Changes

Cinematic feels over a house beat at 128bpm

128.1 Better Days

Defected

Paisaje electro

Will you hear now the Almighty Hanuman’s Tale:

Born of wind and fire, son of the tempest strong,
Kesari’s rage, Vayu’s breath—unleashed the primal force.
From skies unbroken, a warrior leapt—
Monkey king risen, a storm shall not contain.

By Almighty Hanuman’s Spite! — FIGHT!!!

Born to break chains and shatter dark,
Immortal wrath in lightning strike.

Across the ocean's burning black,
He flew with fury, city walls to crack.
Ashoka groves ablaze in his wake,
No fear beneath his scorching tail.

By Almighty Hanuman’s Spite! — FIGHT!!!

Ravana’s fire met Hanuman’s flame,
Tortured, yet unbroken—he danced in pain.

A message bearer, warrior fierce,
Defender of Sita with iron will versed.
When Lakshmana fell, wounded and cold,
Hanuman ripped the mountain; the cure he stole.

By Almighty Hanuman’s Spite! — FIGHT!!!

Seven-faced terror, Panchmukhi’s might,
Blowing out lamps to end the night.

No god nor demon dares defy,
This living force who strikes from sky.
Blood of the wind god, heart of fire,
Fury incarnate, born to inspire.

By Almighty Hanuman’s Spite! — FIGHT!!!

Tear open the chest, see Rama’s light,
Unyielding faith forged in endless fight.

Not just a soldier, a spirit made steel,
His immortal courage, your unbreakable seal.
So rise, take your place in the fray,
Channel his thunder, seize the day.

By Almighty Hanuman’s Spite! — FIGHT!!!

From myth to fire, from strength to soul,
By his power—take control!

MIGHTY HANUMAN

Buy Here

Between the Worlds

The Hidden

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It’s Tempting to Just Stop and Walk Off Stage
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music produced, mixed and provided by That's Bizzare - alla grande!
grazie mille, caro mio! explore That's Bizzare here @that-bizzare
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Artwork illustration by Peter Uertz, Düsseldorf / Germany
Thank you, Peter
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fusion of it all - fictionalive with the popoems series and the hyper media reports
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It’s Tempting to Just Stop and Walk Off Stage

awesome vocals by

https://soundcloud.com/dnag3

Dusk

A piano piece inspired by "Tales From the Loop" by Philip Glass and Paul Leonard-Morgan.

Debating whether to add a beat and other elements or leave it raw. Thoughts?

A Secret of Sleep

MidnightTerrace



[Verse 1]
So we on this line, again...
Can barely see what I’m writing’.
We typin’ things we shouldn’t do.
I know, I know, (I know)...
It’s just that I’m missin’ you.
(and you do too,i know)
Or maybe we just in for the thrill.
Oh man, this gon’ hurt for real.

[Verse 2]
You and I—been over for a while,
No third party, no drama, nor the mile.
Just wanted to see where we wanna be,
Got a lot of lust between you and me.
Let’s not settle—let’s do things separately.

[Pre-Chorus]
But since you’re pullin’ up at my crib this time, baby (ohh-ooh),
This liquor talkin’, tellin’ me that tonight—you’re all mine, honey.

Why we still playin’ this game?
Why are we still playin’ this game? (ohhh-ohh)

[Chorus]
Drunk text, drunk sex,
Drunk me, drunk you.
(Losing myself every time.)
Drunk tears, drunk fears,
(Losing ourselves every time.)

Room spins, heart bends, we are stuck in this loop.
Morning comes, we couldn’t stop.
Drunk text, drunk sex,
Drunk me, drunk you.
This ain’t love, just lust, just us high,
But I can’t leave, don’t know why.

[Verse 3]
Ohh-ohh, your whiskey kisses still burn.
Alcohol keeps callin’, we never learn.
We fight it so hard, then let go like fools,
Caught up again in our reckless rules.

[Verse 4]
We make promises of tonight (they never last).
We ain’t good-good, but we have trust.
We’re fine until we find someone new—
That’s what we always say—I know, I know (I know).

[Pre-Chorus]
But what am I gonna do? (When I miss you?)
What are you gonna do? (When you need me too)

[Chorus]
Drunk text, drunk sex,
Drunk me, drunk you.
(Losing myself every time.)
Drunk tears, drunk fears,
(Losing ourselves every time.)

Room spins, heart bends, we are stuck in this loop.
Morning comes, we couldn’t stop.
Drunk text, drunk sex,
Drunk me, drunk you.
This ain’t love, just lust-it’s just high baby,
But we can’t leave, don’t know why.

[Bridge]
One shot, now we’re back at this again.
No end to this mess we’re in.
(Drunk calls, drunk text...)
One shot, now we’re back at it again.
No end to this mess we’re in.
(Drunk sex, drunk tears...)

[Outro]
Drunk text, drunk tears—are we just fools?
Still addicted, just breakin’ rules.
Drunk sex—this is our chain.
Why are we still playin’ this game?
Why are we still playin’ this game? (ohhh-ohh)
What am I gonna do? (When I miss you?)
What are you gonna do? (When you need me too) ohhhh-ohhh ohh




Listen to Drunk Games (Edit) by ᭙ꪖꪶꪖꪗ on #SoundCloud
https://on.soundcloud.com/6nZNrXFb9UtUfe42L0

Drunk Games (Live)

Fighters is an epic cinematic work that transforms intensity, inner struggle, and the power of rising again into sound. The track begins with a dark foundation and gradually builds to monumental climaxes, carrying both hope and determination.

