Not sharp enough??? dude come on….such style in this

A steady flow of sounds, some steady and smooth, some rough and rapid, all connected, leading from and to the same place.

This is an old mix, pulled from the archives (2010), never before posted as I felt it wasn't as sharp as it could be. Better out then in though ;).

I played this set at the final year of One Fest. It was a good night indeed -> http://www.youtube.com/watch?v=Jof1elDihSM

Soul Creek | One Fest 2010 | Download

T.F.Y. [Out On RGR #18]

Dj Inko - A Donde Vayas EP
Cover Design: Georgia Harizani - https://instagram.com/g.illustrated // https://facebook.com/georgiaillustrated
Mastering: Dj Inko
Stay tuned here for updates: https://facebook.com/deejayinko
Alternative free download via Cassette Blog (Mexico): http://cassetteblog.com/2017/06/dj-inko-donde-vayas-ep-pablo-borchi-exclusivos-cassette/

El Sexteto Miramar - Cumbiamba (Dj Inko Remix) [Free D/L]

The song "Baai" from Emmanuel Jal & Abder Gadir Salim about the end of an appalling war instantly got my attention when i heard it watching one of my favourite movies "Blood Diamond".

This is my edit of it, hope you dig.

Download (bandcamp):
https://haugli.bandcamp.com/track/emmanuel-jal-baai-haugli-edit
Artwork:
http://clipartix.com/peace-sign-clip-art-image-34510/

Download

Emmanuel Jal ft. Abdel Gadir Salim - Baai (Haugli edit)

I wrote this song about the passage of time, one of my favorite mysteries of the universe.. Beats and production provided by the fabulous Neil Timothy Johnson, a.k.a. Ecology of Sound.

Illuminus - HQ

In Time

I wrote this song about the importance of living every moment of your life as fully as you can, because life is short. Beats and production for this track all taken care of by the wonderfully talented producer/DJ Ecology of Sound.

Before I Die

light and funky to dance to. I curated this set while in NYC. Peace & Love

Straight Out The Jungle

clip of Editorial WAX 26 - Ed Wizard & Disco Double - "Funk Wit Me"

Buy the Wax*

Ed Wizard & Disco Double Dee - Dat Funk  - Record Store Day 2019 *

I wrote this song about love, loss and letting go. This track was created and produced over the winter season of 2018 by my amazing friend and excellent music producer Jala Zura.

Skipping Stones

Burn On - Cleo & Driem (Unfinished)

C๏sʍ๏tune ★ 4 - @ackssek
Beken - Kote'w Te Ye (Jack Essek Edit)
Release date: July 23 | 2019
Label: @cosmovisionrecords
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We are really happy to welcome our good friend @ackssek for our playlist : " Cosmotunes". He made a beautiful edit of "Kote'w Te Ye  " by the haitian artist Beken.
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About @ackssek
Jack essek is a musician and producer from the electronic wave, he particularly appreciates the mix of different cultures he has obtained during his travels across the planet, he invites you to travel in his world where the rhythms of the whole world mix.
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About Beken :
" The Haitian singer Beken, whose government name is Jean Prosper Dauphin1, was discovered in 2010, on the streets of earthquake-wracked Port-au-Prince.  Photographer Simon Romero caught a snatch of one his songs through the window and (without understanding the Kreyol in which Beken sings) thought its artful melancholy captured the post-catastrophe mood.  Eventually Romero found the singer himself in a camp of displaced persons on the Place Saint Pierre in Pétionville—suffering, like most the capital’s population, from grief, shock, and dire deprivation.  Still, Beken’s spirit was strong, and so was his voice.  When Thirty Tigers producers Chris Donohue and David Macias heard the short clips of his singing in a slide show Romero had produced for the New York Times website, they were inspired to find a way to make the album now in your hands.
Beken was born in Port-au-Prince in 1956.  When he was twelve he lost a leg in a car accident.  In Haiti a cripple without means is condemned to the life of a malere—one of the permanently wretched of the earth.  
Beken’s father used to sing regularly for a peasant organization.  Soon after the loss of his leg, Beken picked up a guitar and began to get into Haitian music.  “I’ve had this wooden guitar a long time,” Beken sings in “Kote’w Te Ye.”  At some point the instrument became his meal ticket.  His music falls in Haiti’s twoubadou tradition; like most European cultural phenomena, the model of the troubadour has not passed through Haiti without transformation.  Some twoubadou recycle international pop music into a Haitian idiom, others become such stinging political gadflies that they risk assassination; one of the latter, Manno Charlemagne, became mayor of Port-au-Prince on the strength of the acerbic political commentary presented in his songs.  
Beken’s political material is less controversial, and his lyrics tend to be far less personal than those of a First World singer-songwriter.  Another role of the twoubadou is to reflect the listeners’ own feeling back, and Beken really excels at that.  Everything in Haiti is shared, and for all Beken’s lifetime there has been plenty of suffering to go round.  My suffering is also yours, his songs propose, and my dream of a better life is yours as much as mine.
This message, in Beken’s gently mournful phrasing, has won the singer a few cycles of success, especially in the 1980s when he was able to tour the United States.  But in the Haitian music world (where pirating was endemic for decades before digital recording made it inevitable) popularity and prosperity are not the same thing.  Beken’s old records are sold all over the capital, but not for his benefit.  Thanks to profoundly anti-Haitian U.S. immigration policy, Thirty Tigers’ efforts (since 2013!) to bring him to this country have failed.  So Beken, wherever he is today, is probably still singing for his supper.  “I don’t need anything—nothing!” he has said.  “Just a guitar, a bottle, and some old pen, and I am going to sing a lot.  Beken has a lot of things in his head that he has not yet sung.”  -  Madison Smartt Bell

<a href='https://theartistunion.com/tracks/12e8a4'>Download for free on The Artist Union</a>

Soul Creek | One Fest 2010 | Download

Grandpa Phunk

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