Nostalgia

The song is written by Gregg Kemske and features guitarist Rick Land.  Rick and Gregg recorded the song using a BR800 digital recorder with guitars using drop D tuning.  Listeners will find Rick's explosive solo a real treat.  

Former lead guitarist for the heavy metal / hard rock band, Thunderbrew, Rick's latest project with the RJD Band can be found at:

youtube.com/user/TBREW

Cover Art by HAK copyright 2021

Grass Withers and the Flowers Fade

Grass Withers And The Flowers Fade

Thinkin' about what a friend had said ...

After The Gold Rush (Neil Young) - Cover by Cowboy Billy Herron

Sunday Morning Rock

i got it - Rebel Chad

In The Park W/ Morten Jeamland

Bubble Heading

Good Night Mr. Trinitite - A Last Days Cowboy Campfire Ballad and Ode to Bigfoot Backwoods Brokeback Mountain Love Song of The Apocalypse - - - when Dr Clay “Bigfoot” Young meets Rev JTSunrise on the Last Night of the Last Day, by JTSunrise and ClayYoung X2 Crazy Makin’s, 122 BPM, G,C,F

Intro

On the new rangeland of Bellingham
To a campfire I was led
Where a skunk-ape a-set there thinkin’
Next to some sculls a-glowin’ red

Chorus

 I a-hunker down beside him
“You wanna see-through some atom-glass” 
He’s a-lookin' like a great big half-baked ape with a scorch mark on his ass 
He set there, smoldering fur, all red n’ pink, acting funny an mean

He said 
Well partner, you can call me Mr Trinitite, Trinitite is my name

Verse 

 So I'm a-sittn’ here an a wonderin’ 
Where my baby on fire could be 
And I'm looking at that dumb-ass atom-glass 
A half-baked Bigfoot gived to me

I’m glown’ in the dark an I got me a new hole in my head 
Thank you again Mr Trinitite, my big furry-fire Bigfoot friend

Break

Chorus Refrain End

I hunker down beside him
He says “you wanna see-through some atom-glass” 
He looked like a great big half-baked ape with a scorch mark on his ass 
He set there, smoldering fur, red n’ pink, acting funny an mean

He said 
Partner, you can call me Mr. Trinitite, Trinitite is my name

Me an Mr Trinitite said goodnight there on the New Bellingham Plain 


Three days before:

Clay Young:
Here's some nonsense lyrics to play with based loosely on a true story!

"Trinitite"

I was drinking
Instead of thinking
When a stranger
Sat down beside me
And he said do ya wanna
See some atom glass

Now I look like 
A Mole Rat 
That's naked, pink and mean
You can call me Trinitite
Trinitite is my name

I'm still sitting 
on a bar stool 
Wondering why my 
Baby left me
And I'm looking at
The atom glass
That dumb ass left behind

Now I glow 
in the dark
Got a hole 
in my head
You can call me Trinitite
Trinitite is my name

The barflies call
Me Trinitite
Call me Trinitite
My friend

What is Trinitite: https://youtu.be/Nm8pYGMHFcQ

Cover Art: Painting by Travis Chapman: Bigfoot saves baby animals from a forest fire. Artist signed, digital print on archival paper. Purchase and size options:
https://www.etsy.com/listing/738632017/bigfoot-saves-baby-animals-from-a-forest

Easter 🐣 
https://www.forbes.com/sites/davidbressan/2022/07/07/how-nuclear-war-would-affect-earth/

Ways to Avoid Losing Hope in Life

I once lost hope in life

It was the result of a culmination of several devastating experiences that I had to endure. Yet, it was a period in my life that I would never want to take back. It helped me to realize just how much we ponder when we fail, and just how much those situations build a rock-solid foundation for success in the future

And I’m not alone in the loss of hope. So many of us lose hope from time to time. When we’re pushing towards a goal and we hit a brick wall, we tend to lose sight of the bigger picture and seemingly lose all hope. But hope is defined as the expectation of good things to come

Go with what is happening when the world collapses, remain in the moment
 
Things can and will go wrong 

Of course, so many things can and do go wrong

JTS

Good Night Mr. Trinitite

Good Night Mr. Trinitite (In Bob We Trust)

Warning, please do not drive or operate machinery while listening to this track which contains ASMR tiggers and was recorded in a frequency other than the 440Hz of most music played on modern radio stations. Always listen to our tracks at a lower volume, as well, preferably through headphones for maximum effect. 

