WEITERHÖREN 01

No Return point

I’m always on the hunt for vintage, psychedelic tracks.
This one — if I had to put it into words — carries a faint trace of the ‘80s. But it’s not about nostalgia.
It’s rooted in my love for dub, layered over breakbeats with a post-rock spirit, and driven by a sharp electronic edge.

It’s like New Order suddenly crashing into a session, and the Bristol crew getting into a brawl right then and there.
Chaotic, yes — but a chaos with intent. Noise with direction.

My music is instrumental. I don’t use vocals.
That doesn’t mean I don’t respect them — on the contrary, I hold vocalists and lyricists in the highest regard.
But the story I want to tell doesn’t need words.
I speak through melodies, I scream through beats, and I question through silence.
That’s my form of storytelling.

I know this track might not be easy to grasp right away.
But if you’re into krautrock, post-rock, alternative, hip-hop, IDM, or experimental electronic music —
you just might find something in it that resonates with you.

I’m Japanese.
And I believe there’s something compelling about how a Japanese mind interprets psychedelic sound.
Maybe not as wildly unhinged as Damo Suzuki’s work with Can,
but this is my own vision of a sonic trip — one that’s more grounded, yet still deeply exploratory.

The result is this track,
ironically named — Classy Slang.

If you give it a listen, I’d be honored.
Come take a journey through my world, told entirely through sound.

The shadow of UK new wave, the depth of roots dub.
Guitar filtered through Tommy Guerrero, broken beats from IDM.
The origin: hip-hop. The destination: undefined.

Progressing like post-rock, sinking into lo-fi.
A quiet homage to New Order, Boards of Canada, and Madlib.


#newwave #postrock #psychedelic #hiphop #idm  
#electronic #dub #rootsdub #lofi #experimental #instrumental #ambient

Classy Slang

never ended

Tim tam tim tam.instr

WHAT  A  WORLD

ervprib

Fugue III - All That We Desire

Walking down 7th Avenue on October 28th 2023, around 6 pm. Even though it's autumn, the temperature is high. It feels like summer. It's very humid and the street is crowded.
My phone (tucked in my pocket) starts to record on its own when I reach Times Square. 

The resulting one and a half minute long recording is the material for this particular soundscape, which I think captures the eeriness and the uncanny feeling I had that day. All sounds were processed on a Roland SP-404A sampler and recorded live to a stereo track. More soundscapes from various locations: https://isakanderssen.bandcamp.com/album/there-are-places-i-remember-2

New York City

Blin

mechanized representative

Interval #8

Vielleicht...  

Polish every scribble?  Bag that;  dump 'em out and see what you got later.  

Yah?

Dunkler Blau (F)

Somewhere, at 14 MHz, …

Ambient version: https://soundcloud.com/winterer/14mhz

14MHz (Disco Remix)

Prélude « Zéphyr » to my young cat
Recorded and composed on August 19, 2019 (Piano Steinway)
Franck Douvin © Piano Recordings 2019

Prélude « Zéphyr »

There is nothing in the world more helpless and irresponsible and depraved than a man in the depths of an ether binge.

Experiments In Myalgia I

mir ham se auf den kopf getrommelt doch ich hab nicht hingehört......nocturne

Zerebprellion   (cutout double layer improvisation)

Australo-Kiwigian ElectroPhobia.

Whether Abstract or Ambient, beat driven or beatless, in song form or formless, whether featuring synths and samples or bass and guitar; I am attempting to produce Landscapes of Sound.

PS
I am no longer posting a track a day for 365 days; but you can visit the completed Blog plus follow occasional Music Diary posts at www.trackaday.net

Curly Compositions from a German Composer.

Interval #8

Grant Basma Horsnell

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