Mix 2

https://www.facebook.com/Petrels
http://petrels.bandcamp.com/
http://floatinglimb.com/
https://twitter.com/bowed_idly

Remix of the track 'Fragments of Self' from 'Fragmented Self' by Max Cooper and Tom Hodge.

http://www.fieldsldn.net/

When trying to make creative decisions based on the results of somebody else's process it makes you try things out that perhaps you wouldn't normally think of and I'd say with every remix I've ever done I've come away with something new.  Sometimes its interesting to take a track in a completely new direction but in the case of Max and Tom's collaboration I was immediately drawn to the subtle harmonic undercurrent of the synth lines beneath the main piano parts and figured it would be interesting to put together an arrangement that brought that to the fore. 

I started with a rough layering and overlay of the piano samples - trying to re-arrange them into different combinations than in the original to create something that had the same feel (on a side note, its always pleasing to work with recordings like this of instruments that sound played - i.e., you can hear the movement of the pedals and the fingers on the keys rather than a surgically-extracted sequence of notes) but that came to the main melodies from a different angle.  I can't really compete with Max's glitchy rhythmic production and since this is so distinctive it seemed like a bit of a cop-out to make too much use of these samples in any case so in the end the main part of what I used of the rhythm was a short kick drum sample that I processed in various ways to create the studded melodic cross-rhythm that I used for most of the middle of the track.

With the bare bones in place the majority of the rest of the work came from layering up the arrangement with the kinds of synths and strings that I make use of in my Petrels stuff.  Like I said, I was drawn to the low root synth line in the original that casts a subtle melodic shade over the piano lines so using this as a starting point I slowly built up the orchestration around it so as to make it much more of a focal point.  In the end, hopefully the result is something akin to a huge group of assorted musicians attempting a spontaneous live version of what essentially started as a duet performance. Well that was the idea anyhow.

Max Cooper & Tom Hodge - Fragments of Self (Petrels Remix)

Icarus

Space Motion & Angel Sanchez - Moonlight Ft Magnus (Original mix)

Plume

Buy/Stream: https://anjunadeep.co/jmui.pbt
Listen to Anjunadeep New Releases: anjunadeep.co/newreleases.pbt
Discover the Anjunadeep Discography: anjunadeep.co/discog.pbt
Listen to Anjunadeep Radio 24/7: anjunadeep.co/radio.pbt
Release Date: 1st October 2024

Bristol dance music legend Jody Wisternoff has announced his highly-anticipated third studio album, ‘Welcome To My World’. The announcement arrives alongside the release of the album's lead single ‘Mui’; a collaboration with James Grant, PROFF, and Takeshi Furukawa, featuring the evocative vocals of Siobhan Wilson.

Wisternoff, a pivotal figure in the UK's rave scene since the early '90s, is renowned for his keen ear for talent and his role in shaping the sound of the Anjunadeep label, where he co-curates the chart-topping annual compilation series. His career began back in 1986 at the age of 13 as a finalist in the DMC World DJ Championship, and he quickly became a mainstay of the UK rave scene, performing at legendary venues like the Lakota club in Bristol and for iconic promoters such as Fantazia and Universe.

A chance meeting with Nick Warren in a record store led to the formation of Way Out West, the pioneering duo behind several UK-charting singles and the UK dance number one hit ‘Mindcircus’. Their 1997 self-titled album garnered both critical acclaim and commercial success, and 20 years later, their Anjunadeep album ‘Tuesday Maybe’, became a firm favourite among the Anjuna fanbase and saw popular reworks from electronic music royalty including Guy J and Ben Böhmer.

Since then, Jody has released two solo studio albums on Anjunadeep, including the acclaimed ‘Nightwhisper’, which has garnered over 20 million streams and received support from BBC Radio 1 and SiriusXM Chill. Across his distinguished catalogue, Wisternoff has amassed over 70 million streams, with his tracks earning praise from industry heavyweights like Eelke Kleijn, John Digweed, Nora En Pure, Chicane, and more.

Now, on new album ‘Welcome To My World’, Jody Wisternoff dives deeper into his extensive musical journey, and reflects the eclectic influences that have shaped his career. Across its 14 tracks, the album features his signature blend of emotive, intricate melodies and dynamic production techniques, punctuated by his trademark breaks.

‘Mui’, the lead single, is a fresh interpretation of award winning composer and conductor Takeshi Furukawa's ‘Shutdown’, originally composed for the Planet of Lana video game. After hearing Siobhan Wilson's soulful vocals on the track, Jody, James Grant, and PROFF were inspired to create their unique version, which first appeared on Anjunadeep 15 and quickly became a fan favourite.

The album also features standout tracks such as ‘Tales From Beyond’ with Nox Vahn and Natascha Polke, ‘Rain’ featuring Sian Evans, and ‘Ease Yourself’, all of which showcase Wisternoff's refined production skills that have earned him support from the likes of SiriusXM Chill and BBC Radio 1.

Jody Wisternoff has also unveiled a global tour spanning 29 dates across North America, the UK, Asia, and Australia, with stops in major cities including London, New York, Los Angeles, and Sydney.

‘Welcome To My World’ will be released on December 6 via Anjunadeep.

Follow Anjunadeep:
Website: www.anjunadeep.com
Facebook: www.facebook.com/anjunadeep
Twitter: www.twitter.com/anjunadeep
Spotify: Anjunadeep.lnk.to/NewReleasesYo/spotify
Instagram: www.instagram.com/anjunadeep
SoundCloud: @anjunadeep
Youtube: Anjunadeep.lnk.to/DeepSubcc

Mui (feat. Siobhan Wilson)

Buy/Stream

A Promise To The Sea EP

Sanctuary

Sweetest Thing

This song is called INECOMONIMIQUALITIES and is about the economic inequalities that the electronic musical scene faces.
We hear the disappointed words from techno maestro's @richiehawtin.

