A Halloween Track written by Greg Geary and Roxanne White.

Halloween Track

Awesome Waltz - by Chopin

Sketch for a Science Fiction Overture

Petite Danse

Winter Solstice

Hollywood 1.0

Today I bring to you a vision of a film score for a nonexistent film. Picture please, while listening, an opening credit sequence of a panoramic shot of Paris. As the music continues, we are introduced to a man riding in the back seat of a luxury sedan. Perhaps he is wealthy and powerful. We are seeing him from outside of the car, which is not moving. We may not be able to tell since it is a tight shot. He is looking out at Paris. He is an American, this much is certain, but we assume this by his looks - not because he is a gawking tourist. No, he seems sad.

As the music picks up, he is going through his day. He works in a museum. He is wearing a badge around his neck that makes it appear as though he's not a usual employee. He is greeting people and still rolling his luggage around. He must have just come from the airport. Yes, he is a little traveled, but not grungy at all. He may have had some time to freshen up.

Now it is afternoon and he has been briefed. A painting has been stolen and he definitely has something to do with the investigation. But now we are certain jet lag has settled in. He is not fully awake. He is in the car again. He is exhausted. He's in a hotel room, blinds mostly closed. Light peeking in. It's daylight. He's going to bed.

Somewhere in all this, we've established that he's broken up with a long term lover. As the movie goes on to places not represented here, we learn that his investigations lead him, ever so gently, to scratch the surface of a labyrinthine conspiracy.

He does not fall in love with any beautiful women while working in Paris.

tesseramusic