an upcoming LP for Monofonus Press. They’ve wasted no time with hitting the road either, touring the US four times, most recently with their friends Protomartyr. They’ve also played at Fun Fun Fun Fest, Chaos in Tejas, Gonerfest, Cropped Out, SXSW and a live on-air performance on WFMU. This October sees Spray Paint head over to Europe for the first time, in support of their fierce new 7” EP through Upset The Rhythm, entitled ‘Cussin’. 

Side A’s twitchy opener ‘Cussin’ plays out with some decidedly, derailed guitars, working up a tone of paranoia amid the thumping rhythms. ‘Cussin’ is almost emblematic of Spray Paint themselves, matching the propulsion against the restraint, locking into a motoric groove that’s impossible to escape from. Flipping over ‘Three Thumbs Up’ is a disorientating number with the band’s trio of vocals calling out the lyrics like a repetitive mantra. The overall effect proves less like a list of instructions and more like the unquiet thoughts of a restless head. “I think he’s time traveling, he’s got no windows, are you sure he’s from Houston?” they volunteer in ‘Ask My Old Roomate, Man’, wrapping up Side B. The track makes room for path-leaping sprees of guitar, offset with stormy blasts of distortion - finishing the 7” as it started; damaged, daring and utterly dogged. Qualities that not only define Spray Paint’s sound but are also central to the appeal of this solid slab of repeato-rock rapture.



Spray Paint - Cussin

Ty Segall & Mikal Cronin - Drop Dead Baby

Ausmuteants - Order Of Operation
112GONE
Release Date: September 30, 2014

AUSMUTEANTS started life in late 2011 in Geelong by Jake Robertson and Billy Gardner. Both had been playing since teenagers in trad garage bands The Frowning Clouds (Jake) and The Living Eyes (Billy). Being good looking rebels who play by their own rules, they cracked the shits, broke loose with just a synth and drums and in early 2012, knocked out the 'Split Personalities' tape. By the time that was out they'd added Melbourne loose-unit Marc Dean on bass, and soon after, ex-Canberran hardcore non-guitarist Shaun Connor on guitar.

Their second album 'Amusements' (note: not self-titled) came from this fledgling time as a full band, with a heavy dose of the duo’s songs. Since the runaway international success of that record and playing every second weekend in Melbourne, they’re rocked-out full-tilt with all four members writing and singing new songs. 23 of these were recorded live with vocal overdubs in the basement of an old Geelong ice cream factory by Mikey Young, then mixed and mastered in his idyllic coastal abode. Again the band and their Australian label Aarght Records strained the friendship with song picks, agreeing on 13 to make up 'Order of Operation'.

This record is better than Amusements any way you cut it: songs, lyrics, delivery and sound. The album opens up with Shaun’s forehead- and thigh-slapping musical and lyrical debut, "Freedom of Information". His girlfriend is suffering the indignity with panache. From there, songs range from balls-to-the-wall punkers ("Felix Tried to Kill Himself"; "Boiling Point"), well-considered workouts ("Family Time"; "Tunnel Vision") and unguarded tenderness ("Wrong"; "Looney Bin").

It's not just the band and label singing the album’s praises; it's the people who couldn't stand their juvenile bullshit before. They’ve ditched the toilet humour, got nasty and written songs about other people’s problems, terrible bands, fighting crime and trading sex for porn. Mikey after a vocal take: “You deserve to be bashed for that” (the song’s on the record; you guess which one).

'Order of Operation' is now their defining moment. If you don't like this record, you pretty much won't ever like Ausmuteants.

Order Of Operation Tracklist
1. Freedom Of Information
2. We're Cops
3. Family Time
4. Stadiums
5. Publicity Stunts
6. Wrong
7. Felix Tried To Kill Himself
8. Tunnel Vision
9. Looney Bin
10. 1982
11. Not Whole
12. Boiling Point
13. Depersonalisation

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www.facebook.com/ausmuteants

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www.facebook.com/pages/Goner-Records/73295355242
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www.goner-records.com
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Ausmuteants "Boiling Point" // 'Order Of Operation' Out Now On Goner Records

Off the upcoming EP, "Let's Plan a Robbery" out on February 26th.

Fool's Gold

Mikal Cronin, "Get Along"

Following the February release of their critically acclaimed debut long-player, ‘Nothing Feels Natural’, Priests will be releasing ‘Early Recordings’ through Tough Love as part of this year's Record Store Day. It will be pressed on to opaque white vinyl and limited to 1000 copies.

