If in the first 100 seconds you feel onboard on a musical journey you know, you're in the right path.. great set!

https://archive.org/details/IP-010
https://innerspaceprod.bandcamp.com/
https://soundcloud.com/innerspaceprod

Another Side

This is the second part of the pocket cabbage soup.
I wrote drums with a great desire to make aphex twin nervously smoke.

Cabbage Soup In My Pocket 2

Sibirsky Snickers - Preview CSIMP EP 2

from KR103:  an moku I stefan schmidt:: zwischenraum
imited edition tape / download out on may 13th 2022

zwischenraum

AN MOKU I STEFAN SCHMIDT:: yama

Air, in both its stillness and its movements, is what compels INVASIVA, the latest release by multidisciplinary artist Dorian Wood.

In early 2022, Dorian set out to investigate the root of her anxiety—and how her breathing is both affected by, and complicit to, her mental state—during an artist's residency at Loghaven in Knoxville, Tennessee. Upon touring the campus, she learned of the Whittle House, an abandoned cabin on the grounds that had not been inhabited for many years, set apart by the other nearby, fully-restored cabins. In encountering this site, Dorian connected with the idea of isolation as a catalyst for disrepair. She came to understand how separation could trigger a fear of losing self-awareness and the inability to escape. 
 
INVASIVA is a document of the artist meandering physically and mentally between two forms of confinement: "mandated" and "self-imposed". Like an abandoned house, the composition is filled with a stillness that seems both uninhabited and anticipatory. Gradual shifts in tone build an atmosphere of meditation, and droning notes are sustained like a deeply held breath. And yet, despite the fear of quiet isolation which permeates the piece, INVASIVA swells with slow respiration, revels in the wind, and echoes with gentle reminders of outside life. 
 
The work is one that emulates a contemplative state which is constant threat—and perseveres.  Comprised of the recorded stillness within the Whittle House, and sounds captured in the office lobby of Dorian's breathing specialist in Los Angeles, INVASIVA is a quiet, ethereal triumph over suffocating loneliness. It is a piece that is filled with inhalation, anticipation, reflection,  exhalation, release—it is filled with air.

Invasiva

Dorian Wood - Invasiva (excerpt)

100 minutes

This track is Side A from Hotel Record, the 2017 2LP duo release with Oren Ambarchi on Black Truffle Records.

Recorded between 2014 - 2016 in Ko Pha Ngan Thailand, RML Studios in Oakland USA (engineered by Bryan Gibbs), Melbourne Australia and EMS in Stockholm Sweden. 

Mixed with Joe Talia at China Town, Melbourne 
Mastered by Rashad Becker at D&M 
Photos by crys cole | design by Stephen O'Malley 
BT029

www.blacktrufflerecords.com

Call Myself

Truth

linie

C O L O R S Q U A D 0 0 7
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https://colorsquadrecords.bandcamp.com/album/c-o-l-o-r-s-q-u-a-d-0-0-7
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1. ambicumber - deadpan robotic 04:14
2. Cassilda and Carcosa - Roland Func(4) 01:43
3. Cranko PoP - Beth Athurley McLeod 03:42
4. Eggshell Goblin - D'Mellow 02:51
5. drew - nopjs 02:04
6. HEX_edit+ - isosceles 13 05:28
7. Human Behind Pluto - Disunity 02:58
8. je1ku - doxsun 06:39
9. Koi - Anthropocene 04:11
10. Machka - Ka shimir mix2 05:00
11. mause - okay 04:07
12. NIKE√OMITA - GoldenßoyCCC 04:06
13. paintcan - paintcan forever 77 04:46
14. rave industries - orb_funk 05:43
15. Rhamodium - Topology 03:13
16. s a l a u d - dischord 03:28
17. Samuel N - My realization 06:56
18. Spoutnik - Ghost Funk 03:20
19. ≤'µ∫O ƒlO√∑∫ - LdÎÊÌ1ÓDI3.0 03:16
20. tsev - σσαμοθtywtf 02:33
21. Tunnel One - Undefined Component 02:40
22. Unsaved - Cardinal spinner 03:22
23. Wizardfist - Fog of Time 04:27
24. Yam - clap20 02:39
25. Greystar - Dalia [Live Take] 15:53

C O L O R S Q U A D 0 0 7

bandcamp

Ghost Funk

Aquaeductus vestibuli

Ned Lagin's Seastones is a pioneering electronic composition interweaving metaphors from nature, science, art and music and the origins of music. Reflecting the technology, science, modern art, new ecological awareness and optimism of the times and culture, Seastones embodies the history of electronic music by taking full advantage of tape music, analog synthesizers and computer technology to create pieces that are dynamic, rich and deep.

Originally released by the Grateful Dead's Round Records in 1975, Seastones' reputation as a gem of electronic music was further enhanced by the celebrity of the musicians who contributed to the source material. Seastones musicians include Ned Lagin (processed piano, clavichord, organ, prepared piano, electric piano, synthesizers), Jerry Garcia (processed electric guitar, pedal steel guitar, voice), Phil Lesh (processed electric bass), David Crosby processed electric guitar and vocals), Grace Slick and David Freiberg (processed vocals), and Mickey Hart and Spencer Dryden (percussion).

This new LP presents two crafted Seastones sets (Sets 4 and 5, 18 tracks) drawn from the entire Seastones composition and contains gorgeous extended processed vocals by Garcia, Crosby, Slick and Freiberg, and beautiful abstract instrumental passages by Lagin and all.

Ned Lagin - Seastones - Seastones 03 - LP available Nov. 3, 2020

Born in 1982 and a resident of Los Angeles since 2005, Gengras has defined his practice with the art of synthesis. Starting with a string of short-run cassettes detailing the interior curvature of his well-worn vintage budget level Moogs & moving into the more diverse sonics of modular synthesis explored on recent releases like ISHI (Leaving Records/Stones Throw), the focus has remained, sculpting new sounds from raw voltage & creating engrossing sonic environments. In addition to two prolific solo careers (counting his dance-music alter-ego Personable), Gengras is an avid collaborator and has recorded and performed with The Congos, Akron/Family, Sun Araw & members of the Grateful Dead & Cold Sun. He is also the co-founder (with Sun Araw's C. Stallones) of Duppy Gun Productions, which pairs contemporary left-field producers with Jamaican vocalists to create new vision dancehall-influenced tracks.

100 minutes

m. geddes gengras

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