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Наталья Ветлицкая - Посмотри В Глаза (Gradient Logic 2021 Rework)

Natalia Vetlitskaya - Posmotri V Glaza (Gradient Logic 2021 Rework)

Flamboyant Shell EP

r.hitect - Assise

https://kir-sound.bandcamp.com/track/nikola-chen-porosh-q-kir-edit

@kir_sound

PREMIERE: Nikola Chen - Poroshēq (kir Edit)

Galope Messier - Vórtice Onírico (SPÆCIALISTA Remix)

BTTL STPPN Rx

Those disco specialists at To Rack & Ruin are back in business, kicking off their 2016 campaign with an absolute scorcher from Moscovite producer Phil Gerus. After making waves with a string of releases for the likes of Futureboogie and Sonar Kollektiv, Gerus arrives at the Mancunian edit institution in fine form, ready to take over the world with a quartet of fully loaded floor movers for all you dancing fools.



Going hard and heavy from the off, Phil introduces himself with the tumbling toms and zero gravity sequences of ‘Delicious Wishes’, a neon tinged reshape of an Angelic original. Working the loops and FX like a pro, the Russian sprinkles space dust all over this camp cosmic classic, packing a whole host of extra oomph in the warp drive! “Stop! Let’s Slow Down” follows hot on its heels, powering into the peak time in a shimmer of sequins as it supercharges a boogie vintage for the modern DJ. The finest floor shaking boogie reheat since Tiger & Woods last hit a hole in one, this is gonna raise the temperature at any party worth its salt.  

Over on the flip Phil turns his attention to Italo, setting pulses racing and feet stomping with the space age sound of “Bossy Lady”. Playing free and easy with the pitch control, the Moscow magician conjures up a space disco body mover complete with tripped out vocals, chunky guitar and nebulous synth lines. Sticking with the moods and grooves of the Mediterranean, Phil takes us home with a spaced out version of an all time Italo classic. Reworking the percussion and looping up that low slung baseline, our host supercharges the groove for modern club deployment, rounding off another essential release from your favourite edit imprint.

A1. PHIL GERUS - DELICIOUS WISHES

Terr -  Have you ever (Original version)

DEEWEE035 is out now. 
Buy the 12", or download here: https://awal.lnk.to/LazerBeam

Sworn Virgins are back with two club tracks titled ‘Lazer Beam’ and ‘Take Your Lady’.

From the green hills of Albania to the back rooms of New York City, Sworn Virgins bring the light. A stranger's hand on your shoulder, bright red painted fingernails scratching your thigh, all those beautiful things that made you leave that small town you came from. Greased up and ready to go, close your eyes and take it in.

Follow Sworn Virgins
www.instagram.com/swornvirgins89/
https://open.spotify.com/artist/5xA3zslV2KbUIZR5QsuNgw?si=-5sk5f2uTe6Ter0iOtMCbw

Lazer Beam

LAZER BEAM

With the ongoing political crisis in Russia, thousands arrested for standing by their rights to assembly and their rights to elect their representatives, this track is for the masses. No pasaran.
Renamed from 31st.

мероприятие незаконно (Original Mix)

Worthwhile albums tend to be as much about the process of making them as they are about the end products themselves. One can almost hear formal, technical, even philosophical questions being asked and answered on them in order to arrive at something personally and politically new for the artist. "A Box Full of Magic," at once sprawling, cosmic, and psychedelic in the best of ways, follows in this album-making tradition. It is a record steeped in off kilter percussive time, live recording, occasionally summer cloud-paced tempos, and lush, emotional, melodic instrumentation. "A Sunrise On the Front," the final track of the record (and a composition crushing in its beauty), encapsulates much of this: recorded live on a Rhodes, the melody gives voice to the paradoxical sense of hope even during the pathology of war. Such conceptual ambition fits perfectly well within the capacious vision of Mathew Jonson's Freedom Engine, a project whose very name seems to explore and allow for the conceptual paradox and complexity of approaching freedom through the engine of technology. In a fundamental sense this tension between freedom and machine informs much of the album proper. Desiring to break out of his old ways of production and the boxes that went with it, the album abounds with fresh fascinations in things like the sound of mathematical equations, quirky time signatures, and experimental phrasing through intuitive timings to unlock a sense of magic, play, and spontaneity. There is, likewise, an interest in the liberating potential of deconstructing old sounds to make new ones, as Jonson applies techniques like innovative noise gating on classic drum samples to create space age percussion. At other moments, on "The Very Strange," for instance, air itself is sampled in field recordings to create unnatural percussive patterns. As is often the case with Jonson's work, an encyclopedia of machines and synths are employed in the making of 'A Box Full of Magic," but what is perhaps new here, and in keeping with the dialectic he traces between freedom/engine, is that there is a non-mechanistic, spontaneous impulse at work in the recordings. While it is not a live album, it has an at times spiritual and organic inclination despite or perhaps because of the way his panoply of gear--Prophet 5, cs60, VCS3, et al--attempts to capture dream-like tonalities that can reach poetic heights on a track like the aforesaid "Sunrise" or morph into an almost diabolical, Lynchian dimension on "An Evil Charm (Where Is the Forest)." But while it is tempting to get lost in the trees of synth-arcana with Jonson's work, we should not lose sight of the forest here: With its openness to new ideas which in turn generate an album teeming with them, "Box Full of Magic" helps to expand the sonic vocabulary of contemporary dance music.

Mathew Jonson lives and works in Berlin. He has been experimenting with electronic music since 1986.

A Box Full Of Magic (DKMNTL070)

A Box Full Of Magic

From France to Mexico via China: Motel77 take us to rowdy roadside destinations we didn’t even know existed on their Duro EP debut: ‘Savage’

The title track gets the engine running. Buckle up and prepare for a sweltering ride as the Shanghai-based French duo follow up their past successes on La Dame Noir with four moody, heavy missions. It’s hot, it’s sweaty, it’s loaded it’s with big sweeping guitar blasts… It’s the sound of two men in full control of their machines. And it’s backed by three more dark disco treats…

‘Three On The Floor’ raises its third leg and slams it on the table in two very distinct ways: the original slugs into hypnotic existence, layer by trippy percussive layer, while Sascha Funke ups the tempo with his creepier, more technoid flavoured twist.

Finally we arrive at our destination; the epic waves of ‘It Is All Over’. At first it shimmers like a mirage, then slowly the ground opens out beneath and it sucks you up like a sinkhole. You think it’s all over?

It is now. Hotel, Motel77, summer holiday sin… Duro deliver once again.

Savage

Three On The Floor

Motel77 - Three On The Floor (Original Mix)

We are Gradient Logic, based in Saint Petersburg, Russia. We are Andrew and Ed and we mostly focus on house and disco music. 

We're open to any collabs and always ready to share some ol' good disco beats!

Natalia Vetlitskaya - Posmotri V Glaza (Gradient Logic 2021 Rework)

Gradient Logic

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