Apparel Waxlist - Part 1

28 SELECTED 12 INCHED CLUB MIXES & Unearthed Sounds
DJ friendly edits to make them bang in major too slick disco goodness moodier than a room full of spliff-deprived junglists. 
Mixes that adjusts with a sly and sophisticated modern appeal on a crate dug selection of hard to touch classic, succeeding admirably. 
A complete or partial overhauls of the originals, extending intros and basslines before building up to peaks and then disappearing down synth holes and percussive detours before arriving at the vocals several miles down the line. 

Cut and paste, snip and shape, the original master of re-edits is back.

Weeks & Co. - Rock Your World (Uncle Jam 12 Inch Fix)@ The Music Factory

How Dare You

How Dare You (Atjazz Remix)

Charlie Mike Sierra - On The Moon

Gotta Have It

The release last autumn of Reel People’s first full studio album in 10 years was, it’s fair to say, a moment. Retroflection stylishly recreated soul, disco and boogie classics behind the collective’s formation nearly 20 years ago and exposed its rarefied DNA like never before. Now band leader Oli Lazarus widens the collective, inviting the world’s finest producers and remixers to add their funky splices to the Retroflection blueprint. Retroflection Remixed, featuring Mousse T., Osunlade, DJ Spinna, John Morales, Atjazz, Terry Hunter, Sebb Junior, Scott Diaz, Da Brownie, Tall Black Guy, Matt Cooper’s OUTSIDE, BusCrates and Art Of Tones, is a majestic rebooting of the soulful flow that swept us away in 2018.
	
Art Of Tones get’s his sparkly mitts on Don’t Stop The Music, swaggering synth ‘n’ bass riffs further underlining Angie Stone’s classy strut through Yarbrough & People’s 1980 hit, whilst Buscrates – true to the name of his remix – pumps irresistible funk bounce into I’m In Love, a truly lowdown re-skinning of Reel People’s Evelyn ‘Champagne’ King tribute where Navasha Daya’s vocal sounds sassier than ever.

Osunlade eases us in with an elegant re-interpretation of Reel People’s Pleasure cover Joyous, deep throbs of electronica and rippling percussion carrying loops of the vocal and that iconic sax solo to stunning new heights – or depths. Similarly, Atjazz dims the lights and intensifies the mood for his take on Twilight. Where Reel People played impressively close to Maze’s original, Atjazz treads to shuffling jazz drums, double-bass and piano. The build of parts is spine-tingling stuff. Matt Cooper and his outstanding OUTSIDE project also take on the mantle of Joyous, and serve us a full fat disco jazz funk odyssey.

There are a number of uptempo treats too. Take Sebb Junior’s snappy piano-house routine for the Mica Paris-fronted I Want To Thank You – a sparkling turbo-charge to Alicia Myers’ early Eighties gospel-R&B vibe – or NYC mix legend John Morales’ ecstatic nine-minute mirrorball twirl of Geraldine Hunt-anthem Can’t Fake The Feeling complete with epic drum and vocal (Daya once again) breakdowns. Respected UK house DJ-producer Scott Diaz gives the Sharlene Hector-led cover of Side Effect’s Always There greater guitar-licked urgency but without compromise to the song’s soulful poise and power, and revered Chicago veteran Terry Hunter is a match made in heaven for Tony Momrelle, who soars through the former’s soulfully-charged remix of Buttercup (Carl Anderson’s mid-Eighties, Stevie Wonder-penned gem) with all of its funky drums, b-line twists and warm musical arrangements. German maestro Mousse T. hands us a nostalgic rework of Teena Marie’s I Need Your Lovin’  featuring the female powerhouses Vulu Malinga, LaDonna Harley-Peters and Sharlene Hector.

Elsewhere, South African talent Da Brownie dresses Reel People’s peppy, Omar-fronted update of Skipworth & Turner treasure Thinking About Your Love in sharp, finely-detailed deep dance threads, and Detroit star Tall Black Guy (TBG) sprinkles considerable amounts of summer samba magic over Momrelle’s other Retroflection outing Can We Pretend - a stunning re-awakening of the Bill Withers and Jose Feliciano collabo for the second time in mere months. There’s room yet for DJ Spinna to expand the reaches of Keep It Up (Anthony David’s luscious rendition of Milton Wright’s deep-soul bomb) with another of his transcendental space-funk remixes. Mind-blowing.

Retroflection Remixed

Can We Pretend (Tall Black Guy Samba Remix)

Pre-Order

Reel People feat. Tony Momrelle - Can We Pretend (Tall Black Guy Samba Remix)

Two (Expanded Edition)

It's Like That

Harry Wolfman - Always 3 EP - Dirt Crew Recordings

Buy and Listen : https://ffm.to/dirt123

Track list:
A1 A Way You Come Home to Me Ft. Christian Crow 
A2 Step by Step
B1 Speaking Raman 
B2 Always 3
B3 Green Trees

Release : 16.03.2020

Release Info:
After his last release on Dirt Crew in 2017 we are more than delighted to bring back the talented Harry Wolfman. With impressive records on labels like Phonica, Omena, Outplay and Toy Tonics in the last years he has drawn up a fine new selection of music that spans across many genres and moods. This is also the first release for us in the new year after a lil break and it continues to explore the more eclectic approach we are following for a while now since the outings of artists like Dampé, S3A and Dan Only.

Harry presents an exciting opener for his new EP, together with vocalist Christian Crow he has made the blissful and breaks laden “poppy” good feel tune “A Way You Come Home to Me” that shines a bright light in these darker months. Followed by the deeper club tune “Step by Step”, building around yet another vocal recording. This time it’s Harry sampling his own voice and looping it into a repetitive piece of good feel House music.

We are getting deeper on the B side with “Speaking Raman”, one of these signature Harry tunes, a playful dusty lo-fi piece of music build around a piano theme and embedded in deep bass and driving beats, his sound trademark on all of these more floor orientated tracks on the EP. To close out the record we added two of his cinematic, ambient electronica works that we personally love so much. The haunting “Always 3” is a deep sphere that sucks you in a meditational and soothing womb of sounds. Ending with the electroid cut “Green Trees”, it’s broken and fragile and gives this indie-tronica track a warm and gentle touch.

We hope you enjoy these tunes and that they may be your soundtrack to the upcoming warmer months.

It's Like That

G.Q.

Related tracks