The most wonderfully fun thing I've heard in a while. The sounds and visuals are a treat.

Great track everything is carefully arranged with correct melodies & instruments SUPER played and production..just to enjoy..!!

The burning eternal question - do you love me?
Do you love me, you love me?
Well so do people who sell ice-cream
They'll say anything, they think I'd like to hear

Do yo love me like they do?

Hey girl, you better watch out
cos people care not for what you may
Though it's written on their faces
They hide behind sweet words

Anybody for ice-cream (or tennis)?
(a nod to @nic_nic_nic: Nic for tennis suggestion)

Live Studio recording, engineered by Darren Flynn
Drums Steve O'Keeffe (The Pale/BluesConfidential  www.bluesconfidential.com
https://soundcloud.com/bluesconfidential) 
Bernard Byrne (The Pale)
Lead vocals, BV, guitar, art by Suzanne Ledwith

Change of Address

Hey Ho

I have been tasked with choosing a monster and making a song for it. I chose the kraken. the result is both tense and playful, reminiscent of old video game boss battle music (at least that's what I was going for)

art by VM: https://pixabay.com/photos/fantasy-octopus-sea-eyes-3063727/

KRAKEN ATTACK!!!

"Up in the Gallery" (German: "Auf der Galerie") is a short piece of fiction written by Franz Kafka. It was created between November 1916 and February 1917 and published in the collection „Ein Landarzt“ (A Country Doctor) in 1919. The story offers two versions of a scene in which a young man watches a circus ringmaster and a woman on horseback. (Wikipedia)

The picture shows a section of: At The Circus Fernando, The Rider
by Henri Toulouse-Lautrec (1888)

Public domain translation by Ian Johnston (November 2003)                     


Up in the Gallery

If some frail tubercular lady circus rider 
were to be driven in circles around and around 
the arena for months and months 
without interruption 
in front of a tireless public 
on a swaying horse 
by a merciless whip-wielding 
master of ceremonies, 
spinning on the horse, 
throwing kisses and swaying at the waist, 
and if this performance, 
amid the incessant roar 
of the orchestra and the ventilators, 
were to continue into 
the ever-expanding, gray future, 
accompanied by applause, 
which died down and then swelled up again, 
from hands which were really steam hammers, 
perhaps then a young visitor to the gallery 
might rush down the long stair case 
through all the levels, 
burst into the ring, and cry “Stop!” 
through the fanfares 
of the constantly adjusting orchestra.


But since things are not like that,
(Since things are not like that…rep.)         

since a beautiful woman, in white and red, 
flies in through curtains 
which proud men in livery open in front of her, 
since the director, 
devotedly seeking her eyes, 
breathes in her direction, 
behaving like an animal, and, as a precaution, 
lifts her up on the dapple-gray horse, 
as if she were his grand daughter, 
the one he loved more 
than anything else,
as she starts a dangerous journey, 
but he cannot decide to give the signal with his whip 
and finally, 
controlling himself, gives it a crack, 
runs right beside the horse with his mouth open, 
follows the rider's leaps with a sharp gaze, 
hardly capable of comprehending her skill, 
tries to warn her by calling out in English, 
furiously castigating the grooms holding hoops, 
telling them to pay the most scrupulous attention, 
and begs the orchestra, with upraised arms,
to be quiet before the great jump, 
finally lifts the small woman down from the trembling horse, 
kisses her on both cheeks, 
considers no public tribute adequate, 
while she herself, leaning on him, 
high on the tips of her toes, 
with dust swirling around her, 
arms outstretched and head thrown back, 
wants to share her luck with the entire circus—
since this is how things are, 
the visitor to the gallery puts his face on the railing and, 
sinking into the final march as if into a difficult dream, weeps, 
without realizing it.  (rep.)

Up In The Gallery (Kafka, 1919)

somewhat out of my comfort zone but great fun to do. 
Listening in stereo is recommended, in mono if you like it straight up without the whoosh ;)

original track : https://soundcloud.com/user-649412648/heavenly-water-open-collab

Holy Shitshow - Heavenly Water - open collab [Gruppo Infernal version]

Reefs of Vibrating Chaos

Towards The Purple Disillusions Of Dawn

Glad everyone has enjoyed Netdiver, I hope you all enjoy the remix!
ORIGINAL HERE
https://soundcloud.com/d1g1tal-kn1ght/netdiver?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Nostromo [First Contact] (Netdiver Remix)

Super Magic

Returned

Campers  

My parents were campers, we wandered around
We washed in the river and slept on the ground
With a kerosine lantern to see by at night 
And aluminum cups full of Crystal Delight

They’re all gone forever after only awhile
To me it was not about nothing
It was more than a signature style

I gave him a hundred, which was all that I got
I fired her up and I drove off the lot
She was painted by hand, but tipping the scales
Was a sticker that showed my concern for the whales

She’s all gone forever after only awhile
To me she was not about nothing
She was more than a signature style

My mind is in order my soul is inspired
In robe and in sandals I’m simply attired
And I live in this place with these brothers of mine
Where we think, and we pray, and we fast all the time

Till we’re all gone forever after only awhile
To me it is not about nothing
It’s more than a signature style

Copyright Scott Culver Thomson

Campers

After a trip through the Mediterranean with the paramour of my life years ago... these lyrics emerged as an expression of gratitude and love. Yesterday those lyrics found home in this new original composition.

Forever thinking about you and the family we've made baby.

Thinkin' About You [Instrumental]

Some New Kind Of Kick (Cramps Cover)

Hi I'm salmon ><,'>

I make music sometimes. Usually on my computer with Ableton and whatever cheap VSTs I have on hand, but occasionally in real life too.

I like layered, colorful sounds, weird rhythms, chords with 6s and 7s in them, long ethereal pads, and keyboard solos that no one asked for. I dislike genres, deadlines, consistency, hustle culture, and SoundCloud bots. 

Feel free to message me any time if you'd like to collab, download any of my tracks, or if you just want to say hi!

Lots more unfinished music here, let me know if you'd like to do something with it: https://drive.google.com/drive/folders/1zFXUQzPwL8hEUQa_qjdfwk_OZEVHo-gb

KRAKEN ATTACK!!!

grand panoramic salmon cannon

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