Strangely like stepping out of a moving train and land in a field of flowers

ELECTRONICA EXPERIMENTALE

troye - rush (d.tyrone's gold label dub)

Rinse FM Podcast

Juba - 13 August 2023

Burna Flex Show 10th August 2023 W Niki Lauda, Pura Pura & DJ Painless

@bojaq
@ang-z-z

Recorded LIVE at 109 Montrose

08.26.2023

CFM027 - Bojaq b2b Ang ZZ

2 hours of the freshest sounds in Dance, Electronic, Global and Bass Music

http://www.instagram.com/ireybear

BASSBEAR!! @ The Lot Radio 09-12-2023

Catch Hyas every 1st & 3rd Wednesday of the month from 20h to 21h [CET] on rinse.fr

Rinse France Podcast

Hyas Special Jazzy Juke - 04 Octobre 2023

Streaming from Amsterdam's Radio Radio: this is RRFM.NL w/ @eyceesounds @bokbok for @pardonams

Tracklists:
EYCEE 

.mezer the architect - INTRO (RIP DEEON)
Tirzah - F22
Bakongo - Baga
Uncs - Tell Me Why (rahhh edit)
dj KTM - No Emotions
EYCEE - Tangled (NOIRE remix) > Forthcoming PARDON recordings
VV Pete - Frauds (Mall Grab Remix)
NOIRE - Influenzer Funk (James Bangura Remix)
Leonce - Sex Siren
MIRASIA - International Cunt
EYCEE - Tangled > Forthcoming PARDON recordings
Surusinghe - Bop
EYCEE -Untitled (unreleased)
OSSX - Make Nice (Club Version)
JIALING - dont touch that dial
Dan Newman - Hold It Down
Effy - Mad
Entrañas - Vándalo
Kaval - Hermit Crab
DJ SWISHA - Gunk (DJ SWISHA bootleg)
Elijah Waters - on ur side (prod. styn) (unreleased)



Bok Bok

OHJEELO - 2Steps
LEONCE x MOLOKO - Sing It Back (GIRL UNIT edit) 
HYSTERICS - Code Switch (IKONIKA Remix)
KARIZMA - Dreamer (KNEVERM!ND Dub)
ROBBIE RIVIERA - Feel This (BOK’s Dub)
GIRL UNIT - IRL (DVA’s Hi Emotions Remix) 
HAGAN - Right Here 
LIL SILVA - Tribal Land 
COOLY G - We Can Find Love Too ft RUTH BROWN
NEANA - Cyberia (DJ LAG Remix)
BOK BOK - Ouais (RIVER MOON Remix) 
J HUS - Who Told You (BOK’s Dub Instrumental)
KARIZMA - Tech This Out Pt 2 
SPACEPOSE - My Feelings 
DJ GREGORY - Traffic (BOK’s Dub) 
LEONCE - Predators 
LEKTOR SCOPES - Touch It 
DJ LAG - Thayela 
256 - Apple Pulse 
GRIFFIT VIGO - Ree’s Vibe 
808 STATE - Pacific State (BOK’s Dub) 
KAREN NYAME KG - Taboo (VANYFOX Remix)
BOK BOK - Duetto 
DEBONAIR SAMIR - Samir’s Theme (ZAIDA ZANE Remix)

RRFM • The PARDON Show w/  EYCEE & Bok Bok • 03-10-2023

EHFM - Matrice Recordings w/ LWS - 11th October 2023

Drip Tapes w/ Ash Skead feat. Ephacy & Savi DJ - 20.10.23

1h30 of drums explorations, dancehall, dubbed tracks, uk funky & more / 90 to 140 bpm

Tracklist here : www.instagram.com/remikaval

Lost Drums Show - Kaval (Novembre 2023)

This track is a direct recording from a computer generated music stream. As part of "La Mécanique des Beats", it impersonate the computer role in a trio with a dancer and a musician where the two human character struggle to fit in harmony with the automatic digital production.

Mouvement 5, La Mécanique des B(ea/i)ts

Mouvement 1, La Mécanique des B(ea/i)ts

Tourist Kid - GCR005

A1 Under Armour Suite
B1 Under Armour Suite (Basic Mind Remix)

Written & produced by Rory Glacken
Mastered by Mikey Young
Distribution via allearsdistribution.com

Released 27/3/17

Purchase from goodcoperth.bandcamp.com/album/gcr005-under-armour-suite

Buy/Download

Tourist Kid - Under Armour Suite [GCR005]

"In a time when techno and abstract music is sounding repetitive, Metasplice continue to utilize unconventional sounds and arrangements. "Decant", being the more floor oriented track, combines groovy bits that turn into splashing immense noises and harmonies. "Churn" opens with a barrage of beautifully crafted harmonic sequences, then relentlessly descends into a sublime world. Both tracks are spectacular floating grooves that immerse the listener in the group's unique and intense headspace."

doser015 - Metasplice - a - Decant

Available end of September, 2013. Early pre-orders for those on the mailing list:

www.fac-ture.co.uk/Mailing-List

The audio process…

Light Folds by The Seaman and The Tattered Sail is a collaboration between Craig Tattersall (The Boats, The Remote Viewer, The Humble Bee, Cotton goods, Theodore and Hamblin, The Famous Boyfriend, etc.etc. and artist/designer) and Bill Seaman (SEA, Attsea, Otic.Info.Set, sp.op.cit, Spilly and the Drops, etc. and media artist exploring linear and interactive works). The work took place via the internet, sending differing files back and forth using Drop Box, wetransfer.com, and vast quantities of email. After about 2 years Tattersall and Seaman met face to face!

