always dig green's production but this sample was used back in the day by Sole. https://www.youtube.com/watch?v=Le-vcS6yImk

Abe 2

Hieroglyphics - Classic -

Lynguistics

Produced by Kno. 5th sneak peek from the upcoming "Strange Journey Volume Three". Pre-order NOW at www.CunninLynguists.com!

Kno: 
It's four o-clock on a Sunday morning 
Who the hell is calling my phone? 
Waking me up I'm stretching and yawning 
If you had any sense you'd leave me alone 

V1 (Natti): 
Wee hours of the morning and word is bond 
I’m in jail I need bail again, the word is bond 
Not James in a tux with olives draped on my cup 
With a dame all on me with healthy letters to cup 
So what up? 
Can you free me ‘fore my prints get back? 
And they run em through the system and realize that I'm black 
All I remember was the stripper then I faded to rack 
Said her name was December than she sat on my lap 
"Merry Crimmuh" 
Liquor and higher power my witness 
I thought fleeing The People was just a matter of fitness 
With all these nice drinks, compliments of Dennis 
Whoever the fuck that is 
"Dennis is this!" 
Two middle fingers up 
"Dennis is this!" 
Dennis tab maxed out on titties and fifths 
Whoever the fuck Dennis, is Dennis is pissed! 
Cus I don’t think that dude we was drinking with was Dennis at all, fam! 

V2 (Grieves): 
Ha, Yup, 
im aware it’s four in the morning 
but I just wanna tell you im drunk and im kinda horny 
I know it gets annoying, but I been losing my grip 
Every woman I talk to I treat like a fair piss and it’s a bitch 
Mainly cuz I now consider you one 
I wanna let you go but every time I seem to screw up 
Now that’s the problem with the space that you occupy 
It’s going great and then the thought of you would cross my mind 
A box of wine and a carton of coffin nails will 
Convince me now would be a great time for hate mailin’ 
Like "Hey bitch! How the hell have you been? 
Remember me? We were dating and you slept with my friends!" 
I just thought that I’d remind you in case you ever forget it 
And train yourself to believe that you're not a terrible wretch 
ha 
You broke my heart into like a million pieces 
So here’s another dim-litted picture of my penis 

V3 (Murs): 
Whoa! 
What the fuck is going on Grieves 
You saved my number under the wrong name in your phone? 
Is that a picture of your...? 
I'ma pretend I didn't see that 
All that rain got you suicidal up in Seatt...ohhhhh 
You had to much to drink again 
Whiskey & a cellphone ain't never gonna be your friend 
You booze you lose, homie you been warned 
You better off using your cellphone to watch porn 
Grab some lotion & a napkin 
Jack off off then pass out 
All these drunk texts'll have you fucked off and ass out 
I hope you black out before you do anymore damage 
I checked your timeline, homie...why you Tweetin in Spanish? 
I understand if this is what you gotta go through 
But when you sober up I got some screenshots to show you 
And Grieves, bro...you gonna be hella happy that all of them texts didn't go through

Drunk Dial f. Murs & Grieves

Cyne - Tragic

Buy on iTunes 

For The Streets Ft. Termanology (prod. By Statik Selektah)

Language Arts Crew - Something's Wrong

What Can I Say

Metal Is Out featuring Benefit (CUTS BY DJ BRACE)

Produced by Mr. Green
Mixed by Scott Stallone at Found Sound Recording (Phila, PA)
Except for "Dark Streets" mixed by Chris Conway
Mastered by Pete Humphreys
Photography by Vshootz
Design and Layout by DanBradleyDesign.Com

Dolla Bill

Buy the official "Live from the Streets" album here:
ITUNES: smarturl.it/livefromthestreets
CD: http://bit.ly/1GTbCvO
AMAZON: http://amzn.to/18XBgk6

14 BONUS TRACK Step Into The Booth Featuring Raz Fresco And Andrea M. Pacheco

3 Down In The Streets Featuring Kevin Brown And Malik B

Produced, mixed & mastered by aCatCalledFRITZ

Props Over Here - Beatnuts (Answer remix by aCatCalledFRITZ)

produced by L'Orange
vocals by Jeremiah Jae
guest vocals by Gift of Gab

The Night Took Us In Like Family
https://itunes.apple.com/us/album/night-took-us-in-like-family/id962648340

About the album:
Enter those bloody alleys blocked off with yellow tape and chalk outlines. Secret backrooms riddled with sly crooks and blunt smoke. Slink into the underworld, the seedy shadowland owned by Jeremiah Jae and L’Orange on their noir-hop opus, "The Night Took Us In Like Family." 

Consider it the alchemy of Madvillain and "The Maltese Falcon": a five-part fable of tangled crimes, narrow escapes, and raining lead. The door busts open with “A Conspicuous Man.” L’Orange’s carefully severed cinematic clips hold the frame steady. The Windy City-raised Jae muscles the narrative forward—the hitman creeping. 

Beats bend sinister with imagery aiming for the temples. Jae invokes dark clouds, crowns of thorns and LSD eyes. Bars written in dirt. Samples are disembodied and ethereal. It’s like a grand jury indictment doubling as a Greek chorus. A song title like “Ice Obsidian” says it all. This is frozen lava, black and white celluloid, the spoils won by sinners. Watch your back rap. 

Or maybe it’s the hip-hop version of the gangster flicks made before the Hays Code—raw and uncensored, deeply artful without pretension. Pitchfork once described Jae as: “a lot of people talk loud and say nothing; Jeremiah Jae finds strength in the inverse." On "The Night Took Us In Like Family," he inhabits both eulogizer and executioner. He triumphantly looms over the corpses and explains how this all came to be. L’Orange supplies concrete requiems of dusted soul: beats to crack safes, soundtracks to stealth assassinations. 

If gangsta rap remains one of the genre’s most well worn tropes, Jae and L’Orange take inspiration from the rarely tapped roots of the tradition. This isn’t riffing on Oliver Stone’s "Scarface" like popular cliché, but rather the original Al Capone exploitation flick from the early 30s. Jae conjures a villain who vaporizes. Run-the-Jewels-raw but still sophisticated. Cuban cigars stuffed with California chronic. 

The picture unfolds wide frame. Guest stars include New York poison dart-thrower, Homeboy Sandman and Blackalicious’ Gift of Gab. The chapters flesh out the story: The Conspicuous Man skulks into “God Complex,” “The Damning,” “Revenge and Escape.” Jae and L’ Orange build their world as a catacomb and find a way to escape just as the walls feel like they’re closing in. It fades out as “A Macabre Instrumental” plays. The funeral is closed casket. The memories aren’t easily disposed.

What Can I Say

Mr. Green

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