Name: Ruiner by Greco
Duration: 3 min 15 s
Description: Oxygen Thief Vol.1 is the first in a series of instrumentals I would like to share with the world! Enjoy a journey through Electronic infused Hip-Hop and Funk. I hope you dig it!!!

Oxygen Thief Vol.1 is the first in a series of instrumentals I would like to share with the world! Enjoy a journey through Electronic infused Hip-Hop and Funk. I hope you dig it!!!

Oxygen Thief Vol. 1

Ruiner

SoundCloud

"You've Got Me Thinking About The Things #House

‘moths’ from @siv-disa is out 15 November 2019 via Trapped Animal Records

Instagram @sivdisa / Facebook @sivdisa

Watch: https://www.youtube.com/watch?v=pog7VoRvP9A
Spotify: https://open.spotify.com/album/46MZpglxfVGvcs52TPPE5p
Bandcamp: https://sivdisa.bandcamp.com/

Siv Anderson aka ‘Siv Disa’, the New York City based singer, multi-instrumentalist and artist is to release her digital single and arthouse video, ‘moths’ on November 15. The single was produced by fellow New Yorker ‘Sam and the Sea’, and the accompanying video was directed by Siv with videography and photography direction from Evan Alexander Moore & Sanchez Murray. The cover art was created by Siv Disa, an edited still taken from the music video and sketched on.

MOTHS: “You see these impossibly large moths trapped in big streetlamps, flying inside them and hitting the glass again and again, dead at the bottom and you can’t figure out how they’re getting in. They must have gotten in when they were small enough to fit, and then grown too large to escape. The amount of time they spend on the wrong side of the glass. It seems so unnecessary from the outside. A whole life spent looking out at the world.”

“For most of my life love has meant captivity— you are at the mercy of whoever it is you love. After a destructive relationship a few years ago, I removed my emotional self from my physical self.  I don’t think people can see moths or what they’re trapped in. I don’t think I can either. I don’t think I’m a lot different than those moths, except I think about them a lot and they probably don’t think about me very much at all.”
–      Siv Disa
 
"the emotionally heavy lyrics bounce alongside lively piano chords evoking feelings of both joy and sorrow.”
- indie witches
"Siv Disa’s songs are both emotional and experimental in their construction....Her song writing style.... pulls in both themes of shared experiences and obscure sounds, and features constant evolution." 
- femchord

Press contact: jasmine@trappedanimal.com

Pre-order Dreamhouse

Siv Disa - moths

Really enjoyed making the synths used in this track. The vocal really lends itself quite well to a chilled out production.

Make sure to like, comment, re-post and share if you enjoy!

Get the Serum preset pack I put together for this remix! FREE until 31st October 2019.
https://www.anotherenigma.com/product/serum-preset-pack-sharpest-edges-remix/

Official Website:
https://www.anotherenigma.com

YouTube:
https://www.youtube.com/user/AnotherEnigmaMusic

Facebook: 
https://www.facebook.com/AnotherEnigma

Bandcamp:
https://anotherenigma.bandcamp.com

Soundcloud:
https://soundcloud.com/anotherenigma

Spotify:
https://open.spotify.com/artist/46yofIN2OVj8yPtnziY058

Apple Music:
https://music.apple.com/us/artist/another-enigma/1399332731

Google Play:
https://play.google.com/store/music/artist/Another_Enigma?id=Atzv5cw5kivuqjtehivnfwtw674&hl=en

Twitter:
https://twitter.com/AnotherEnigma

Instagram:
https://www.instagram.com/anotherenigma_music/

Link to remix on SKIO:
https://skiomusic.com/anotherenigma/gallant-sharpest-edges-another-enigma-remix

More on Spotify

Gallant - Sharpest Edges (Another Enigma Remix)

Working on this track was a lot of fun, and what a beautiful and inspiring song written by Lauren Daigle, Jason Ingram, and Paul Mabury.

A special Thank you to Tara Louise, Julia Westlin, and David MeShow for being a part of the inspiration and for one of the intro vocal parts.

Lyric Video: https://www.youtube.com/watch?v=QHsfzeMpnos&feature=youtu.be

Lyrics:

I keep fighting voices in my mind that say I'm not enough
Every single lie that tells me I will never measure up
Am I more than just the sum of every high and every low
Remind me once again just who I am because I need to know
Ooh oh
You say I am loved when I can't feel a thing
You say I am strong when I think I am weak
And you say I am held when I am falling short
And when I don't belong, oh You say I am Yours
And I believe
Oh I believe
What You say of me
I believe
The only thing that matters now is everything You think of me
In You I find my worth, in You I find my identity
Ooh oh
You say I am loved when I can't feel a thing
You say I am strong when I think I am weak
And you say I am held when I am falling short
And when I don't belong, oh You say I am Yours
And I believe
Oh, I believe
What You say of me
Oh, I believe
Taking all I have and now I'm laying it at Your feet
You have every failure, God, You have every victory
Ooh oh
You say I am loved when I can't feel a thing
You say I am strong when I think I am weak
You say I am held when I am falling short
When I don't belong, oh You say I am Yours
And I believe
Oh, I believe
What You say of me
I believe
Oh, I believe
Yes I believe
What You say of me
I believe

*Licensed Content*

You Say (feat. Tara Louise)

Is he a vampire? Is he a kaiju? Why dicker when YOU CAN HAVE BOTH?