It started with a simple back and forth set of responses to a few audio files, building up loops and tracks. Over time it built up to over seven hours of music. We initially made a double CD of works but we kept abstracting and remixing and colliding things. Tattersall brought his distinct form of “dusting” which explored unique forms of noise, tape ambience, tape degradation, etc. Seaman often explored abstraction using Ableton Live, especially in terms of time / pitch manipulation, and exploring the combination of a multitude of Ableton plug-ins. Huge amounts of data were sent back and forth! Occasionally we went a bit mad with naming and keeping track of things… Usually a number of mixes for each initial work emerged out of the process. Sometimes the abstractions went quite far away from the original tracks. The double album on Vinyl came late in the game where a series of shorter versions and new abstractions were defined.

Tattersall played Guitar, piano, dusted loops, analogue loops, digital loops, drum machine, analogue synth, synth bass, field recordings, abstractions, fragment constructions and reconstructions, abstractions of Seaman (etc.), analogue spatial recordings, artificial wind, crackles (record surface noise).

Seaman was working primarily with Ableton Live and contributed Piano, vocal, text, fragment constructions and reconstructions, time abstractions, quartet samples, trumpet samples, clarinet samples, drum machine abstractions, drum machine constructions (samples), digital distortions, bit reductions, synth abstractions, abstractions of Tattersall (etc.), digital loops, radical pitch shifts, noise enhancements, historical samples, crackles – record surface noise (from Tattersall), artificial crackles.

We worked with some excellent musicians in the construction of the samples…

Trumpet (sample recordings) – Robert Ellis-Geiger; Ciompi Quartet (sample recordings) – Eric Pritchard (violin), Hsiao-mei Ku (violin), Jonathan Bagg (violin and viola), Fred Raimi (cello); Clarinet drones (sample recordings) — David Beaudry; in Ableton Live (construction space), and Seaman used a Roland Edirol R-09HR Ver.3.0 for instrument and voice recordings.

The musical influences run the gamut from ambient, industrial, glitch, dance, pop, jazz, classical, experimental, noise art, etc. Seaman has called this alt.genre in the past… although it really defies a single musical label.

The working process was quite exciting to hear what each had done with the tracks as an ongoing process… The project is incredibly rich in its subtle exploration of psychoacoustic spaces and layerings, and it is vast… The works form a series of plateau-like spaces where time is explored and erased, and an atmosphere for reflection and association is presented. Duration was not worried about and many of the works are quite long. The entire project has been incredibly exciting and rewarding in that we each seemed to pull the best out of the other!

It is also worth noting that as an aside to creating within this album, there was a huge element of learning within the album.

Working with a new creative partner always begins with finding a commonality in working practices, then from this you can bring your individual approaches to working practices, it is in the dialogue whilst working through these passages that you learn from each other.

The artwork process…

Like most work undertaken there is a underlying aesthetic language that has been built up over years of arts practice, whether this be audio or visual production.

An aesthetic language seems to span audio and visual works that is to say that you use a language and approach to creation in the same way whether it be audio or visual work, so it seems obvious that visual artwork that is in creation at any given time will in some ways mirror audio creation at the same time.

So as we where in the thick of creating the audio I had started making some experimental pin hole lumen prints (a photographic technique where you work with photographic paper within direct sunlight).

These were simple images of dots created with holes in little metal boxes. They were interested in capturing light and time rather than a conventional image. So the images were created using one (pin) hole exposed for one hour, two (pin) holes for two hours and so on up to 12 holes/12 hours.

I was sharing these with Bill and as well as Bill liking the work/process it became apparent that they seemed to share an aesthetic with the audio we were working, looking at light, time, space.

So in conversation with Bill I started to take the photographs into digital forms, exploring how the ‘dust’ of the analogue process could be extrapolated through digital forms, and then of course taken back into the darkroom and analogue processes, exactly how we were working in the audio work.

From there, and through extensive email conversations the artwork developed into the body of work that comes with the release.

Like the artwork the titles also reflect the abstraction process. Needless to say – “Light Folds” can be understood from many different perspectives. – Craig Tattersall

The Seaman & The Tattered Sail - Light Folds (Preview)

Arts chorégraphiques post-brutes / Anatomie pour la danse / Fascia et pédagogie perceptive

Distribution:
Australia --> goodcompanyrecords@gmail.com
Worldwide --> www.wordandsound.de

Follow the artists:
@basicmind
@consulateultra
@leavingleavingleaving
@ginoli
@roza-terenzi
@tourist-kid
@senate_perth
@longbodymusic
@phil-stroud

Follow the sound:
@westcoastunderground

Tourist Kid - Under Armour Suite [GCR005]

Good Company Records

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