Dazed (Foam And Sand Remix)

.idk where my head is at.

Ashes in the Dawn (Beth)
lyrics by Beth & ChatGPT
image & music by Suno AI

Ashes in the Dawn (Beth)

I’ve carried shadows in my hands 
They slip away like foreign sand 
A quiet echo, almost kind 
But leaves its fingerprints behind

Ashes in the dawn, 
No one to belong 
I whisper just to breathe, 
The silence carries me

The window hums with sleepless rain 
A song of loss, a soft refrain 
I close my eyes, the world is thin 
The weight of love still folded in

Ashes in the dawn, 
No one to belong 
I whisper just to breathe, 
The silence carries me

And if I break, 
Let it be slow 
A gentle fall, 
A way to go

Ashes in the dawn… 
I am not gone 
Ashes in the dawn… 
I am not gone


Ashes in the Dawn (Beth)

Meet me in Montauk (circa survive)

Streamer

Kakonita

The All Is One

The Same Old Rock (One Must Imagine Sisyphus Happy)

Branches of the Tree

Dutch composer Rutger Hoedemaekers makes his debut solo release with a stunning album that marks the culmination of a decade spent in the hyper-creative studio environment he co-founded in Berlin, including four years working closely alongside Jóhann Jóhannsson. Sonically rich, emotionally deep, and immaculately handled, 'The Age Of Oddities’ showcases a brilliant new talent, its cinematic eloquence bearing witness to Rutger’s experiences composing for film alongside Oscar-winner Hildur Guðnadóttir and Jóhannsson, for whom the album is partly a eulogy.

Whilst paying homage to Jóhannsson, ‘The Age Of Oddities’ sees Hoedemaekers forging his own sound and vision. It’s a bold and forward-thinking record, with a rich, hybrid sound seeing vocals processed and blurred alongside brass parts and a wall of strings shadowed by Rutger’s understated, textural electronics. Beautifully scored, immaculately performed and recorded, the album utilises the power of Budapest Art Orchestra’s 23-piece string ensemble conducted and co-orchestrated by Viktor Orri Árnason, alongside vocals (Kira Kira, Theatre of Voices’ Else Torp and Laura Jansen), horn (Morris Kliphuis), trombone (Hilary Jeffery) and violin (Una Sveinbjarnardóttir and Viktor Orri Árnason), with Hoedemaekers contributing trumpet, piano, keyboard and electronics.

Born out of a shared creative environment during a time of personal as well as social change, ‘The Age Of Oddities’ is a powerful and emotive work that closes a deeply productive yet also dark and heavy period for its creator.  It sees Hoedemaekers finally stepping out into the spotlight after many years working behind the scenes, revealing a hugely talented new composer who is surely one to watch in coming years.

The Age Of Oddities

pre-order

Rutger Hoedemaekers - Not For That Hour, Nor For That Place

This is the opening track to our upcoming release from Australia based, Argentinian composer, Francisco Sonur...entitled, "Morning Trials". This gentle excursion into the heart and mind of a man, his family, and their impending intention to travel the world will be available physically and digitally this coming Friday morning, February 5th. Here is a first listen to his wonderful album...

Morning Trials

Francisco Sonur, "Morning Trials"    ....Hazel

Liam Mour - Dreaming Of A Better Place

Composed, Produced, Mixed by Liam Mour
Mastered by Zino Mikorey

© ℗ 2021 Ode To Youth

www.odetoyouth.net
www.odetoyouth.bandcamp.com
www.instagram.com/liammour_

contact: info@odetoyouth.net

Dreaming Of A Better Place

Recorded & Produced by Egopusher
Mixed by Jan Wagner
Mastered by Dan Suter

Artwork by Bahar Büyükkavir

© + ℗ Quiet Love Records

www.egopusher.com
www.quietloverecords.com

Imitation

Grasscut are award winning composer/producer Andrew Phillips and musician/manager Marcus O'Dair. Phillips writes and produces Grasscut's music, sings, and plays various instruments. O’Dair manages the act and contributes keyboards and double bass. They are based in Brighton, England.

Branches of the Tree

Grasscut

Related tracks