hd80606b aka torturauniversal aka dj crackpipe first track (u bitch)

https://limitbreak.bandcamp.com/album/ruptured

twilight of kos

A cuantos grados se incinera un cuerpo humano sin vida??

Mastering by SLYM

RITUAL

1800 °F

My mistaken forms of arguing
Make your tears water the plants

Te invito a que subas
En un bosque navego

Gettin' frozen when you're gone
Shimmerin' if you're close

Los cristales difuminan
Un encuentro y una luz

Looking for... the knives
Waiting for (difuminan) delight

Un encuentro y una luz
Luz (x2)

My guide is my desire
There is a mess in my wires
Beyond your sight
The meat melts wise

Gettin' frozen when you're gone
Shimmerin' if you're close

Ensamblados en magenta
Recorremos este andén

Lookin' for...
Waiting for (difuminan)...

Un encuentro y una luz
(una luz)

Te invito a que subas
En un bosque navego

Los cristales difuminan
Un encuentro y una luz

Ensamblados en magenta
Recorremos este andén

credits:
Composition & production by Genemi (Valentina Mardones & Plinio Verna)
Mixing by Plinio Verna
Partly recorded at Estudio Niebla by Martín 'Merci' Pérez
Mastering by Chalo González

Genemi - Magenta

IM097 - @forces-music - Inertia
Label: Infinite Machine
Release Date: July 1st, 2022
Format: Digital
Mastered by Fausto Mercier

Infinite Machine is happy to welcome interdisciplinary artist, Forces, to the IM family with the release of Inertia, Joonas Siren’s fifth album since he began putting out music in 2018. With previous cosigns from Aphex Twin, Zuli & Daniel Ruane, Forces is known for creating sharp digital textures and ever-surprising rhythmic structures using live coding software such as SuperCollider and TidalCycles.

With a background in fine art, Forces is never one to shy away from conceptual thinking about his output and this album is no different. Engaging with the work of theorist Franco Berardi (particularly recent book ‘Futurability’), Inertia tries to soundtrack the political malaise of the last few decades and the growing sense of powerlessness and inability to avoid the many crises generated by the structures of capital.

Forces opens up proceedings with ‘Algorithmic Governance’, where doom-laden bass drones pulse and groan over erratic drum hits which play in alien time signatures, outside of the realm of full, human comprehension. The algorithmic control of the track’s title could refer to Franco Berardi’s interest in social media, a force which simplifies and monetises social communication, or it could refer to his approach to co-creation with his software of choice. With many compositions, Forces sets up rules or parameters in his code but allows elements of randomisation and evolution, inviting SuperCollider’s algorithm to become a co-author alongside him.

‘Morphogenesis’ begins life as a straight-forward, hard techno composition but things are not as simple as they may first seem. Over its 5 minute duration, the stable 4/4 beat seems to collapse in on itself, potentially nodding to the mood of our current socio-economic moment. This is followed up by the formidable ‘Swarm’, a masterclass in algorythmic synthesis that’ll slice your brain in half on first listen. A stuttering of buzz saw-styled synth tones sweep, stretch and pitch bend themselves in ways that would be almost impossible to achieve within a classic DAW.

Named after the Berardi book that inspired Forces, ‘Futurability’ takes things in a slightly softer direction. Reminiscent of early Tim Hecker releases (with an added cybernetic edge), ‘Futurability’ has a sedative yet uneasy tone to it, as if the song is reflecting the dual sense of concern that things should change in society but our helplessness to actually change them, especially in the ecological or economic arena.

A tale of two halves, ‘Soul at Work’ starts out as a blissfully serene piece of what you could describe as code-based shoegaze which is then chewed up and spat out by algorithmic distortion and disorientating glitches from the midway point onwards.

Forces ends Inertia on a more hopeful note with the David Graeber-sampling ‘Horizon of Possibility’. Unlike ‘Soul at Work’, the lush drone work is left intact on this arrangement - maybe signaling the potential existence of different structures that are more positive and robust for all.

With Inertia, Forces pushes his singular musical style even further, to more hyperbolic and emotive heights. Embracing the eccentric randomness of the SuperCollider software and working in concepts from contemporary theorists, this album is a mediation on the current moment created alongside technology that also feels hyper-relevant to today.

Inertia

Algorithmic Governance

The next powerful thirty minutes in our Powermix series are brought to you by Yova! Exquisite selection of tracks filled with raw kicks, both contemporary and classic.

NMNH POWERMIX 21: YOVA

escucho tu voz en el cementerio,
no tengo miedo
no tengo miedo
escucho tu voz en. cementerio,
no tengo miedo
no tengo miedooooooo.

tu eri mi dulce vampiro,
todas las cruces q veo me recuerdan a ti.

solo puedo sentirte únicamente en las sombras, y tu ataúd pareciera iluminar toda mi habitación.

tu cuerpo en las alturas,
esta flotando,
volando,
volando,
volando.

solo puedo sentirte únicamente en las sombras, y tu ataúd pareciera iluminar toda mi habitación.

la serpiente pronuncia tu nombre,
he tragado todo mi dolor,
ke rico el sabor de mi dolor.

mi dolor libera tu espíritu,
mi dolor libera tu espíritu,
diosito porfi kiereme,
kiereme,
kiereme,
Diosito porfi kiereme.
midolorlibera un fantasma.

oigo tu voz,
oigo tu voz,
sufriendo,
sufriendo,
sufriendo.

mis lágrimas limpian este corazón,
diosito porfa kiereme, 
tu eres mi dulce vampiro,
toda cruz q aparece me recuerda a ti.

te recuerdo
te recuerdo
te recuerdoterecuerdo
toda cruz q veo me recuerda a ti 
la serpiente pronuncia tu nombre 
y trago todo mi dolor
y amo su sabor
amo su saborrr
 tu eres mi dulce vamputo tu eres mi dulce vamputo tu eres mi dulce vamputo. 



ლ⁠(⁠◕⁠ω⁠◕⁠ლ⁠)🕯️vamputo 🕯️

gotikxuly