observe

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Shatta Wale - Eye Red (Audio Slide)

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Shatta Wale x Ara-b - Hmmm Chale (Audio slide)

Tartit - Ansari

Bastero Ft Larruso,LinkUp Mixed By Fita

"Celestial" meditation music with Solfeggio healing frequencies (DNA repair 528 Hz and Awakening Intuition 741 Hz)

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photo by Luzie1973 (CC0 Public Domain)
https://pixabay.com/en/angel-faith-ho...
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This audio uses binaural beats and an isochronic tone. (Alpha and Theta waves)

Binaural beats - 528 Hz (DNA repair)
Isochronic tone - 741 Hz (Awakening Intuition)
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© 2016. Lights of Venus Entertainment. All Rights Reserved.

Angelic Prayers

Celestial Meditation Music / 528 Hz & 741 Hz / Angelic Prayers (3 min version)

Africa Centre of The World

Fela Kuti & Roy Ayers - Africa center of the world

SHATTA WALE - NEIGHBOURHOOD HERO..PROD. BY SHAWERS .. MS..BY..DAMAKER.mp3

King Teacher - Wanah(WHO) Ft. GunShot - Produced by StarBoy Beat. Distributed by Dancehall Global Trend Worldwide
#DeArkEmpire

KingTeacher - Wanah(WHO) Ft. GunShot (Prod By StarBOYbeat)June 2018

just as he promised, Shatta wale releases the Ghana Be Village jam he premiered live on facebook. he promised he was gonna drop it ahead of his Germany concert this weekend and finally here we have it. production credit goes to MogBeatz. stream and download below. Enjoy below

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Ghana Be Village

Shatta Wale – Ghana Be Village (Prod. by MOG Beatz) YKMmdia.com

Medi Wo

Beatzhynex - Medi Wo - ft - Rudebwoy Ranking - Larruso - Sasco - prod - Beatzhynex

Shatta Wale ft. Medikal – Packaging (Prod. By ChenseeBeats)

Shatta wale - Dem posses (Prod by Paq & Da Maker)

END TIME PT2 -- forgive and forget--

Artists: Fela Kuti & Roy Ayers
Remixed by: Nimbus
Production credit: Hersh Patel (@hershp)
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Roy Ayers met Fela Kuti in Nigeria in 1979. They collaborated on a two-song project called "Music of Many Colors", leaning heavily into the ideas of pan-Africanism and Afro-futurism. It was a truly awesome and historic coming together of two legendary musical geniuses.
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The project came at a rare moment of optimism in Nigerian politics: the dictatorship had ended and Nigeria’s first democratic elections were held. This helps explain why the LP represents a clear shift from Fela's traditional use of music as a weapon, and rather puts forth a message of positivity and optimism. In the track "2000 Blacks Got To Be Free," they make a bold and optimistic prediction that the world would improve significantly for Black people by the year 2000. The track begins with the vocals of Ayers, as he sets the tone for the project: “We’re hoping that by the year 2000; we know that by the year 2000, that’s even better, everybody will be knowledgeable.”
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Four decades have passed since Fela Kuti and Roy Ayers put forth this optimistic vision, and, this very day, masses of protestors are denouncing police brutality and demanding racial justice for Black people. Dishearteningly, we are far off from Roy and Fela's prediction in 1980. It can be demoralizing to compare the future that Fela and Roy envisioned with the reality that we’re living in today, in 2020.
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Despite this hard truth, I don't believe this track was ever about accurately predicting the future. I think it was meant to teach us that positivity, unity, and togetherness is what will get us to a brighter future. In 2020, this message is relevant now more than ever, and, though we know the road will be long, Roy and Fela remind us that we must always look optimistically to the light at the end of the tunnel, however faint it may look from where we stand.

Fela Kuti and Roy Ayers - 2000 Blacks Got To Be Free (Nimbus Remix)

SUPERSTAR .....EVERYBODY IS TALKING ABOUT ME

Shatta wale feat. Mr.Logic [Mi na respec]

The mysterious afro-soul of The Shaolin Afronauts first echoed across the dance floors of Australia in early 2008. Heavily inspired by the sounds of 1970's West Africa, Ethiopia and the pioneering avant-garde jazz artists of the same period, the Shaolin Afronauts draw on the this highly innovative and sometimes volatile era in music, using it as inspiration to create music with the same fire and intensity. 

Though there is something refreshing and original about the Afronauts, their music could be described as somewhere in between the heavy Afrobeat of Fela Kuti and the Ethio-Jazz of Mulatu Astatke. 

This debut 12 inch single combines all these elements, Journey Through Time having a hypnotic, spiritual feel, whilst the B side Kibo is totally exclusive to this 12 inch single, and is an upbeat positive groove, both tracks only hinting at the delights the forthcoming album Flight Of The Ancients (FSRCD/LP085) will contain.



END TIME PT2 -- forgive and forget--

Graham D

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