this song is in a class of it's own. will always be one of my favorites 💕

this is legitimately one of the best songs ive ever heard

BUY NOW: https://zackerywilson.bandcamp.com/album/digifood

SPOTIFY: https://open.spotify.com/album/0GQLH8xs2Cv0eFjueAQGxV

1. DIGIFOOD (0:00)
2. Ain’t Got Time to Bleep (2:38)
3. Shampoo Is Better (4:19)
4. 41A, Ernie	(6:20)
5. FM2K (8:26)
6. Straight Chownin’ (11:49)
7. Dressed to Drill (14:39)
8. Curie I (16:48)
9. Curie II (20:15)
10. For Muk’s Sake (Hoenn Week Never Ends) (23:15)
11. Maxo - Storm Top (Zackery Wilson Remix) (25:21)
12. nelward - GHOST (Zackery Wilson Remix) (28:23)
13. Joshua Morse - C.S. Bossa (Zackery Wilson Remix) (30:47)
14. FLOOR BABA - B E A C H S H A D E (Zackery Wilson Remix) (33:23)
15. Calum Bowen - Bonus Boogie (Zackery Wilson Remix) (35:47)
16. Fearofdark - Polaris (Zackery Wilson Remix) (39:04)
17. naruto - Artificial Intelligence Bomb (Zackery Wilson Remix) (41:24)
18. jazz1-Up (44:26)
19. Inner Force (Preschtale, Part 2) (46:52)
20. Higher, Drier Socks (48:58)

Zackery Wilson's "DIGIFOOD" is a compilation album (and remastering) of tracks released in the past decade (2012-2021), featuring a musical smorgasbord of brisk, energetic [and unrelenting] digital fusion (see: https://www.digifumusic.com) production and arranging.

Note: The first half of the album (tracks 1-10) is wholly original; the second half (tracks 11-20) is comprised of arrangements/reworkings of other artists' music.

released December 3, 2021

Tracks 1-10 written and produced exclusively by Zackery Wilson (2012-2021). https://www.zackerywilson.com
Track 11 (Storm Top) originally written by @maxo [Max Coburn] (2010); arranged and produced by Zackery Wilson (2016, rev. 2021). https://levelmusicmaxo.bandcamp.com/track/storm-top
Track 12 (GHOST) originally written by @nelward [Nick Elward] (2019); arranged and produced by Zackery Wilson (2019, rev. 2021).
https://nelward.bandcamp.com/track/ghost-2
Track 13 (C.S. Bossa) originally written by @joshuamorse (2012); arranged and produced by Zackery Wilson (2015, rev. 2021).
https://joshuamorse.bandcamp.com/track/c-s-bossa-waveform-3
Track 14 (B E A C H S H A D E) originally written by @floorbaba [Jesse Martin] (2014); arranged and produced by Zackery Wilson (2014, rev. 2021).
https://floorbaba.bandcamp.com/track/b-e-a-c-h-s-h-a-d-e
Track 15 (Bonus Boogie) originally written by @calumbowen (2013); arranged and produced by Zackery Wilson (2013, rev. 2021).
https://calumbowen.bandcamp.com/track/bonus-boogie
Track 16 (Polaris) originally written by @fod-steve [Stephen Hemstritch-Johnston] (2012, rev. 2021); arranged and produced by Zackery Wilson (2014, rev. 2021).
https://fearofdark.bandcamp.com/track/polaris
Track 17 (Artificial Intelligence Bomb) originally written by @naruto2413 (2003); arranged and produced by Zackery Wilson (2016, rev. 2021).
https://naruto2413.bandcamp.com/track/artificial-intelligence-bomb
Track 18 (jazz1.mid) originally written for Windows 98 SE (1998), artist unknown; arranged and produced by Zackery Wilson (2020, rev. 2021).
Track 19 (Preschtale, Part 2) originally written by C-jeff [Dmitry Zhemkov] (2012); arranged and produced by Zackery Wilson (2013, rev. 2021).
https://c-jeff.bandcamp.com/track/preschtale-pt-2-feat-danimal-cannon
Track 20 [Dire, Dire Docks (from "Super Mario 64")] originally written by Koji Kondo (1996); arranged and produced by Zackery Wilson (2013, rev. 2021).

Cover artwork by Corey Stephen Design. https://www.coreystephen.com

Created with FL Studio 11. www.image-line.com/flstudio

A special thanks to the following artists:
Maxo: https://maxo.bandcamp.com
nelward: https://nelward.bandcamp.com
Joshua Morse: https://joshuamorse.bandcamp.com
FLOOR BABA: https://floorbaba.bandcamp.com
Calum Bowen: https://calumbowen.bandcamp.com
Fearofdark: https://fearofdark.bandcamp.com
naruto: https://naruto2413.bandcamp.com
C-jeff: https://c-jeff.bandcamp.com/

DIGIFOOD

Buy Digital Album

DIGIFOOD [Full Album]

Biscuit Head

no more time, no more time to be alone
tapping on your temples
oh~ the bell: lemon and lime
gave what you could

no more time, no more time to be afraid
I can be the strong one
I can provide lemon and lime
gave your time to me

the more I give, the more I know myself
I know what we could be

okay

left on my own, I hover and I sink
and land in the yolk of the moon

okay

side to side
wait until the love collides
wait until the noise dies down
lemon combines and courses through my body

the more I give, the more I know myself
I know what we could be

Lemon & Lime

track_0702

[MARU-143] Goodnight Cody - Home Run EP

maltinerecords.cs8.biz/143.html



I HOPE HOME RUN.
MaltineRecords2015

Konami Code

Meghedi is a celebration of artistry and performance.
—
Purchase the album here (includes violin sheet music): https://promtastik.bandcamp.com/album/meghedi
Check the premiere video here: www.youtube.com/watch?v=vnSCUmuqwjk

All music written, performed and produced by Promtastik (Narek Papoyan)
Album art by lesliesuper
Album mastering by Dale North

Special thanks to Tommy, Dale, Leslie, Adam, Andrew, Miles, Nick, Matt and Joey.

~Dedicado a Ara y Lena~

Meghedi

Vals

Song for MILKYWAY DRIVING/RAP2 https://www.diverse.direct/grnd0/grnd-006/

Midnight Highway Specter

Free DL! <3

Crush~

Le projet qu’on m’a commandé pour les Festes Baroques, consistait à créer une composition qui établisse un dialogue entre musique baroque et production sonore contemporaine. Cette pièce m’a demandé environ 150 heures de travail et d’écoute. 

Dans cette création, j’ai cherché à rejouer certaines structures tonales propres au baroque, tout en les faisant évoluer vers une forme de composition modale. Ce qui m’intéresse profondément dans la musique, c’est la narration, et ce dialogue entre les époques et les langages musicaux, m’a tout de suite attiré. Pour détourner certains accords baroques classiques, j’ai choisi d’utiliser des modes pan-méditerranéens et des micro-intervalles ou micro-tons. À l’inverse, certaines parties conservent des mélodies d’inspiration classique, mais interprétées par des instruments non occidentaux, comme le oud. Je me suis aussi interrogé sur la question de la narration rythmique, car le rythme tel qu’on l’entend aujourd’hui est assez absent de la musique baroque. Cela m’a amené à travailler autour de la répétition, de la densité sonore, et à interroger la façon dont on perçoit le temps dans une pièce. 

Cette pièce a donc été un long mais passionnant périple.

Barroco - pt8

Almost confessed to a dude I have a crush on last week.

And the only way I can cope with the humiliation is to write about it!

Konami Code

Goodnight Cody

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