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An acapella 4-voice arrangement of Thiruppugazh number 100 
Lyrics here - http://www.kaumaram.com/pdfs/pdf_thiru/tppdT0100.pdf
Raga: Kalyani
Tala: Misra Chapu (7/4)

Vindhadhil Uri

Nenjinile Rebirth by MC Sai ,Chris G, Sahi Siva

Nenjinile Rebirth.mp3

Aavani_Ponnoonjaal_|_Kottaram_Veettile_Appoottan_|_Jayaram_|_Shruthi_|_Mamukkoya_|_Indrans_|_Jagathi

Achaneyaanenikkishtam

Salabham Vazhimarumo

Nothing Else Matters Violin Cover

KURT COBAIN WEEPS

A Sanskrit adaptation of Rains of Castamere that makes a connection between the historical arc of Kashmir in 1947 and the destruction of Castamere in the GRR Martin's Song of Ice and Fire

Lead vocals, backing vocals (tenor), arrangement, mixing, mastering: @krishashok
Flutes, Backing vocals (Bass): @indian_music_fan

Lyrics by SP Suresh (https://twitter.com/vajrabhrt)

अथ कस्त्वम् कुतो वन्द्यः ?
मानी प्रभुरवादीत् 
Who are you now, who deserves such respect (and obeisance)? 
So said the proud Lord 

उभावपि सिम्हौ रुचिरेव भिन्ना 
इदमेव तथ्यं जानामि
We are both lions, only the sheen is different! 
This is the truth that I know!

सुवर्णम् रक्तम् वा भवतु चर्म 
नखाः समाना एव! 
मम तु दीर्घास् तीव्राश्च  
त्वदीयेभ्यस् तीव्रतराः
Let the skin (sheath) be gold or red, 
the nails are similar! 
Mine are long and sharp  
Sharper than yours!  

इत्यवोचत् इत्यवोचत् 
काश्मीररजः  
So he said, so he said, the King of Kashmir

अद्य तु शून्या तत्सभा 
विलापवृश्टिस्तस्याम् 
Now his court is deserted 
And there is a rain of tears in it 


Rains Of Kashmir

Shoreline of Silence is a purely orchestral interlude, bridging the chaos of The Tempest with the grief-laden entrance of The Widow’s Oath. Lasting only a few minutes, it functions as both aftermath and anticipation: the sea’s fury collapses into hush, leaving the stage cleared for the widow’s voice.

The music begins storm-charged, with tremolo low strings, brass stabs, and timpani rolls evoking the final echoes of the gale. Surf-like 12/8 energy surges and falters, then gradually dissolves through a long decrescendo, textures thinning until only harp arpeggios, soft woodwinds, and string harmonics remain. Beneath it all, a slow heartbeat pulse suggests life persisting in the silence.

The intermezzo ends unresolved, in pianissimo, like the breath before a vow. The shoreline is quiet now, but its hush carries weight — the silence of loss, of memory, of fate unspoken. From this fragile stillness, the widow will rise.

Nothing Else Matters Violin Cover

Govind Menon

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