mathcore / swancore

Cover of “Part III: Sword” by Sufferer

Please support the band who wrote it if you like the trash I made over it.

Vocal cover done in 1 take so sorry about the clean section.

Lyrics:

Breaking through the normalcy
The panic makes its entrance
New glass upon the floor, it only mingles with the old
How can I feel so fucking guarded
And be totally defenseless
Parts of me are burning
Parts of me are cold
A part of me feels so goddamn apart from me
It's scaring me
Try to pull myself together
Gain composure
Take a breath and just hold it, hold it
Now exhale
I am in control and if I wait, the feeling passes
Now hold up, just hold up
Though this newly founded confidence is admirable
It's tattered and it's frayed and now it's standing in my way
So just cut the act
No one has their life together
No one has it figured out
But they all make the best of it while you take the worst parts and
Stitch them all together
Make an effigy and stick it full of pins so you'll remember
You're in this alone
You made yourself a martyr
And it feels so good to fall on the sword
It feels so good to fall on the sword
But what the fuck are we falling for
Breaking through the confidence
The panic grabs a hold of my neck
And drags me through the shatters closer to the door
Whether it's an entrance or an exit is up to you, it mentions
Parts of me are screaming
Some part of me can't make out a word
I can't make out a word
I can't make out a word
Paranoid and nauseous, I collapse
We've got him right where we want him
Keep it up, keep it up, keep it up now
Tear his fucking heart from his chest
Right out
Make a run for it
Salvage what you can and just
Stitch them all together
Make an effigy and stick it full of pins so you'll remember
You're in this alone
You made yourself a martyr
And it feels so good to fall on the sword
It feels so good to fall on the sword
But what the fuck are we falling for
Never drowning
Never really drowning but never really out of the water
Never drowning
Never really drowning but never really out of the...
Water
It surrounds me
Picks me up into the sky and wraps me up until I'm drowning
Don't bother to save me
Let the waves take hold and change me
I dove in
Tried to put myself together but the pieces never fit to begin
I dove in, I dove in
You can't pull somebody out
If you have never known how deep they were
(In)

Part III: Sword (Sufferer) vocal cover

Sianvar - EP

Substance Sequence

This song is a tribute to my hometown Copenhagen - a city bursting with life, energy, and spirit. It celebrates the freedom, beauty, and rhythm of urban life, where every street and skyline feels alive. This is where I belong - COPENHAGEN an amazing city🫶🫶

LYRIC

Intro
Yeah!
Copenhagen, turn it up tonight,
City’s breathing, streets are alive.

⸻

Verse
Bikes are rolling by the sea,
Voices laughing wild and free.
Every corner, every street,
Feels like home beneath my feet.

⸻

Pre-Chorus
From Nyhavn lights to the lakes so wide,
It’s the place where my soul can’t hide.

⸻

Chorus
 Copenhagen! You’ve got me singing loud,
Every heartbeat lost inside your crowd.
Copenhagen! You’re my fire, my place,
Every moment wrapped in your embrace.

⸻

Verse
Morning sun on painted walls,
Midnight laughter in the halls.
From the towers to the tide,
Love for you I can’t deny.

⸻

Pre-Chorus
Every skyline, every streetlight glow,
Tells me this is the place I’ll go.

⸻

Chorus
 Copenhagen! You’ve got me singing loud,
Every heartbeat lost inside your crowd.
Copenhagen! You’re my fire, my place,
Every moment wrapped in your embrace.

⸻

Bridge
Drive me fast across the night,
Copenhagen feels so right.
Raise the sound, don’t let it fade,
Love for you I will never trade.

⸻

Chorus
Copenhagen! You’ve got me singing loud,
Every heartbeat lost inside your crowd.
Copenhagen! You’re my fire, my place,
Every moment wrapped in your embrace.

Outro

Copenhagen

The song "End of the Illusion" critiques the construction and eventual unraveling of exaggerated narratives built on spin, manufactured outrage, and unverified claims, where polished lies and scripted causes sustain a facade until factual scrutiny exposes the deceptions. In the context of the Kamloops residential school story, it allegorically references the 2021 announcement of 215 suspected unmarked graves via ground-penetrating radar, which ignited widespread grief and calls for justice but has faced growing skepticism by 2025 due to the lack of exhumations or confirmed remains, portraying this as a "myth" collapsing under the weight of unmet evidence. The lyrics emphasize a revolutionary payback through truth, urging the opening of "books" and audits to reveal receipts and names, symbolizing demands for proof amid accusations of denialism and the fading trust in the initial story's "sacred smoke."

End of the Illusion

Third single from the forthcoming album — Dominion of the Damned

Dies Irae (Requiem for Heaven) marks the third descent from The Black Cross, a monumental chapter in the dark gospel of Dominion of the Damned.
Where the first two singles scorched the earth with fury and possession, Dies Irae opens the gates of heaven — only to burn them from within.

Led by Lilith’s haunting multilingual performance, the title track is a requiem sung in the tongues of the lost — French, Spanish, German, and Latin — a lament for the fall of light itself.
Michael answers with two of his most powerful works to date: “Wings of Dust”, a gothic metal elegy of broken angels, and “Blood Upon the Altar”, a relentless ritual hymn drenched in fire and sin.
The single closes with “Liturgia Obscura” — a brutal, defiant anthem where sacred Latin chants erupt into pure rebellion, sealing the unholy mass with guitars and thunder.

This is The Black Cross at their most cinematic and destructive — a requiem for divinity, a celebration of corruption, and a hymn for those who find beauty in ruin.
Heaven falls. Hell sings. The Black Cross stands eternal.

Float On

Good Tiger

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