We created this track to soothe the pain we've felt... physically, emotionally, and spiritually throughout our body in light of the elections, Covid Chaos, and propensity for discord within us, since we don't agree with the majority of outspoken divisiveness we encounter when leaving our home... since we choose to read from a variety of sanctioned and unsanctioned resources... rather than drinking the kool-aid poured for us from the skewed news and ever-increasingly exposition of the failings of the "sanctioned information only" western education systems.

We asked spirit to guide this project, after the grief we were feeling upon returning home from voting on election day. When we're a gender fluid, lesbian, disabled, veteran in a female physicality... the weight of each of those "minority statuses" BEing within us while approaching, entering, standing in line, and voting amidst signage, campaign representatives we encountered outside as we entered and left the polling center to cast our vote amongst a hugely biased conservative majority who have no problem exercising their "right to free speech," while neglecting their responsibility to extend those same "rights" to "all the people..." can create so much pain and tension within us. We asked our angels, guides, and ancestors to take the pain we were feeling and use it to show us how to express it and release it in a healthy way. 

This was the most amazing experience we've had to date in creating a piece. Every note we played and recorded was Divinely guided and perfectly placed, the first night we worked on this piece. We only made one small adjustment of placement to one segment within one of the instrument tracks. The second night, as we progressed through the same guided request and worked towards completing this piece in record time, compared to most of our works, WE FELL ASLEEP 3 TIMES!!! And, we didn't fall asleep during the relaxing trail out; but, during the hypnotic percussive sections!!! (We have to caveat that we aren't a scientist... so we cannot for certain say whether we were asleep or if we simply entered an extreme trance; but, we were "OUT!!!") We "came back," before the song ended... and from what we've learned these past few months... that's more indicative of coming out of a trance; because, if you're asleep, you typically don't awaken before a meditative piece ends; but, you continue sleeping once the song has ended. So, as we stated, we cannot tell you for certain which was the case. We can share that whatever happened, we have felt like we had some sort of serious transformative experience while creating this track with our angels, guides, and ancestors... and since those three instances... we have more inner peace and calm than we've ever experienced, as an adult who's experienced multiple traumas. So, as we state at the beginning, please never drive or operate machinery when listening to our creations. We hope you have as equally a transformative experience.

Logic Pro X
2022 Copyright/Sound Recording/All Rights: One Stop. 
For Licensing Contact:
Rainier Daze
Rainierdaze@gmail.com

Panaway

010123

Brassic (Demo All DI) - @kettleblackofficial

Gregg began his music career as a drummer working the local circuit in Wilmington, Delaware.  He joined a popular local band, The Bees, which included Benny Preston (https://www.youtube.com/watch?v=epfGYLUURdQ), Bob Henegar, and Bob Carryer.  It was Bob Carryer, a graduate from the Berklee College of Music, who introduced Gregg to songwriting and collaborating in a variety of musical styles and genres. 

Gregg performed his own songs at local venues in Wilmington, Delaware using his pseudonym, Allen James.  He met veteran bass player and Blues vocalist, Jimmy Pritchard (https://jimmypritchard.com/), who at the time was organizing and managing a singer/songwriter venue at The David Finney Inn in New Castle.  Gregg became a regular at the David Finney and was invited to appear on the popular Cable TV spot, The Tim Qualls Show, where he performed his Blues/Rock song, Land of the Free.
  
Gregg’s compositions draw from many genres, including Easy Listening, Rock, Indie Rock, Jazz, Blues, and Country. His songs are fresh, visual, rythmic, emotionally gratifying, and possess a sweet sensibility that touch a spark with listeners. 

Gregg can be reached at:
greggkemske@gmail.com