نمی دونم چی میخونی .. ولی حتما شعر زیبایی داری میخونی

thank you for singing this beautiful song and making all of our voices strenger! beat the madness and let us stop Shell

Beautiful, and we saved the Arctic for now at least.

Music for piano.

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Solaris

Soto

Written and performed by Blake Ewing

Poem - "postcard containing a mouthful of night" by Esther Ra
Reading - Stefan Michalak

Mastered by Mike Monseur at Axis Audio

Redshift

I Was Born, Then Burnt

Segull

On 26th August Charlotte Church took part in Greenpeace's month-long musical protest outside Shell HQ.  Along with millions of others across the world, Charlotte is asking Shell to stop drilling for oil in the fragile Arctic. Join the protest online here: music.savethearctic.org

This is the live recording of her performance at Shell HQ.

Vocals – Charlotte Church
Conductor – Kelly Lovelady
Strings – Ligeti Quartet & Friends

Performed and recorded by kind permission of Max Richter/Mute Song and Sony ATV.

The version of “This Bitter Earth” performed comprises two separate works performed in combination:

“This Bitter Earth”, originally performed by Dinah Washington and written by Clyde Otis (vocal). Published by Sony ATV. https://www.sonyatv.com/

“On The Nature of Daylight”, composer by Max Richter (strings). Published by Mute Song. http://mutesong.com/

For private use only. Any other uses require the express permission of the relevant rights holders.

This Bitter Earth/On The Nature of Daylight - Charlotte Church & Ligeti Quartet

inspired by poem of david's. 
oh, my soul has had its fill of the scorn of proud men.

O H M Y S O U L

Ocean Bloom - Radiohead and Hans Zimmer

A surreal world

The Angels Were Singing

16B5 is a tale about the days I have lately spent in Beirut, Lebanon. I walked everyday through multiple inputs meeting contraddictions, beauty, ruins, history, colors, tastes and smells of a country made of amazing people. It was a profound and intense experience that has left something special in my heart.

tracks
1_   16B5 (0'00")
2_   Mahatma Ghandhi Street (2'12")
3_   3 Ohm (5'34")
4_   VYVYAN (6'19")
5_   Mar Mikhael (12'52")
6_   The Flame Tree (14'33")

original music: luca longobardi

recorded, mixed and mastered in Rome

Soundscape for track #2 recorded in Mahatma Ghandhi Street, Beirut on June 28 2019

artwork: The building by luca longobardi

piano: Scholze upright (1985)

mics: Oktava MK-012 (modded, cardioid capsule)

synths and electronic gears:

_ Modular (Mutable Instruments Braids, Veils, Warps, Ripples, Clouds - ALM Busy Circuits Pamela's New Workout - Expert Sleepers Disting mk4)
_ Korg Volka Sample
_ IK Multimedia UNO Synth
_ Strymon Big Sky

Released on July 19 under Paralleli Records

all rights reserved

16B5 (Mixtape edit)

This is track 12 of my new project, Aural Method's freshman release: "When I Drifted I Heard a Faint Melody".

If you like this perhaps you may enjoy the rest of the record. You can find it at http://www.auralmethod.com

Aural Method - Then I Heard A Voice Like Thunder, "COME AND SEE THE FINAL WONDER."

This track is a part from the contemporary ballett piece i worked on with the amazing choreographer Wayne McGregor. It's heavy, but we all like the occasional heavy track, right? 
I released my soundtrack to the piece as an EP, called Dyad 1909 (2009)

Brotsjór

We are a movement of people campaigning and taking direct action to protect the environment and promote peace.

This Bitter Earth/On The Nature of Daylight - Charlotte Church & Ligeti Quartet

Greenpeace UK

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