__

Richie shared a video when the platform Aslice closed and the words are sampled from this video from 3 months ago.
Aslice has been created by @dvs1 and was about DJs sharing their revenue with the artists whose music they played for a set, and was a really awesome system of compensation.

"In less than four years, Aslice proved that real change in the music industry is possible. 
Our community platform was built by artists and for artists. We developed a revenue-sharing software that worked–without any corporate funding or influence."

Sadly the platform closed for some reasons described in an article I will share in the comments with the video.

____

I'm preparing another round of sampling other parts where Richie explains what Aslice is, with a more open perspective for the future.
I will share it in an unofficial release like this one next week. It is a more upbeat track on a 138 BPM hi-energy mental booty shake. 

It's been a while since I haven't released any song or shared anything musically so it means something for me to share this with you.
The words Richie says in the end are powerful for me as these past few months something from the inside in is pushing me to do and share more music.

To all performers, dancers and promoters from the Quebec scene, 
I know musicians are not the only ones who face this issue, I tried to make a story with Richie's words,
and I hope you won't be offended by the storyline I arranged with Richie's words that focuses mainly on disparities amongst DJs and composers/producers in this context.
I know the financial difficulties that surround the scene and the effort people make to have great parties and express their creativity.
I hope that some other platform like Aslice can grow and develop to also help other people from the scene that help creating unforgettable gatherings.

INECOMIAQUALITIES (UNOFFICIAL RELEASE)

Free Download

[FREE DL] INECONOMIQUALITIES - IGNACIO VORTICELLLI, VOWRT

Nils Frahm - Them (Gray Umber Sky Remix)

Jam & Spoon Featuring Plavka ‎– Find Me (Odyssey To Anyoona)

Year: 
1994
Title (Format): 
Find Me (Odyssey To Anyoona) ‎(CD, Maxi)	
Label
JAM!, Dance Pool	
Cat#	
JAM 660514 2, DAN 660514 2
Country:
Germany

Find Me (Odyssey To Anyoona)   (JAM!)

Odyssey to Anyoona (Original Mix) - Jam & Spoon   (1994)

It was cold when I made this mix for Mary Anne Hobbs' show on BBC 6 Music in January, so time for some warm synths.

This mix has previously only been available for download from the members area of my site: maxcooper.net/download, along with plenty more free mixes and exclusive tracks. 

If you haven't already, sign up at maxcooper.net/#join and get the first news and special treats!

Tracklist:
Max Cooper - Hope - Roly Porter Remix
Max Cooper - Rule 110 - Synkro Remix
Skee Mask - Panorama
Indian Wells - Closer
Manu Delgado - Freezing Point - Poppy Ackroyd Reimagining
Gorge Hewek and Izhevski - Narassvete
Kalon - Haiku - Female Edit
Aparde - Elias - Ryan Davis Reimagination
Barker - When Prophesy Fails
Alix Perez - BXL

Download

BBC 6 Music: Short Mix For Mary Anne Hobbs

https://youtu.be/LJYid2F8iDk

MERCH: https://everpress.com/strast-5-year-anniversary-1-1

страсть

“I felt very honoured to be invited to Waha again after a two year break. I would like to say thanks to Tudor and Monica and the whole crew. I was so overwhelmed by the reaction of the audience, just fantastic. Thanks to everybody, who was there, danced and shared these moments. Thanks to Bucuresti Underground to give me the possibility to share it again with you I hope this one feeds your memory again with all the love and peace we all felt at Waha. 

As you can hear my performance has some quite controversial moments like in the beginning, a recording I did on a protest march in Berlin, a moment, when the situation was escalating nearly. I mean we should not take love and peace for granted or democracy or life at all. We sometimes have to fight for our ideals and values, for equal rights, for freedom, for tolerance, for others or for nature and definitely we have to fight against fascism, racism, oppression, exploitation and so on. This all is very important for me and this is also a part of my music. Waha 2019 was such a great experience for me. I received so much love and all you gave me so much motivation to continue what I do. Thanks you very much! 

Peace & love and CLIKNO kills fascists Bogdan / Dr.Nojoke”

Support the artist:
https://www.facebook.com/Dr.Nojoke.fanpage/
https://soundcloud.com/dr-nojoke
http://drnojoke.bandcamp.com/
http://www.clikno.bandcamp.com/

Support the community:
http://wahafestival.ro/
https://www.facebook.com/WahaFestival/
https://soundcloud.com/waha-festival

https://www.facebook.com/BucurestiUnderground/
https://soundcloud.com/bucuresti-underground

Dr.Nojoke Live set @ Waha Festival Alt Stage 13 July 2019

DJ set micro house enregistré à la Synergie # 1 (Paris)

Mel C @ Synergie #1 (micro house set)

Il vit dans l'Ouest de l'Himalaya à une altitude comprise entre 800 et 4 000 mètres. Comme l'hanglu et plusieurs autres espèces, il a complètement disparu de la partie pakistanaise du Cachemire où il était autrefois très présent, sa migration étant rendue impossible par l'infranchissable barrière érigée en 2003 pour empêcher l'infiltration des groupes armés séparatistes dans le conflit indo-pakistanais2.
Population restante : 5 700

Markhor (techno set) #Synergie (DK+Binaural)

Silhouettes Fantômes

melodic & atmospheric electronic music

booking (live acts only) : guillaume.olivier22@gmail.com

Icarus

Gray Umber Sky

Related tracks