This was a long-distance jam between myself on guitars, Roy Smith on bass, Garage Band on drums, and Garrett Cook on monster samples. HAPPY HALLOWEEN, EVERYBODY!!!

COUNT STOMPULA

ENJOY RESPONSIBLY!!! It's out sacred holiday!

And special thanks to special guest Roy Smith, for the badass guitars!

HALLOWEEN IN CORONATOWN

It's been a looooong week, from Election Day to triumph. But this track seeks to ride out the many moods on the way there. With Roy Smith again, on fretless bass, Isley Bros. mid-lick, and church bells of freedom. 

CONGRATULATIONS, AMERICA! And please enjoy!

KNOCKOUT PUNCH (THE WEEK IN REVIEW)

SKULK

NEVER WANNA HEAR YOUR VOICE NO MORE

TEACH ROBOTS LOVE

To know Greco and the innate electronic pulse that flows through him, you would assume he slid out of the womb straight into a warehouse of glow sticks and strobe lights. You would never imagine he learned his production skills on a farm in Tranquility, California, just outside of Fresno. Rumor has it that his first keyboard was made from kernels of corn. True or not, Greco’s signature sound has since tattooed hundreds of songs.

At age five, Greco Rossetti learned to play the drums, piano, saxophone and the guitar. In high school, he played percussion in the jazz band that toured the state, learning the ropes of life on the road, minus the sex and drugs part.

Greco was born into a musical family. Greco’s uncle was a famous mariachi singer in Mexico and his great grandparents were avid songwriters. Their folk band toured the U.S. through the late 1970’s. In addition, his mother has been a dance instructor for over 40 years, hence Greco’s conniptions on stage. (Editor’s note: See a live Shotgun Radio show and try not being sore just watching him).

Over the course of his musical youth, Greco became bored with traditional instruments and began learning the technical aspect of modern music. He bought his first 808 drum machine at thirteen years of age and started making beats for local hip-hop kids. While most kids collected baseball cards, Greco’s home studio became a museum of vintage gear with such pieces as a Roland-juno 60, Moog source, etc.

With influences such as Depeche Mode, Nitzer Ebb, New Order and Nine Inch Nails, Greco became addicted to electronic music and formed the electro-pop band, Artistry alongside friends John Riley and Jason Delgado. With high hair in tow, they played numerous shows and eventually opened up for Prodigy and Moby. As the band’s sound got heavier, so did their identity spawning the band to change their name to Reverse. Shortly thereafter, the band was signed to an independent record label in Los Angeles and put out an album before suddenly dismantling. With that, Greco was on pace to be potentially featured in a future episode of E! True Hollywood Story.

In 1994, following his inner cruise control, Greco took the back roads to the highway, running out of gas in Los Angeles, California. He had outgrown the small pond complex and accepted the challenge of testing his gills in rough, unforgiving waters. Slamming the car door, these two worlds collided.

Greco attended the Los Angeles Recording Workshop and, immediately after graduation, landed an assistant engineering job for Ice-T’s Body Count album and was the keyboard programmer for Body Count’s Ernie C Encounter. Also during this time, Greco worked on Michael Jackson’s “History” album, edited for Ozzy Osbourne and Brazzaville, performed at a Super Bowl halftime show with Diana Ross and played keyboards for Laurie Kranz at a party for the film, “54” at Studio 54 in New York City.

All the while, Greco was working on his own music as well and recorded out of his home (his bathroom doubling as a vocal booth) and called it Room107 Studios. Although intimate and convenient, Greco was persuaded to move his gear and work as the in-house producer for the newly-formed Tantrum Entertainment, located between Hollywood & Vine and the Capitol Records building on one side and Mann’s Chinese Theater on the other.

Having met too many people with empty promises and filled heads, Greco was weary of who he shared his talents with. One day, Tantrum Entertainment hired Marcel Saxlund and with only a few seconds of sideways glances and visual assessments like dogs sniffing each other (no actual sniffing occurred, however), the two hit it off and eventually created the band, Shotgun Radio and have since released two albums in that same studio (Tantrum Entertainment eventually folded), had several commercial and film licensing credits to their name as well as being sought after producers and remixers.

Ruiner

Greco

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