I came for the Doom image, I stayed for the music.

“Amityville Frenzy” Lalo Schifrin
“Who’s gonna save my soul” Gnarls Barkley
“Lullaby” Magnet
“Meet ze monsta [demo]” PJ Harvey
“Monster people” Mother’s Finest
“Werewolf and witchbreath” The Troll
“Come-on-a-my-house” Della Reese
“Witch queen of New Orleans” Ervinna & The Stylers
“Golimaar” Chiranjeevi
“Monster men” Iggy Pop
“Curse of Millhaven” Nick Cave and the Bad Seeds
“Zombie” Fela Kuti
“Magic and ecstasy” Ennio Morricone
“F.V.K.” Bad Brains
“Wino dealing with Dracula” Richard Pryor
“Dracula’s tango” Toto Coelo
“The vampire” Eddy Detroit
“Dracula’s wedding” Outkast
“Fresh blood” Eels
“Spooky” Dusty Springfield
“Ketch vampire” Devon Irons
“Evil *” Julius Eastman
“I’m shakin’” Little Willie John 
“Rockin’ bones” Ronnie Dawson
“Watusi zombie” Jan Davis
“Scream (It’s eating me alive)” Grand Theft
“Evil” Mercyful Fate
“Am I evil” Diamond Head
“Medusa” Marsha Hunt’s 22
“Thriller” Michael Jackson
“The devil is a charmer” Locobeach
“I think of demons” Roky Erickson
“Werewolf” The Frantics
“Freakenstein” ??
“That beat’s got the devil in it” Lenin Guess
“Frankenstein” Chuck Osbourne
“Night of fear” Ngozi Family
“Guest house” Bappi Lahiri and Preeti Sagar
“Soul Dracula” Don
“Diary of a madman” Gravediggaz
“Devil’s son” Big L
“(If you see a devil) smash him” Melvin Van Peebles
“The shape hunts Allyson” John Carpenter, Cody Carpenter & Daniel Davies
“Suspiria” Goblin
“The Brotherhood of Satan” Jaime Mendoza-Nava
“Blood of the thing” Sam Waymon
“In the air tonight” Sons of Perdition
“Gonna creep up on you” Thin Lizzy
“I hear voices” Screaming’ Jay Hawkins
“Grave yard creep” James Duhon
“Halloween” Dead Kennedys
“Fresh flesh” Fear
“(Do the manic) To kill or maim, honey!” The Chosen Few
“Halloween night” The Freeze
“Disco devil” Lee “Scratch” Perry 
“Darkest night on a wet looking road” Keith Hudson
“Withered hand of evil” Uncle Acid & The Deadbeats
“Mummy dust” Ghost
“Date with a vampyre” Screaming Tribesmen
“Scream” Ralph Nielsen & the Chancellors
“Devil do” Holly Golightly & The Brokeoffs
“Crackled witch” Alvarius B.
“Witchcraft” The Temptations
“Mojo Hannah” Betty Harris
“Evil ways” Wille Bobo
“He of cloven hoof” Those Poor Bastards
“Ghost town” The Specials
“Ghost buster” Early B
“Dracula, prince of darkness” King Horror
“Me and the devil” Gil Scott Heron
“The beast in me” Johnny Cash

Slasher Dance Party (Ms. 45)

𝐒𝐏𝐎𝐓𝐈𝐅𝐘 : https://open.spotify.com/track/2YpthiI1hzaumI9DyzN6qf?si=f1c1e1fad8ec4bfe
keeping it up since you guys likes it 
I’ll do more phonk✨

♥FREE WAV.♥

89's

Ickes Struggle

In the mid-1970s, a force of nature swept across the continental United States, cutting across all strata of race and class, rooting in our minds, our homes, our culture. It wasn’t The Exorcist, Goodbye Yellow Brick Road, or even bell-bottoms, but instead a book called The Secret Life of Plants. The work of occultist/former OSS agent Peter Tompkins and former CIA agent/dowsing enthusiast Christopher Bird, the books shot up the bestseller charts and spread like kudzu across the landscape, becoming a phenomenon. Seemingly overnight, the indoor plant business was in full bloom and photosynthetic eukaryotes of every genus were hanging off walls, lording over bookshelves, and basking on sunny window ledges. The science behind Secret Life was specious: plants can hear our prayers, they’re lie detectors, they’re telepathic, able to predict natural disasters and receive signals from distant galaxies. But that didn’t stop millions from buying and nurturing their new plants.

Perhaps the craziest claim of the book was that plants also dug music. And whether you purchased a snake plant, asparagus fern, peace lily, or what have you from Mother Earth on Melrose Avenue in Los Angeles (or bought a Simmons mattress from Sears), you also took home Plantasia, an album recorded especially for them. Subtitled “warm earth music for plants…and the people that love them,” it was full of bucolic, charming, stoner-friendly, decidedly unscientific tunes enacted on the new-fangled device called the Moog. Plants date back from the dawn of time, but apparently they loved the Moog, never mind that the synthesizer had been on the market for just a few years. Most of all, the plants loved the ditties made by composer Mort Garson.

Few characters in early electronic music can be both fearless pioneers and cheesy trend-chasers, but Garson embraced both extremes, and has been unheralded as a result. When one writer rhetorically asked: “How was Garson’s music so ubiquitous while the man remained so under the radar?” the answer was simple. Well before Brian Eno did it, Garson was making discreet music, both the man and his music as inconspicuous as a Chlorophytum comosum. Julliard-educated and active as a session player in the post-war era, Garson wrote lounge hits, scored plush arrangements for Doris Day, and garlanded weeping countrypolitan strings around Glen Campbell’s “By the Time I Get to Phoenix.” He could render the Beatles and Simon & Garfunkel alike into easy listening and also dreamed up his own ditties. “An idear” as Garson himself would drawl it out. “I live with it, I walk it, I sing it.”

Plantasia

PANDORA'S BOX (prod. JM)

hair (prod. jm) [demo]

MICHIGANDA (PROD. TERPZ)

PART1 - Live At Scumfest, Tufnell Park Dome, 24 May 2014. Audience recording. 

PART1 - Live At Scumfest, Tufnell Park Dome, 24 May 2014

First Blood

Lunatic Fringe, from upcoming album TransDimensionalSaga.

Lunatic Fringe (unmastered rough mix)

from Crystal Soda Cream's debut album »Escape from Vienna«

12" vinyl LP (TWR009)

out on Totally Wired Records April 20th, 2013

Album available here:

http://totallywiredrecords.bandcamp.com/album/escape-from-vienna 

First Blood

Ghille

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