To create this atmosphere, I combined several orchestral libraries:

Spitfire Audio Abbey Road One – providing the orchestral foundation, recorded at the legendary Abbey Road Studios in London. Long notes, staccatos, and orchestral swells are featured here.

Spitfire Originals Epic Choir – with soprano and alto voices delivering long “Ahh” phrases that heighten the epic and hymn-like moments.

Spitfire LABS (BBC Symphony Orchestra) – delivering warm, soft viola layers that add emotional depth and a classical foundation.

EastWest Hollywood Orchestrator – bringing in powerful brass sections, driving percussion, and orchestral unison parts that push the track forward cinematically.

Each library contributes its own character:
The Abbey Road Strings add vastness and a majestic tone.
The Epic Choir creates spine-tingling moments, reaching beyond the fight into the spiritual.
The BBC violins & violas bring warmth and melancholy into the heart of the piece.
The Hollywood Orchestrator Brass & Percussion release raw, combative energy.

The result is a composition that feels like the soundtrack to an epic movie – a musical companion for battles fought both within and without. Fighters is not just a track, but an experience: dark, powerful, vulnerable, yet full of hope.

Fighters ist ein episch-cineastisches Werk, das die Intensität des Kampfes, die innere Zerrissenheit und die Kraft des Aufstehens in Klang verwandelt. Der Track beginnt mit einem düsteren Fundament und steigert sich stetig zu monumentalen Höhepunkten, die Hoffnung und Entschlossenheit gleichermaßen transportieren.

Um diese Atmosphäre zu erschaffen, habe ich verschiedene Orchester-Libraries kombiniert:

Spitfire Audio Abbey Road One – für die große orchestrale Basis, aufgenommen in den legendären Abbey Road Studios in London. Hier kommen vor allem die langen und staccato gespielten Streicher sowie die orchestralen Swells zum Einsatz.

Spitfire Originals Epic Choir – Sopran- und Altstimmen, die mit langgezogenen „Ahh“-Phrasen die epischen und hymnischen Passagen verstärken.

Spitfire LABS (BBC Symphony Orchestra) – für warme und weiche Violaklänge, die dem Track emotionale Tiefe und ein klassisches Fundament verleihen.

EastWest Hollywood Orchestrator – für kraftvolle Brass-Sektionen, markante Percussion-Elemente und orchestrale Unisono-Parts, die den Track filmisch vorantreiben.

Jede dieser Libraries trägt ihren eigenen Charakter bei:
Die Abbey Road Strings verleihen Weite und majestätische Klangräume.
Der Epic Choir schafft Gänsehaut-Momente, die über den Kampf hinaus in das Spirituelle reichen.
Die BBC Violinen & Violas bringen Wärme und Melancholie ins Zentrum des Stückes.
Die Hollywood Orchestrator Brass & Percussion setzen die kämpferische, rohe Energie frei.

So entsteht eine Komposition, die sich wie ein Soundtrack zu einem epischen Film anfühlt – ein musikalischer Begleiter für innere und äußere Schlachten. Fighters ist damit nicht nur ein Track, sondern ein Erlebnis: dunkel, mächtig, verletzlich und dennoch voller Hoffnung.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Fighters

Using Paul Revere's famous night-time ride alerting people of the coming of the red coats, Light The Lanterns serves as a contemporary warning to light the lanterns again, this time, for the enemy within the US Administration.
Smart people doing wrong always perplexes me.
Religious people supporting wrong raises concerns about faith claims of following truth.
Political parties  and governments oppressing people causes alarms to ring out.

Track 10 from the 2025 Album called Fringe, available at https://www.terrywigmore.com/wigmore-allen-gibbons

Light The Lanterns

V1
In a world that's confusing
When the Sheriffs are the bad guys
When the ones with the masks on
Are putting cuffs on the good guys
When the ones being locked up
May be the ones that we needed

Chorus
If you have a keen mind, then mind how you use it
If you've got a mean spirit, you don't have to use it/ abuse it


V2 
When they tax the poor ones,
And give it back to the rich ones
When the constitution becomes
the  whim of a convicted felon
Maybe it's time for Paul Revere 
to light the lantern ( to light the lanterns)

Chorus
If you have a keen mind, then mind how you use it
If you've got a mean spirit, you don't have to use it/ abuse it

How can something wrong, seem so right, for some 
Right for some (yeah yeah)yeah yeah
How can something wrong, seem so right, for some
Right for some 
Something wrong was right
Something wrong not right
Something wrong but right
Something

Wigmore: Lyrics, Vocals, Music, Production
Allen: Lyrics, Vocals, Guitars, Bass

Wigmore Allen Gibbons - Light The Lanterns

New Album:2552
Available to listen on SoundCloud now and to buy on Bandcamp from 10/10/2025

Dance/Electronic songwriter/producer from Lancaster, UK.

sugarstealer is also on:

IG: sugarstealer _music
Bandcamp
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Apple Music (and most other streaming services)

Changes

sugarstealer

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