Priests’ ‘Early Recordings’ combines the band’s first two cassette-only tape releases, originally recorded in 2011 and 2013. The small run cassette releases were originally intended to be for purchase only at the band’s live shows. “We didn’t want everybody to hear it,” said drummer Daniele Daniele. “We were still learning our instruments, so these tapes were not intended to impress the world, just document where we were for our own sake.” Daniele met vocalist Katie Alice Greer the same week she arrived in Washington, DC to complete a fellowship at Georgetown University, and the two decided to start a band. Guitarist GL Jaguar joined soon after, and bassist Taylor Mulitz completed the lineup the following year.

Tape 1 was recorded by Jaguar in his parent’s basement in Maryland. The band had existed for one week, and the trio had written four songs. “I was very eager to have evidence of the band exist for myself, because I didn’t know how long it would last, and I wanted to make music more than anything,” said Greer. “Diet Coke”, the band’s first song, is a hundred second blast of pummeling energy and what would become Jaguar’s signature riffage. A winking nod to advertising that sneaks into culture, the tune is followed by the more contemplative “Talking”, a song on which both Greer and Jaguar play guitar. Greer’s lyrics speak to US public school systems “rewarding complicity” and children being “being socialized by reality TV”. “The World”, perhaps foreshadowing the band’s krautrock-inspired penchant for repetition, is a jubilant intermission before “Cobra”, a playfully minimal stop-start closer inspired by cult favorite rock group She (also known as “The Hairem”).

On Tape Two the band was eager to showcase their fuller sound as a newly expanded quartet. The tape’s seven songs were recorded by Kevin Erickson and Hugh McElroy, who had already recorded the band’s first single “Radiation/Personal Planes” a year earlier and would go on to produced half of Priests’ Bodies and Control and Money and Power EP and all of Nothing Feels Natural. “Leave Me Alone” nods to the Priests’s affinity for inverting the cool funk of a song like Bush Tetras’ “Too Many Creeps” (“I see you when I’m out on the street/ I think you look like a creep”) while exploring more melodic territory on tracks like “Twelve”, hinting to material that would later surface on Nothing Feels Natural. Lyrically, Priests continued to explore themes that center women’s lives (“Lillian Hellman”), critique social perception of female celebrity (“Lana”), interrogate assumptions of US history (“Incantations”), and invert the male gaze on the Daniele Daniele-penned closer “Watch You”. Priests was already interested in expanding their musical palette, as evidenced by metallic clangs and a purring drum machine on “Watch You” and creeping mellotron weaving in and out of a few different tracks throughout.

‘Early Recordings’ lays the groundwork for Priests longer releases in the following three years and provides context for the band’s evolving sound.

Early Recordings (master MP3s)

Priests - Leave Me Alone

Written and performed by Control Top 

Copyright 2018 Control Top 

Recorded, produced and mixed by Al Creedon 

Mastered by Emily Lazar 

Art direction by Ali Carter

Artwork by Japhy Riddle

Type A

LISTEN / BUY - http://www.austinpsychfest.com/store/the-ufo-club-st-lp/

The UFO Club - Wolfman

Black Lips - Modern Art

TOE CUTTER THUMB BUSTER

Arranged, performed and produced by Fernando Nuti (vocals, guitars, keys), Andrea Volpato (guitars, synthesizer, backing vocals), Alessandro Boschiero (bass) & Dario Lucchesi (drums, percussion). Music and words by Fernando Nuti. Recorded and mixed by Andrea Volpato at Fox Studio (Venezia). Additional mixing by Tommaso Colliva at Laboratorio Testone (Milano). Mastered by Giovanni Versari at La Maestà (Cesena). Artwork by Fernando Nuti & Laura Gamba.

Vyvyan Rising

A label. A store. A state of mind. 
Headquartered in Memphis, TN. Host of Gonerfest. Record store in Cooper Young carries vinyl records, CDs, cassettes, and more, specializing in garage rock, punk, indie rock, soul, jazz, blues and Memphis music. Home of Elvis Impersonator shrine. 

Label artists include: Jay Reatard, NOTS, Ex-Cult, Ty Segall, Guitar Wolf, King Khan & BBQ Show, Carbonas, Quintron, and Eddy Current Suppression Ring, and many more.

Ausmuteants "Boiling Point" // 'Order Of Operation' Out Now On Goner Records

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