This Is Moby

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Almost Home':

“One thing that makes L.A. great is you live in your cars, so you listen to a lot of radio; there, public radio stations like KXLU and KCRW are actually valid, big stations that people listen to. One day, I was listening to ‘Morning Becomes Eclectic’ on KCRW, and I heard a Damien Jurado song. I simply fell in love with his voice – this most beautiful, vulnerable, pristine, angelic voice. Originally ‘Almost Home’ was a fully finished song, but I love Damien’s approach to melody and lyrics, so I gave it to him as an instrumental. What he did was much better than anything I’d come up with.”


Innocents

Almost Home (feat. Damien Jurado)

Buy on iTunes

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'The Last Day':

“Spike had become friends with Skyler Grey a few years ago. When I first started working on the record, we were coming up with list of possible collaborators, and her name came up. Skyler just has a remarkable gift for lyrics and melody, and her voice has such a distinctive, beautiful quality. 

For ‘The Last Day,’ we collaborated on the lyrics and the performance: I wanted the vocal to have this specific, delicate vulnerability to it. The last thing I did to this song was add six tracks of Sonic Youth/Glenn Branca-style feedback: I put in earplugs, did open tunings on some guitars, put them through two distortion pedals into the amp, and just recorded track after track of feedback to create this weird subsonic wash. In it, the loud feedback is mixed really quiet, which gives the song a kind of atmospheric space the song wouldn’t have otherwise.”

The Last Day (feat. Skylar Grey)

Moby - Honey - Break.

Moby- Natural Blues

Classic Moby track, taken from his sixth studio album '18'. 

The track was featured as the theme music for all three of the Bourne films in various versions.

Watch the original music video here: http://www.moby.com/videos/18/extreme-ways

Extreme Ways

Taken from 'Play & Play: The B Sides'

Listen, download and pre-order the vinyl reissue here: http://moby.la/playbsidesSo

Play & Play: The B Sides

Flower

Moby - Bodyrock (Speed x1,1)

Destroyed

Lie Down In Darkness

This is an official rework we have made for Activision for the new James Bond game GoldenEye 007. 
Check out the launch trailer including our version here:
http://www.youtube.com/watch?v=Vd8jr1FbpxY&feature=youtu.be&t=25s

Camo & Krooked - James Bond Theme (OFFICIAL REWORK)

moby - god moving over the face of the waters

Read more:
http://dancingastronaut.com/2016/11/da-premiere-moby-heart-feel-bad-enrico-sangiuliano-remix/

Premiere: Moby - Why Does My Heart Feel So Bad (Enrico Sangiuliano Remix)

One of These Mornings

We Are All Made of Stars

Hotel

Lift Me Up

Slipping Away

Mere Anarchy

Mere Anarchy (Edit)

This Wild Darkness (Edit)

Moby -  Go

Moby - Porcelain

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'A Case For Shame':

“I had this idea to make a video for ‘A Case For Shame’ which actually ended up informing the entire visual scheme of Innocents. In the video, someone dies – maybe they killed themselves out of a sense of shame – and they enter this other world, populated by these ghost creatures wearing masks. They look scary, but they’re actually covering their face because they’re ashamed. When you see someone wearing a scary mask, the first thought is, “What’s going on? That’s intimidating.” But they’re actually hiding – it’s the most blatant act of concealing oneself. ‘A Case For Shame” is one of two songs I collaborated on with Cold Specks. She’s quite shy, and preferred to be left alone in the studio, so I’d hit ‘record,’ go have some tea, then come back in and press ‘stop.’”


This Is Moby

Graham Osborne