recorded live @ Eglise des Dominicains Brussels, 6 june 2014

The New Baroque Times ensemble

G. F. Haendel. Sonata op2 n.5 (allegro)

BRANDEIS ENSEMBLE SHOWCASE (OCTOBER 26, 2014)

Featuring:

The Brandeis University

EARLY MUSIC GROUP
Prof. Sarah Mead, B.A., M.A., director

CHAMBER CHOIR
Prof. Sarah Mead, B.A., M.A., director

WIND ENSEMBLE
Prof. Thomas A. Souza, B.M., M.M., conductor

JAZZ ENSEMBLE
Prof. Bob Nieske, B.M., M.M., director
Guest Musician: Prof. Neal Hampton, B.M., M.M., piano

CHAMBER ORCHESTRA
Prof. Neal Hampton, B.M., M.M., conductor

UNIVERSITY CHORUS
Prof. Neal Louis Hampton, B.M., M.M., conductor
Seunghee Lee, B.M., M.M., Ph.D., piano


BRANDEIS EARLY MUSIC GROUP

JOHANNES ECCARD (1553 – 1611)
1. Der Hellig Geist von Himmel kam – Hallelujah (à 4) – KIANA JANE KHOZEIN (alto), DANIEL WERL (tenor), SCOTT KLUGER (baritone)

JACQUET DE MANTUA (1483 – 1559)
2. Alleluia resurrexit Dominus (1538)

ECCARD
3. Der Hellig Geist von Himmel kam – Hallelujah (à 6) – KIANA JANE KHOZEIN (alto), DANIEL WERL (tenor), SCOTT KLUGER (baritone)


BRANDEIS CHAMBER CHOIR:

WILLIAM BOYCE (1711 – 1779)
4. Alleluia (Canon)

RANDALL THOMPSON (1899 – 1984)
5. Alleluia (1940)

ANONYMOUS • Arrangement: Alice Parker (1925 –)
6. Hark I hear the harps eternal


BRANDEIS WIND ENSEMBLE:

MANUEL M. CANITO (? –)
7. The Bicentennial of America March (1976)

HIROSE HAYATO (1974 –): Norman Rockwell Suite (2005)
8. II. Shuffleton’s Barbershop / III. Christmas Homecoming


BRANDEIS JAZZ ENSEMBLE:

BILLY STRAYHORN (1915 – 1967)
9. Take the “A” Train (1939)

EDVARD HAGERUP GRIEG (1843 – 1907) • Arrangement: Strayhorn
10. Peer Gynt Suite, Op. 23 (1867), Act IV – 5. Anitra’s Dance


BRANDEIS CHAMBER ORCHESTRA:

JEAN SIBELIUS (1865 – 1957)
11. Andante Festivo (1938)

JOHANN SEBASTIAN BACH (1685 – 1750):
Concerto in D-minor for Two Violins & Orchestra, BWV. 1043 (1717 – 1723)
12. I. (Vivace)


BRANDEIS UNIVERSITY CHORUS:

FRANZ JOSEPH HAYDN (1732 – 1809):
Missa in augustiis (“Lord Nelson Mass”), Hob. XXII:11 (1798)
13. V. Credo in unum Deum
14. VI. Et incarnatus est – ADINA SHAPIRO (soprano), TAMAR FORMAN-GEJROT (alto), CHARLES MADISON (tenor), STEPHEN HOFFMAN (bass)

15. VII. Et resurrexit – ELENA GLEN, soprano

Performed live at the Recital Hall of the Slosberg Music Center at Brandeis University, Sunday, October 26, 2014. Remastered by Ben Poser (@benjamin-poser).

Bach: Concerto in D-minor for Two Violins & Orchestra, BWV. 1043 (1717 – 1723) – I. (Vivace)

Diego Modena & Jean Philippe Audin - Implora (Flute, Violin)

This double-cycle work is the living scripture of Oblige — a continuous journey through mourning, memory, forgiveness, and union.
The album begins in the humid streets of New Orleans, where the dead are carried by brass and rhythm, and ends in a private universe where two bodies merge into one breath — heaven not as a place, but as perfect sync.

It’s both a funeral and a birth, a sermon and a confession.
Every track evolves sonically, emotionally, and spiritually — moving from earthly brass and drum to industrial gospel storms to chamber intimacy and, finally, into silence glowing with life.

Nothing repeats.
Each song transforms what came before — the tuba becomes thunder, the thunder becomes breath, and the breath becomes love.

Between Breath and Life

In the Enchanted Garden

Another Realm

This is another performance I gave at the 2011 Showcase Lamont event. 

Sarasate: Navarra for Two Violins

Somewhere Out There

Chopin Polonaise in A major op40-1 Terhi Dostal

Thanks for listening!
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Diego Modena & Jean Philippe Audin - Implora (Flute, Violin)

graha-fibreglass

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