Stress Dreams

Monument

Give a Shit

Screams

Streetlight

Absence of Reason

Cut a Tooth

From the 2008 album, "Five Interstates"
©2008 Big Blue Zoo/Greensky Bluegrass

Reverend • Five Interstates (2008)

Get Out

Congratulations and Condolences

Burn Them • If Sorrows Swim (2014)

Windshield (Explicit) • If Sorrows Swim (2014)

From the 2011 album Handguns 
©2011 Big Blue Zoo/Greensky Bluegrass

All Four - Handguns(2011)

From the 2011 album Handguns 
©2011 Big Blue Zoo/Greensky Bluegrass


Don't Lie - Handguns (2011)

From the 2011 album, "Handguns" by Greensky Bluegrass.  http://www.greenskybluegrass.com

I'd Probably Kill You • Handguns (2011)

Greensky Bluegrass: "Shouted, Written Down & Quoted"

© 2016 Big Blue Zoo Records

Shouted, Written Down & Quoted

Past My Prime • Shouted, Written Down & Quoted (2016)

From "Shouted, Written Down & Quoted" 

www.greenskybluegrass.com

Living Over • Shouted, Written Down & Quoted (2016)

All For Money

Do It Alone

If Sorrows Swim

Burn Them

Windshield

A Letter to Seymour

In Control

Past My Prime

The Four

Forget Everything

Leap Year

Merely Avoiding

Demons

All for Money

What You Need

Living Over

Kerosene

Worried About the Weather

“There’s this great duality to our band,” reflects Greensky Bluegrass mandolinist, vocalist, and songwriter Paul Hoffman. “We’re existing in a few different places at once: we’re a bluegrass band and a rock band, we’re song-driven and interested in extended improvisation.”

“We play acoustic instruments,” adds dobro player Anders Beck, “but we put on a rock’n’roll show. We play in bigger clubs and theaters, there’s a killer light show, and we’re as loud as your favorite rock band. It’s not easy to make five acoustic instruments sound like this – it’s something we’ve spent years working on.”

From these seemingly irreconcilable elements, the five members of Greensky Bluegrass have forged a defiant, powerful sound that, while rooted in classic stringband Americana, extends outwards with a fearless, exploratory zeal. The tension and release between these components – tradition and innovation, prearranged songs and improvisation, acoustic tones and electric volume – is what makes them so thrillingly dynamic, in concert and on record. “In theory,” Hoffman explains, “greensky is the complete opposite of bluegrass. So, by definition, we are contrasting everything that isn’t bluegrass with everything that is.”

Greensky Bluegrass

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